Generated by All in One SEO v5.0.1, this is an llms.txt file, used by LLMs to index the site. # London Contemporary Art Art Gallery selling Paintings, Prints, Sulptures and Multi Media ## Sitemaps - [XML Sitemap](https://londoncontemporaryart.co.uk/sitemap.xml): Contains all public & indexable URLs for this website. ## Posts - [News](https://londoncontemporaryart.co.uk/news/) ## Pages - [London Contemporary Art](https://londoncontemporaryart.co.uk/) - Welcome to London Contemporary Art - LCA - Work created by selected artists from around the world, we look forward to welcoming you to our gallery in Pimlico. - [Test- home categories](https://londoncontemporaryart.co.uk/test-home-categories/) - [Sale Items](https://londoncontemporaryart.co.uk/sale-items/) - Coming very soon! - [London Contemporary Art](https://londoncontemporaryart.co.uk/london-contemporary-art/) - Maintenance Mode 30 April 2024 This site is currently under going scheduled maintenance.Please check back soon. - [Consultancy](https://londoncontemporaryart.co.uk/alfred-place/) - [full_width][/full_width] Consultancy Services Our Fine Art Consultants can help find the perfect artwork for your home or business. View a large selection of paintings, prints and sculptures in-situ Advice and help with hanging No obligation All free of charge To find out more or to book a free appointment please contact us: Email: info@londoncontemporaryart.co.uk - [Contact](https://londoncontemporaryart.co.uk/contact/) - Subscribe to London Contemporary Art Mailing List London Contemporary Art 7 Denbigh StreetLondonSW1V 2HF Nearest tube station: Victoria and Pimlico (Victoria Line) Tel: 020 7580 2118Email: info@londoncontemporaryart.co.uk - [Test](https://londoncontemporaryart.co.uk/test/) - [Sold Items](https://londoncontemporaryart.co.uk/sold-test/) - [Exhibitions](https://londoncontemporaryart.co.uk/news-2/) - [Terms and Conditions](https://londoncontemporaryart.co.uk/terms-and-conditions/) - Terms and conditions Buying fine art is a special experience and we want you to be happy with your purchase from us. In the event that a problem arises we will do our best to resolve it to your satisfaction and will act in the following way: Delivery We pack and ship our artworks ourselves - [London Contemporary Art](https://londoncontemporaryart.co.uk/landing/) - [rev_slider alias="demotwo"] - [Exhibitions-2](https://londoncontemporaryart.co.uk/exhibitions-2/) - Affordable Art Fair, Battersea - Spring 2018 We are all looking forward to exhibiting at the AAF Battersea - spring 2018. It will be running from 8th – 11th March 2018 and Store Street Gallery will be located at stand K10. More details can be found at the following: https://affordableartfair.com/fairs/battersea-spring/exhibitors https://affordableartfair.com/fairs/battersea-spring The event will be - [Artists](https://londoncontemporaryart.co.uk/artists/) - [rev_slider alias="demotwo"] - [Home1](https://londoncontemporaryart.co.uk/home1/) - [About](https://londoncontemporaryart.co.uk/about/) - [Products](https://londoncontemporaryart.co.uk/products/) - [Featured Artists and Shop](https://londoncontemporaryart.co.uk/shop/) ## Products - [Cascade by Camille Dupont](https://londoncontemporaryart.co.uk/product/cascade-by-camille-dupont/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [Golden Glow by Camille Dupont](https://londoncontemporaryart.co.uk/product/golden-glow-by-camille-dupont/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [Waterfall by Camille Dupont](https://londoncontemporaryart.co.uk/product/waterfall-by-camille-dupont/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [Summer Rain by Camille Dupont](https://londoncontemporaryart.co.uk/product/summer-rain-by-camille-dupont-copy/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [Ember by Camille Dupont](https://londoncontemporaryart.co.uk/product/ember-by-camille-dupont/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [After the Rain, the Lights Remain by David Hinchliffe](https://londoncontemporaryart.co.uk/product/after-the-rain-the-lights-remain-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Summer Adventures by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/summer-adventures-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Woman in Orange Hat with Flowers by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-in-orange-hat-with-flowers-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Portrait of a Parisian Woman by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/portrait-of-a-parisian-woman-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Tranquil Light Cloisters, St Remy, France by David Hinchliffe](https://londoncontemporaryart.co.uk/product/into-the-woods-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [The Colours Of Burano, Venice by David Hinchliffe](https://londoncontemporaryart.co.uk/product/stroll-along-the-water-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Summer Light, Arles, France by David Hinchliffe](https://londoncontemporaryart.co.uk/product/blue-town-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [The Colosseum, Arles, Provence by David Hinchliffe](https://londoncontemporaryart.co.uk/product/the-cathedral-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Reflections On The Grand Canal by David Hinchliffe](https://londoncontemporaryart.co.uk/product/boat-ride-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Picaflor 103 by Keng Wai Lee - Acrylic and Gold Leaf on panel](https://londoncontemporaryart.co.uk/product/picaflor-106-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Mercury by Maxim and Dan Pearce](https://londoncontemporaryart.co.uk/product/mercury-by-maxim-and-dan-pearce/) - 2026 Edition of 50 signed and numbered. Dan Pearce and Maxim are internationally acclaimed contemporary artists whose collaborative initiative, Club Unity, combines art, music and culture to inspire human connection in an increasingly digital world. Dan Pearce is one of the UK's most collectible contemporary artists, renowned for his innovative mixed-media works, sculptures, murals and installations, with commissions for global figures including Anthony Joshua, Paul Pogba, Rag'n'Bone Man and 50 Cent, as well as collaborations with brands such as Disney+ and the Four Seasons Doha. Maxim, internationally recognised as the frontman of the pioneering electronic band The Prodigy, has established a respected career as a mixed-media artist, creating surreal, thought-provoking works influenced by artists such as Salvador Dalí and Hieronymus Bosch. Together, they co-founded Club Unity to encourage people to "Look Up" from their screens and reconnect through shared creative experiences. Through exhibitions, public installations, music and limited-edition artworks, Club Unity promotes inclusivity, community and the power of creativity to unite people across all backgrounds. - [Flare by Maxim](https://londoncontemporaryart.co.uk/product/flare-by-maxim/) - 2026 Edition of 10 signed and numbered. Experience the captivating art of Maxim, where creativity becomes a portal to explore the intricate nature of humanity. Influenced by a deep love for the surreal, Maxim draws inspiration from various sources, including movies, books, and renowned artists such as Dali and Bosch. Through his mastery of mixed media, Maxim infuses each artwork with a distinctive and expressive edge. By juxtaposing objects in unexpected contexts, he creates thought-provoking and emotionally challenging pieces of art. The meaning behind each creation remains open to interpretation, inviting viewers to embark on their own personal journey of discovery. Discover the captivating world of Maxim's art, where imagination knows no bounds. Immerse yourself in his evocative creations and experience the power of artistic expression. Explore our collection of Maxim's art and unlock new perspectives today. - [Lumina Phoenix by Maxim](https://londoncontemporaryart.co.uk/product/lumina-phoenix-by-maxim/) - MM (Double M) is a contemporary British artist known for his outstanding paintings, sculptures, and art prints. MM often uses a mixture of sinister and beautiful images, for example, his “Lepidopterror” collection mixed beautiful butterflies with skulls and deadly weapons. A member of the hard-hitting British band The Prodigy, known for his fierce lyrics and vibrant sense of style, in both their videos and their explosive live shows. Maxim has been with the band since its inception in 1990 and has toured all seven of their studio albums extensively around the world, picking up numerous awards along the way including MTV and NME accolades for recognition of their unique style and innovative music, as well as their chart success with countless hits. Maxim has more recently become known for his creativity as an artist under the pseudonym of MM. Over several years he has displayed his mixed media artworks in various exhibitions across the world. His artistic images have also been used on fine bone china crockery embellished with 24ct gold. MM’s creative process tends to evolve naturally, without too much forward planning. MM prefers to use board as a base, as he enjoys being able to mutilate it and create chaos within the work. He is self-taught, and has been known to use many different random objects in his works, spray paints, bullets, blades, and pills to name a few. He also uses acrylic and ceramic paints, and anything he can get his hands on that will add to the texture of his work. The paintings are a journey into Maxim’s mind and have a surreal edge that takes you somewhere deep into his imagination. Certain pieces show rebellion, and the rise of the underdog and the weak. The butterflies all display a side of strength regardless of the situation. All of MM’s paintings contain signs of strength and positivity while putting a “spin on things” and seeing them from different angles. Often his works are finished with resin. He feels this gives a certain beauty and preciseness to the images, keeping them locked and untouchable behind the resin. Since 2012 MM has supported various charities and donated artwork to raise money for research into Breast Cancer, BT ArtBox for ChildLine, and Chain of Hope (cardiac care for children around the world). - [Lumina Charlotte by Maxim](https://londoncontemporaryart.co.uk/product/lumina-charlotte-by-maxim/) - MM (Double M) is a contemporary British artist known for his outstanding paintings, sculptures, and art prints. MM often uses a mixture of sinister and beautiful images, for example, his “Lepidopterror” collection mixed beautiful butterflies with skulls and deadly weapons. A member of the hard-hitting British band The Prodigy, known for his fierce lyrics and vibrant sense of style, in both their videos and their explosive live shows. Maxim has been with the band since its inception in 1990 and has toured all seven of their studio albums extensively around the world, picking up numerous awards along the way including MTV and NME accolades for recognition of their unique style and innovative music, as well as their chart success with countless hits. Maxim has more recently become known for his creativity as an artist under the pseudonym of MM. Over several years he has displayed his mixed media artworks in various exhibitions across the world. His artistic images have also been used on fine bone china crockery embellished with 24ct gold. MM’s creative process tends to evolve naturally, without too much forward planning. MM prefers to use board as a base, as he enjoys being able to mutilate it and create chaos within the work. He is self-taught, and has been known to use many different random objects in his works, spray paints, bullets, blades, and pills to name a few. He also uses acrylic and ceramic paints, and anything he can get his hands on that will add to the texture of his work. The paintings are a journey into Maxim’s mind and have a surreal edge that takes you somewhere deep into his imagination. Certain pieces show rebellion, and the rise of the underdog and the weak. The butterflies all display a side of strength regardless of the situation. All of MM’s paintings contain signs of strength and positivity while putting a “spin on things” and seeing them from different angles. Often his works are finished with resin. He feels this gives a certain beauty and preciseness to the images, keeping them locked and untouchable behind the resin. Since 2012 MM has supported various charities and donated artwork to raise money for research into Breast Cancer, BT ArtBox for ChildLine, and Chain of Hope (cardiac care for children around the world). - [Carnival by Maxim and Dan Pearce](https://londoncontemporaryart.co.uk/product/carnival-by-maxim-and-dan-pearce/) - 2026 Edition of 50 signed and numbered. Dan Pearce and Maxim are internationally acclaimed contemporary artists whose collaborative initiative, Club Unity, combines art, music and culture to inspire human connection in an increasingly digital world. Dan Pearce is one of the UK's most collectible contemporary artists, renowned for his innovative mixed-media works, sculptures, murals and installations, with commissions for global figures including Anthony Joshua, Paul Pogba, Rag'n'Bone Man and 50 Cent, as well as collaborations with brands such as Disney+ and the Four Seasons Doha. Maxim, internationally recognised as the frontman of the pioneering electronic band The Prodigy, has established a respected career as a mixed-media artist, creating surreal, thought-provoking works influenced by artists such as Salvador Dalí and Hieronymus Bosch. Together, they co-founded Club Unity to encourage people to "Look Up" from their screens and reconnect through shared creative experiences. Through exhibitions, public installations, music and limited-edition artworks, Club Unity promotes inclusivity, community and the power of creativity to unite people across all backgrounds. - [Soltice by Maxim and Dan Pearce - Exclusive Club Unity Series](https://londoncontemporaryart.co.uk/product/soltice-by-maxim-and-dan-pearce-exclusive-club-unity-series/) - 2026 Edition of 10 signed and numbered. Dan Pearce and Maxim are internationally acclaimed contemporary artists whose collaborative initiative, Club Unity, combines art, music and culture to inspire human connection in an increasingly digital world. Dan Pearce is one of the UK's most collectible contemporary artists, renowned for his innovative mixed-media works, sculptures, murals and installations, with commissions for global figures including Anthony Joshua, Paul Pogba, Rag'n'Bone Man and 50 Cent, as well as collaborations with brands such as Disney+ and the Four Seasons Doha. Maxim, internationally recognised as the frontman of the pioneering electronic band The Prodigy, has established a respected career as a mixed-media artist, creating surreal, thought-provoking works influenced by artists such as Salvador Dalí and Hieronymus Bosch. Together, they co-founded Club Unity to encourage people to "Look Up" from their screens and reconnect through shared creative experiences. Through exhibitions, public installations, music and limited-edition artworks, Club Unity promotes inclusivity, community and the power of creativity to unite people across all backgrounds. - [Inferno by Maxim and Dan Pearce - Exclusive Club Unity Series](https://londoncontemporaryart.co.uk/product/inferno-by-maxim-and-dan-pearce-exclusive-club-unity-series/) - 2026 Edition of 10 signed and numbered. Experience the captivating art of Maxim, where creativity becomes a portal to explore the intricate nature of humanity. Influenced by a deep love for the surreal, Maxim draws inspiration from various sources, including movies, books, and renowned artists such as Dali and Bosch. Through his mastery of mixed media, Maxim infuses each artwork with a distinctive and expressive edge. By juxtaposing objects in unexpected contexts, he creates thought-provoking and emotionally challenging pieces of art. The meaning behind each creation remains open to interpretation, inviting viewers to embark on their own personal journey of discovery. Discover the captivating world of Maxim's art, where imagination knows no bounds. Immerse yourself in his evocative creations and experience the power of artistic expression. Explore our collection of Maxim's art and unlock new perspectives today. - [Solar by Maxim and Dan Pearce - Exclusive Club Unity Series](https://londoncontemporaryart.co.uk/product/solar-by-maxim-and-dan-pearce-exclusive-club-unity-series/) - 2026 Edition of 10 signed and numbered. Experience the captivating art of Maxim, where creativity becomes a portal to explore the intricate nature of humanity. Influenced by a deep love for the surreal, Maxim draws inspiration from various sources, including movies, books, and renowned artists such as Dali and Bosch. Through his mastery of mixed media, Maxim infuses each artwork with a distinctive and expressive edge. By juxtaposing objects in unexpected contexts, he creates thought-provoking and emotionally challenging pieces of art. The meaning behind each creation remains open to interpretation, inviting viewers to embark on their own personal journey of discovery. Discover the captivating world of Maxim's art, where imagination knows no bounds. Immerse yourself in his evocative creations and experience the power of artistic expression. Explore our collection of Maxim's art and unlock new perspectives today. - [Aretusa la prediletta (Diana fountain in Ortigia - Syracuse) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/aretusa-la-prediletta-diana-fountain-in-ortigia-syracuse/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Woman in Blue with Headscarf by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-in-blue-with-headscarf-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Woman in Pink by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-in-pink-by-nicolle-menegaldo-2/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [The Pot Carrier by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/the-pot-carrier-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Pot Carrier with Pink Shawl by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/pot-carrier-with-pink-shawl-by-nicolle-menegaldo/) - ON HOLD Email for any enquiries. You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Woman with Pink Headdress by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-with-pink-headdress-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Framed Size: 69 x 89 cm Unframed Size: 60 x 80 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Woman In Orange by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-in-orange-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Two Ethnic Women by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/two-ethnic-women-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Theatre Velvet Framed by Barry Wilson](https://londoncontemporaryart.co.uk/product/theatre-velvet-framed-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Everyday People by Julia Whitehead](https://londoncontemporaryart.co.uk/product/everyday-people-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Shingle Street II by Lorna Kirin](https://londoncontemporaryart.co.uk/product/shingle-street-ii-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Reed Bed by Lorna Kirin](https://londoncontemporaryart.co.uk/product/reed-bed-by-lorna-kirin/) - Reed Bed by Lorna Kirin 40 x 40 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Red Onions by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/red-onions-by-ania-pieniazek/) - framed in white wooden floater frame – 41 x 51cm framed dimensions pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Delicate and Juicy by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/delicate-and-juicy-by-ania-pieniazek/) - Acrylic on Box Canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Tulips and Pears by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/tulips-and-pears-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [White Tulips and Pears by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/white-tulips-and-pears-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Lilac and Pears by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/lilac-and-pears-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Lavender and Roses by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/lavender-and-roses-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Lilies by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/lilies-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Lilac Bouquet by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/lilac-bouquet-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Peonies I by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/peonies-i-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Peonies II by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/peonies-ii-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Peonies III by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/peonies-iii-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Spectrum by Julia Whitehead](https://londoncontemporaryart.co.uk/product/spectrum-by-julia-whitehead/) - Framed 81 x 107 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Run With It by Moira Hazel](https://londoncontemporaryart.co.uk/product/run-with-it-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. 70 x 70 cm - [Light, Sea, Stone by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/light-sea-stone-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Winter's Caress by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/winters-caress-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Nature's Blush by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/natures-blush-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Nature's Dance by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/natures-dance-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Breath Before The Storm by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/breath-before-the-storm-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Boundless by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/boundless-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Breath of Fresh Sky by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/breath-of-fresh-sky-by-andrew-kinmont/) - Oil on Canvas Board Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Right Place by Bill Bate](https://londoncontemporaryart.co.uk/product/right-place-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Surface by Bill Bate](https://londoncontemporaryart.co.uk/product/surface-by-bill-bate-2/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Journey by Bill Bate](https://londoncontemporaryart.co.uk/product/journey-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Genesis by Bill Bate](https://londoncontemporaryart.co.uk/product/genesis-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Sea Breeze by Lorna Kirin](https://londoncontemporaryart.co.uk/product/sea-breeze-by-lorna-kirin/) - Silent Ripples by Lorna Kirin 70 x 70 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Brighter Days by David Hinchliffe](https://londoncontemporaryart.co.uk/product/brighter-days-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Soft Winds & Shadows by David Hinchliffe](https://londoncontemporaryart.co.uk/product/soft-winds-shadows-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Summer Hike by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/summer-hike-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Along the Path by David Hinchliffe](https://londoncontemporaryart.co.uk/product/along-the-path-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [London's Summer Shade by David Hinchliffe](https://londoncontemporaryart.co.uk/product/londons-summer-shade-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Walks of Reflection by David Hinchliffe](https://londoncontemporaryart.co.uk/product/walks-of-reflection-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [With Ease by David Hinchliffe](https://londoncontemporaryart.co.uk/product/with-ease-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Mellow Path by David Hinchliffe](https://londoncontemporaryart.co.uk/product/mellow-path-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Where the Light Rests by David Hinchliffe](https://londoncontemporaryart.co.uk/product/where-the-light-rests-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [The Rhythm of Becoming by David Hinchliffe](https://londoncontemporaryart.co.uk/product/the-rhythm-of-becoming-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Reflected Light by David Walker](https://londoncontemporaryart.co.uk/product/reflected-light-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Golden Hour by Pierre Williams](https://londoncontemporaryart.co.uk/product/golden-hour-by-pierre-williams/) - pay in full or in instalments, full return and refund guarantee Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Rockpool by Megan Yelets](https://londoncontemporaryart.co.uk/product/rockpool-by-megan-yelets/) - Rockpool by Megan Yelets Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Sunsoaked by Pierre Williams](https://londoncontemporaryart.co.uk/product/sunsoaked-by-pierre-williams/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [C3PO Soul by Marco Araldi](https://londoncontemporaryart.co.uk/product/cp30-soul-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Reef by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/reef-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Estuary in Changing Weather by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/estuary-in-changing-weather/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Northumberland Avenue by David Walker](https://londoncontemporaryart.co.uk/product/northumbrela-avenue-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Starship Camouflage Heart by Marco Araldi](https://londoncontemporaryart.co.uk/product/starship-camouflage-heart-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [R2D2 Heart by Marco Araldi](https://londoncontemporaryart.co.uk/product/r2d2-heart-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [BB8 by Marco Araldi](https://londoncontemporaryart.co.uk/product/bb8-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [AT - AT by Marco Araldi](https://londoncontemporaryart.co.uk/product/at-at-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Solace by David Hinchliffe](https://londoncontemporaryart.co.uk/product/solace-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [The City's Flower Bed by David Hinchliffe](https://londoncontemporaryart.co.uk/product/the-citys-flower-bed-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Everchanging by David Hinchliffe](https://londoncontemporaryart.co.uk/product/everchanging-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Warm Woods by David Hinchliffe](https://londoncontemporaryart.co.uk/product/warm-woods-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Salt Water by Megan Yelets](https://londoncontemporaryart.co.uk/product/salt-water-by-megan-yelets/) - Salt Water by Megan Yelets Unframed Size: 100 x 100 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Shallows by Megan Yelets](https://londoncontemporaryart.co.uk/product/shallows-by-megan-yelets/) - Shallows by Megan Yelets Unframed Size: 100 x 100 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Start of Spring by Megan Yelets](https://londoncontemporaryart.co.uk/product/start-of-spring-by-megan-yelets/) - Start of Spring by Megan Yelets Dyptich Piece Unframed size: 60 x 75 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Start of Spring II by Megan Yelets](https://londoncontemporaryart.co.uk/product/start-of-spring-ii-by-megan-yelets/) - Start of Spring II by Megan Yelets Unframed size: 60 x 75 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Splash III by Megan Yelets](https://londoncontemporaryart.co.uk/product/splash-iii-by-megan-yelets/) - Splash III by Megan Yelets Framed size: 42 x 42 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Rockpool II by Megan Yelets](https://londoncontemporaryart.co.uk/product/rockpool-ii-by-megan-yelets/) - Rockpool II by Megan Yelets Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [December by Megan Yelets](https://londoncontemporaryart.co.uk/product/december-by-megan-yelets/) - December by Megan Yelets Framed Size: 30 x 30 cm Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February - May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February - December 2022 Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Commuting at Dusk by David Hinchliffe](https://londoncontemporaryart.co.uk/product/commuting-at-dusk-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [In the Spotlight by Ewa Adams](https://londoncontemporaryart.co.uk/product/in-the-spotlight-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Okonkwo by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/okonkwo-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Nkemdilim by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/my-soul-gathers-strength-by-caroline-chinakwe-3/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Fin & Tin by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/fin-tin-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Fading Exotic Birds Framed by Barry Wilson](https://londoncontemporaryart.co.uk/product/fading-exotic-birds-framed-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Everyday Life by Julia Whitehead](https://londoncontemporaryart.co.uk/product/everyday-life-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Nine to Five by Julia Whitehead](https://londoncontemporaryart.co.uk/product/nine-to-five-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Daylight Tribe by Julia Whitehead](https://londoncontemporaryart.co.uk/product/daylight-tribe-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [City Crossing by Julia Whitehead](https://londoncontemporaryart.co.uk/product/city-crossing-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Citizens in Colour by Julia Whitehead](https://londoncontemporaryart.co.uk/product/citizens-in-colour-by-julia-whitehead/) - Framed Size - 50 x 60 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Motion Sense by Julia Whitehead](https://londoncontemporaryart.co.uk/product/motion-sense-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [United Colours by Julia Whitehead](https://londoncontemporaryart.co.uk/product/united-colours-by-julia-whitehead-2/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Contemplation by Barry Wilson](https://londoncontemporaryart.co.uk/product/contemplation-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Virtus by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/virtus-by-keng-wai-lee-and-marco-araldi/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Standing Male Nude on Plinth - Letter Series by Pierre Williams](https://londoncontemporaryart.co.uk/product/standing-male-nude-on-plinth-letter-series-by-pierre-williams/) - Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Standing Male Nude on Clawed Plinth - Precious Series by Pierre Williams](https://londoncontemporaryart.co.uk/product/standing-male-nude-on-clawed-plinth-precious-series-by-pierre-williams/) - Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Angel of the South by Pierre Williams](https://londoncontemporaryart.co.uk/product/angel-of-the-south-by-pierre-williams/) - Pay in full or in instalments, full return and refund guarantee Authenticity certificate available Collection Only of this work - No Postage Available Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Chainlink by Pierre Williams](https://londoncontemporaryart.co.uk/product/chainlink-by-pierre-williams/) - Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Arrival of the Swifts by Pierre Williams](https://londoncontemporaryart.co.uk/product/arrival-of-the-swifts-by-pierre-williams/) - Pay in full or in instalments, full return and refund guarantee Authenticity certificate available Collection Only of this work - No Postage Available Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Arc of Rest by Pierre Williams](https://londoncontemporaryart.co.uk/product/arc-of-rest-by-pierre-williams/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Windswept by Simon Ledson](https://londoncontemporaryart.co.uk/product/windswept-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Somewhere & Nowhere by Julia Whitehead](https://londoncontemporaryart.co.uk/product/somewhere-nowhere-by-julia-whitehead-2/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Window Shopping by Julia Whitehead](https://londoncontemporaryart.co.uk/product/window-shopping-by-julia-whitehead/) - Framed : 57x 47 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Urban Pastel Hues by Julia Whitehead](https://londoncontemporaryart.co.uk/product/urban-pastel-hues-by-julia-whitehead/) - Framed : 65.5 x 94.5 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Soft Pavement Colours by Julia Whitehead](https://londoncontemporaryart.co.uk/product/soft-pavement-colours-by-julia-whitehead/) - FRAMED SIZE 43 x 33 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [City Living by Julia Whitehead](https://londoncontemporaryart.co.uk/product/city-living-by-julia-whitehead/) - FRAMED SIZE 43 x 33 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Piccadilly People by Julia Whitehead](https://londoncontemporaryart.co.uk/product/piccadilly-people-by-julia-whitehead/) - FRAMED SIZE 43 x 33 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Green Afternoon by Ewa Adams](https://londoncontemporaryart.co.uk/product/green-afternoon-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Golden Joy by Ewa Adams](https://londoncontemporaryart.co.uk/product/golden-joy-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Tulips and Hyacinths by Ewa Adams](https://londoncontemporaryart.co.uk/product/tulips-and-hyacinths-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Picaflor 104 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-104-by-keng-wai-lee-2/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Picaflor 107 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-102-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Picaflor 105 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-107-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Picaflor 106 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-104-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Chuparrosa 2602 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/chuparrosa-2602-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Chuparrosa 2604 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/chuparrosa-2604-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Into the Sun by Ewa Adams](https://londoncontemporaryart.co.uk/product/into-the-sun-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Golden Tree by Ewa Adams - Acrylic on Canvas](https://londoncontemporaryart.co.uk/product/golden-tree-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Blue Forest Walk by Ewa Adams](https://londoncontemporaryart.co.uk/product/blue-forest-walk-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Goodbye Summer by Ewa Adams](https://londoncontemporaryart.co.uk/product/goodbye-summer-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Dusk Lighting by Julia Whitehead](https://londoncontemporaryart.co.uk/product/dusk-lighting-by-julia-whitehead/) - FRAMED SIZE 43 x 33 cm Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Martello Tower by Lorna Kirin](https://londoncontemporaryart.co.uk/product/martello-tower-by-lorna-kirin/) - 40 x 50 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Along The Sands by Michael Hill](https://londoncontemporaryart.co.uk/product/along-the-sands-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Special Time of Day by Moira Hazel](https://londoncontemporaryart.co.uk/product/special-time-of-day-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. 70 x 70 cm - [Where We Part by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/where-we-part-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [That Holiday Feeling by Barry Wilson](https://londoncontemporaryart.co.uk/product/that-holiday-feeling-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Farmhouse with Chickens by Michael Hill](https://londoncontemporaryart.co.uk/product/farmhouse-with-chickens-by-michael-hill/) - Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Open Door, Dogs Gone by Mike Hall](https://londoncontemporaryart.co.uk/product/open-door-dogs-gowe-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [View from a Restaurant by Mike Hall](https://londoncontemporaryart.co.uk/product/view-from-a-restaurant/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Tinplicity](https://londoncontemporaryart.co.uk/product/tinplicity-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Fin-dulgence](https://londoncontemporaryart.co.uk/product/fin-dulgence-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Finny Tales](https://londoncontemporaryart.co.uk/product/finny-tales-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Sardoodledoo](https://londoncontemporaryart.co.uk/product/sardoodledoo-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Sardonic Swimmers](https://londoncontemporaryart.co.uk/product/sardonic-swimmers-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Fin-spiration](https://londoncontemporaryart.co.uk/product/fin-spiration-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Street Living by Julia Whitehead](https://londoncontemporaryart.co.uk/product/street-living-by-julia-whitehead/) - Framed Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Pink Chinoiserie Framed by Barry Wilson](https://londoncontemporaryart.co.uk/product/pink-chinoiserie-framed-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Twins Framed by Barry Wilson](https://londoncontemporaryart.co.uk/product/twins-framed-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Trying to relax by Barry Wilson](https://londoncontemporaryart.co.uk/product/trying-to-relax-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Chinoiserie by Barry Wilson](https://londoncontemporaryart.co.uk/product/chinoiserie-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Orchid by Barry Wilson](https://londoncontemporaryart.co.uk/product/orchid-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Late Morning Tate Modern by Barry Wilson](https://londoncontemporaryart.co.uk/product/late-morning-tate-modern-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Barbican by Barry Wilson](https://londoncontemporaryart.co.uk/product/barbican-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [The Promise by Barry Wilson](https://londoncontemporaryart.co.uk/product/the-promise-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Stepping Out by Julia Whitehead](https://londoncontemporaryart.co.uk/product/stepping-out-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Red Hill by Moira Hazel - Acrylic on Canvas](https://londoncontemporaryart.co.uk/product/red-hill-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Shoreditch by David Walker - Oil on Board](https://londoncontemporaryart.co.uk/product/shoreditch-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Night Flight over London by Ellie Hesse - Oil on Canvas](https://londoncontemporaryart.co.uk/product/night-flight-over-london-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia and South America, as well as living and working in a number of different European countries (UK, France, Germany and more recently Italy). These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusing on the horse in particular. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference for building up layers of texture and depth of colour in her townscapes. Her equine work, conversely, demands a freer hand in seeking to capture the horse’s natural form and movement, and so charcoal and more fluid paints feel more appropriate. By working intermittently on two very different subjects, Ellie has found that the two approaches seem to cross-pollinate. The looser drawing style of the equine work, feeding into the more structural work of townscapes, bringing new vitality into the painting style as well as composition, with the introduction of figures and animals. The creative tension that arises from contrasting solid, architectural forms with the fluidity of a natural and dynamic subject, creates a certain energy, keeping the painting process always fresh and exciting. - [Grazing Alpacas by Lisa House - Mixed Media](https://londoncontemporaryart.co.uk/product/grazing-alpacas-by-lisa-house/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [Harbour By Night by Michael Hill - Acrylic on Canvas](https://londoncontemporaryart.co.uk/product/harbour-by-night-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [When the City Turns To Gold by David Hinchliffe - Acrylic on Canvas](https://londoncontemporaryart.co.uk/product/when-the-city-turns-to-gold-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [RIO by Brian Bartlett - Acrylic on Canvas](https://londoncontemporaryart.co.uk/product/rio-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Blooming by Katie Brent](https://londoncontemporaryart.co.uk/product/blooming-by-katie-brent/) - Framed Size - 80 x 105 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [The Most Heavily Armoured Vehicle by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-most-heavily-armoured-vehicle-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [The Golden one (Metadrones cube) by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-golden-one-metadrones-cube-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Geometria Cattedrale by Marco Araldi](https://londoncontemporaryart.co.uk/product/geometria-cattedrale-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Saint Augustine by Marco Araldi](https://londoncontemporaryart.co.uk/product/saint-augustine-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Royal Albert Hall by Marco Araldi](https://londoncontemporaryart.co.uk/product/royal-albert-hall-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Blossom Lace (N50.9963 E0.2792) by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/pink-glow-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Embracing Twilight (N51.9825 W1.7164) by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/embracing-twilight-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Orange Glow (N50.9582 E0.1593) by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/orange-glow-n50-9582-e0-1593-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Illumination (N50.9709 E0.3630) by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/illumination-n50-9709-e0-3630-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Tiny Seahorse by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/tiny-seahorse-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Finding Nemo by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/finding-nemo-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Finding Dory by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/finding-dory-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Amazonas by Javier De La Rosa](https://londoncontemporaryart.co.uk/product/amazonas-by-javier-de-la-rosa/) - Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Three Kings of Medieval London by Ellie Hesse](https://londoncontemporaryart.co.uk/product/three-kings-of-medieval-london-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Balconies of Valletta, Malta by Ellie Hesse](https://londoncontemporaryart.co.uk/product/balconies-of-valletta-malta-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Sunday Morning in Paris by Ellie Hesse](https://londoncontemporaryart.co.uk/product/sunday-morning-in-paris-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Stampede at St Pancras by Ellie Hesse](https://londoncontemporaryart.co.uk/product/stampede-at-st-pancras-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [The Runner by Maureen Langley](https://londoncontemporaryart.co.uk/product/therunner-by-maureen-langley/) - Maureen Langley is a renowned South African sculptor who has worked in South Africa, England and Wales. Maureen works with wood, bronze, marble and other materials grace buildings, churches, boardrooms and private homes and have been bought by collectors in South Africa the UK Europe, Germany, Switzerland and the USA. Maureen's prevailing love is African Hardwood, on which she can create a magnificent sculpture with anything from a small chisel to a chainsaw. She has been able to pass on her love of sculpture and its techniques by teaching at various schools and colleges over four decades. Maureen sculpts for the sheer love of it because the hardwood she has selected demands to be carved into a certain form. - [Joy by Maureen Langley](https://londoncontemporaryart.co.uk/product/joy-by-maureen-langley/) - Maureen Langley is a renowned South African sculptor who has worked in South Africa, England and Wales. Maureen works with wood, bronze, marble and other materials grace buildings, churches, boardrooms and private homes and have been bought by collectors in South Africa the UK Europe, Germany, Switzerland and the USA. Maureen's prevailing love is African Hardwood, on which she can create a magnificent sculpture with anything from a small chisel to a chainsaw. She has been able to pass on her love of sculpture and its techniques by teaching at various schools and colleges over four decades. Maureen sculpts for the sheer love of it because the hardwood she has selected demands to be carved into a certain form. - [4 O'clock Meeting by Julia Whitehead](https://londoncontemporaryart.co.uk/product/4-oclock-meeting-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Mixing Pot by Julia Whitehead](https://londoncontemporaryart.co.uk/product/mixing-pot-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Piccadilly by Julia Whitehead](https://londoncontemporaryart.co.uk/product/places-to-go-by-julia-whitehead/) - Framed Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Connections (Pastel Light) by Julia Whitehead](https://londoncontemporaryart.co.uk/product/connections-pastel-light-by-julia-whitehead/) - Framed Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Bellini by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/bellini-by-sara-ingleby-mackenzie/) - Bronze Gall - Sculpture Edition Number 3/9 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Places To Go by Julia Whitehead](https://londoncontemporaryart.co.uk/product/places-to-go-by-julia-whitehead-2/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Protocol Droid by Marco Araldi](https://londoncontemporaryart.co.uk/product/protocol-droid-by-marco-araldi/) - Protocol Droid by Marco Araldi Acrylic, gilding and ink on canvas Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [The Mechanic of a Star. (Death Star) by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-mechanic-of-a-star-by-marco-araldi/) - The Mechanic of a Star by Marco Araldi Acrylic, gilding and ink on canvas Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [If Only You Knew the Power of the Dark Side by Marco Araldi](https://londoncontemporaryart.co.uk/product/if-only-you-knew-the-power-of-the-dark-side-by-marco-araldi/) - If Only You Knew the Power of the Dark Side by Marco Araldi Acrylic, gilding and ink on canvas Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [London's Whispers by David Hinchliffe](https://londoncontemporaryart.co.uk/product/londons-whispers-by-david-hinchliffe/) - London's Whispers by David Hinchliffe 40 x 50 cm Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Beneath London's Surface by David Hinchliffe](https://londoncontemporaryart.co.uk/product/beneath-londons-surface-by-david-hinchliffe/) - Beneath London's Surface by David Hinchliffe 40 x 50 cm Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David says “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Marble Arch by Marco Araldi](https://londoncontemporaryart.co.uk/product/marble-arch-by-marco-araldi/) - Marble Arch by Marco Araldi Acrylic, gilding and ink on canvas 36 x 36 cm Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Black Pot by Gohar Goddard](https://londoncontemporaryart.co.uk/product/black-pot-by-gohar-goddard/) - Black Pot by Gohar Goddard Framed Size - 29 x 29 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Perfect Arrangement by Gohar Goddard](https://londoncontemporaryart.co.uk/product/perfect-arrangement-by-gohar-goddard/) - Black Pot by Gohar Goddard Framed Size - 30 x 30 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Silent Ripples by Lorna Kirin](https://londoncontemporaryart.co.uk/product/silent-ripples-by-lorna-kirin/) - Silent Ripples by Lorna Kirin 70 x 70 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Mystery by Artigas Planas](https://londoncontemporaryart.co.uk/product/mystery-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Emma by Artigas Planas](https://londoncontemporaryart.co.uk/product/emma-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Adventure by Artigas Planas](https://londoncontemporaryart.co.uk/product/adventure-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Flying Sailors of St Ives Dyptich Part 1 by Ellie Hesse](https://londoncontemporaryart.co.uk/product/flying-sailors-of-st-ives-dyptich-part-1-by-ellie-hesse/) - Flying Sailors of St Ives Dyptich Part 1 by Ellie Hesse Available as a pair: £5990 Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Flying Sailors of St Ives Dyptich Part 2 by Ellie Hesse](https://londoncontemporaryart.co.uk/product/flying-sailors-of-st-ives-dyptich-part-2-by-ellie-hesse/) - Flying Sailors of St Ives Dyptich Part 2 by Ellie Hesse Available as a pair: £5990 Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Next Door by Gohar Goddard](https://londoncontemporaryart.co.uk/product/next-door/) - Next Door by Gohar Goddard Framed Size - 51 x 51 Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Pink Bowl by Gohar Goddard](https://londoncontemporaryart.co.uk/product/pink-bowl/) - Next Door by Gohar Goddard Framed Size - 44 x 44 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [View of Bass Rock by Mike Hall](https://londoncontemporaryart.co.uk/product/view-of-bass-rock-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Fez by John Butterworth](https://londoncontemporaryart.co.uk/product/fez-by-john-butterworth/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Svetlana Kalachnik - Paquita](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-paquita/) - Svetlana Kalachnik's unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour... In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Hope by Artigas Planas](https://londoncontemporaryart.co.uk/product/hope-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Tamara by Artigas Planas](https://londoncontemporaryart.co.uk/product/tamara-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Movement in Leadenhall Street by David Walker](https://londoncontemporaryart.co.uk/product/movement-in-leadenhall-street-by-david-walker/) - Framed - 80 x 80 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Presence in Cannon Street by David Walker](https://londoncontemporaryart.co.uk/product/presence-in-cannon-street-by-david-walker/) - Framed - 100 x 100 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [The View North on Bishopsgate by David Walker](https://londoncontemporaryart.co.uk/product/the-view-north-on-bishopsgate-by-david-walker/) - Framed - 80 x 80 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Olga by Artigas Planas](https://londoncontemporaryart.co.uk/product/olga-by-artigas-planas/) - This one of a Ltd edition of 25 sculptures by the artist. Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Promise of Light by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/promise-of-light-by-andrew-kinmont/) - Oil on Canvas Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Svetlana Kalachnik - Mari](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-mari-2/) - Svetlana Kalachnik's unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour... In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Pernod in the Shade by Mike Hall](https://londoncontemporaryart.co.uk/product/pernod-in-the-shade-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Daylight Walk by Julia Whitehead](https://londoncontemporaryart.co.uk/product/daylight-walk-by-julia-whitehead-2/) - FRAMED SIZE 50 X 60 CM Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Summertime by Julia Whitehead](https://londoncontemporaryart.co.uk/product/summertime-by-julia-whitehead-2/) - FRAMED SIZE 50 X 60 CM Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [Duets by Gohar Goddard](https://londoncontemporaryart.co.uk/product/duets-by-gohar-goddard/) - Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Harbour by Gohar Goddard](https://londoncontemporaryart.co.uk/product/harbour-by-gohar-goddard/) - Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Tropical Island by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/tropical-island-by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could… and don’t blame me if you end up wanting to decorate your home like my paintings! - [New York by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/new-york-by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could… and don’t blame me if you end up wanting to decorate your home like my paintings! - [Svetlana Kalachnik - Queen of the Seas](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-queen-of-the-seas/) - Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour… In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Golden Sunset by Barry Wilson](https://londoncontemporaryart.co.uk/product/golden-sunset-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [After the Sunset by Barry Wilson](https://londoncontemporaryart.co.uk/product/after-the-sunset-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [My Red Ball by Barry Wilson](https://londoncontemporaryart.co.uk/product/my-red-ball-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Are You Ready? by Barry Wilson](https://londoncontemporaryart.co.uk/product/are-you-ready-by-barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Sunday Afternoon by Barry Wilson](https://londoncontemporaryart.co.uk/product/sunday-afternoon-by-barry-wilson-copy/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [View from Tate Modern by Barry Wilson](https://londoncontemporaryart.co.uk/product/golden-sunset-by-barry-wilson-2/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Svetlana Kalachnik - It is a Tale of Evenings and Dawns](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-it-is-a-tale-of-evenings-and-dawns/) - Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour… In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Svetlana Kalachnik - The Queen of the Labyrinth](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-the-queen-of-the-labyrinth/) - Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour… In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Svetlana Kalachnik - Miss Jacaranda](https://londoncontemporaryart.co.uk/product/svetlana-kalachnik-miss-jacaranda/) - Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour… In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Swiss Guards, St Peterś Basilica, Rome by Ellie Hesse](https://londoncontemporaryart.co.uk/product/swiss-guards-st-peters-basilica-rome-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Riding the Bull Market at the London Stock Exchange by Ellie Hesse](https://londoncontemporaryart.co.uk/product/riding-the-bull-market-at-the-london-stock-exchange-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Lovers of Notre Dame by Ellie Hesse](https://londoncontemporaryart.co.uk/product/lovers-of-notre-dame-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Tomorrow The Sun Will Rise by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/tomorrow-the-sun-will-rise-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Flamingos in Seville by Ellie Hesse](https://londoncontemporaryart.co.uk/product/flamingos-in-seville-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [I Am Who I Am by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/i-am-who-i-am-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Renaissance Florence by Ellie Hesse](https://londoncontemporaryart.co.uk/product/renaissance-florence-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [And We Too Will Carry On by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/and-we-too-will-carry-on-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Her Lived Experience by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/her-lived-experience-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [I Am Who I Am V2 by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/i-am-my-biggest-competition-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Gaudi and Green Parrots, Barcelona by Ellie Hesse](https://londoncontemporaryart.co.uk/product/gaudi-and-green-parrots-barcelona-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Flying Gondoliers by Ellie Hesse](https://londoncontemporaryart.co.uk/product/flying-gondoliers-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Piccadilly Circus! by Ellie Hesse](https://londoncontemporaryart.co.uk/product/piccadilly-circus-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [I Am My Biggest Competition by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/i-am-my-biggest-competition-by-caroline-chinakwe-2/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Far Enough by Moira Hazel](https://londoncontemporaryart.co.uk/product/far-enough-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Here and There by Moira Hazel](https://londoncontemporaryart.co.uk/product/here-and-there-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Find the Way by Moira Hazel](https://londoncontemporaryart.co.uk/product/find-the-way-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Scent of the sea by Albert Gimenez](https://londoncontemporaryart.co.uk/product/scent-of-the-sea-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Yellow-Atmospheres-(London) by Albert Gimenez](https://londoncontemporaryart.co.uk/product/yellow-atmospheres-london-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Evening Scents by Albert Gimenez](https://londoncontemporaryart.co.uk/product/evening-scents-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Midsummer Night by Albert Gimenez](https://londoncontemporaryart.co.uk/product/midsummer-night-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Scent of Summer by Albert Gimenez](https://londoncontemporaryart.co.uk/product/scent-of-summer-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Tomorrow the Moon Will Set 3 by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/tomorrow-the-moon-will-set-3-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [I Find Devotion by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/my-soul-gathers-strength-by-caroline-chinakwe/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [My Soul Gathers Strength by Caroline Chinakwe](https://londoncontemporaryart.co.uk/product/my-soul-gathers-strength-by-caroline-chinakwe-2/) - Caroline Chinakwe a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Belmont Brook by Christopher Rainham](https://londoncontemporaryart.co.uk/product/belmont-brook-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Autumn Grasses by Katie Brent](https://londoncontemporaryart.co.uk/product/autumn-grasses/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Echinacea by Katie Brent](https://londoncontemporaryart.co.uk/product/echinacea-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [In My Dreams by Moira Hazel](https://londoncontemporaryart.co.uk/product/in-my-dreams-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Summer's Whisper by Katie Brent](https://londoncontemporaryart.co.uk/product/summers-whisper-by-katie-brent/) - Framed Size 44 x 104 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Little Yellow Ochre by Gohar Goddard](https://londoncontemporaryart.co.uk/product/little-yellow-ochre-by-gohar-goddard/) - Framed Size 44 x 44 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Orange Vase by Gohar Goddard](https://londoncontemporaryart.co.uk/product/orange-vase-by-gohar-goddard/) - Framed Size 65 x 65 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Brine Club by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/brine-club-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [The Tin-Fin Trio by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/the-tin-fin-trio-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Finding home by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/finding-home-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Between Here and There by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/between-here-and-there-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Hold My Fin by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/hold-my-fin-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Nori by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/nori-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Just Keep Swimming by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/just-keep-swimming-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [The Three Sea-sketeers by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/the-three-sea-sketeers-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Pip & Pop by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/pip-pop-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Mortehoe Sun by Bill Bate](https://londoncontemporaryart.co.uk/product/mortehoe-sun-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [The Coral Crew by Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product/the-coral-crew-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [End of the Day Mortehoe by Bill Bate](https://londoncontemporaryart.co.uk/product/end-of-the-day-mortehoe-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Tresaith Coast by Bill Bate](https://londoncontemporaryart.co.uk/product/tresaith-coast-by-bill-bate-2/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Boat for Hire by Luis Morris ROI](https://londoncontemporaryart.co.uk/product/test/) - FRAMED SIZE 33 X 41 CM Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” · Member of the prestigious Royal Institute of Oil Painters. · Winner of the London heat of Sky Arts Portrait Artist of the Year, 2013. · Awarded the Leclerc Fowle Medal in 2019 for outstanding collection of paintings at ROI Exhibition · Appointed official Wimbledon Championships Artist – June 2019 · On board of Federation of British Artists (FBA) 2024 · Awarded Dartington Crystal Chalice for outstanding service to the ROI over the years. Dec 2023 - [Broad Oak Bridge by Luis Morris ROI](https://londoncontemporaryart.co.uk/product/broad-oak-bridge-by-luis-morris/) - FRAMED SIZE 40 x 40 CM Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” · Member of the prestigious Royal Institute of Oil Painters. · Winner of the London heat of Sky Arts Portrait Artist of the Year, 2013. · Awarded the Leclerc Fowle Medal in 2019 for outstanding collection of paintings at ROI Exhibition · Appointed official Wimbledon Championships Artist – June 2019 · On board of Federation of British Artists (FBA) 2024 · Awarded Dartington Crystal Chalice for outstanding service to the ROI over the years. Dec 2023 - [Colt Hill Bridge by Luis Morris ROI](https://londoncontemporaryart.co.uk/product/colt/) - FRAMED SIZE 33 X 41 CM Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” · Member of the prestigious Royal Institute of Oil Painters. · Winner of the London heat of Sky Arts Portrait Artist of the Year, 2013. · Awarded the Leclerc Fowle Medal in 2019 for outstanding collection of paintings at ROI Exhibition · Appointed official Wimbledon Championships Artist – June 2019 · On board of Federation of British Artists (FBA) 2024 · Awarded Dartington Crystal Chalice for outstanding service to the ROI over the years. Dec 2023 - [The Tribute by Mike Ellis](https://londoncontemporaryart.co.uk/product/the-tribute-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Springtime by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/springtime-by-sara-ingleby-mackenzie/) - Medium: Bronze Resin Edition of 6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Party People by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/party-people-by-sara-ingleby-mackenzie/) - Material: BronzeEdition: 15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Cider with Posie by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/cider-with-posie-by-sara-ingleby-mackenzie/) - Material: BronzeEdition: 15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Handbag Fairy II by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/handbag-fairy-ii-by-sara-ingleby-mackenzie/) - Material: BronzeEdition: 15 Option I — The FigureSculpture Only£1,550 Option II — The Complete EnsembleSculpture with Four Customised Handbags£1,950 Option III — The Handbag Customised Handbag (Individual Accessory)£125 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Conkers, Pears and Roses by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/conkers-pears-and-roses-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Autumnal Stillness by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/autumnal-stillness-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Sunflowers and Fruits by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/sunflowers-and-fruits-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Avoiding the Underpass II by Claire Smith](https://londoncontemporaryart.co.uk/product/the-swan-and-the-swing-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Avoiding the Underpass I by Claire Smith](https://londoncontemporaryart.co.uk/product/avoiding-the-underpass-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Being in the Wrong Place II by Claire Smith](https://londoncontemporaryart.co.uk/product/sleeping-swan-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Being in the Wrong Place III by Claire Smith](https://londoncontemporaryart.co.uk/product/swan-with-blue-shadow-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Scene at Night by Claire Smith](https://londoncontemporaryart.co.uk/product/avoiding-the-underpass-by-claire-smith-2/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [The Swan and the Swing by Claire Smith](https://londoncontemporaryart.co.uk/product/the-swan-and-the-swing-by-claire-smith-2/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Vanguard by Mike Ellis](https://londoncontemporaryart.co.uk/product/vanguard-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Truvian Droid by Marco Araldi](https://londoncontemporaryart.co.uk/product/truvian-droid-by-marco-araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. Framing options available Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Dungeness by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/dungeness-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Abundance by Lisa House](https://londoncontemporaryart.co.uk/product/abundance-by-lisa-house-2/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [Courage, Hope & Dreams by Lisa House](https://londoncontemporaryart.co.uk/product/courage-hope-dreams-by-lisa-house/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [One Summers Day by Lisa House](https://londoncontemporaryart.co.uk/product/one-summers-day-by-lisa-house/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [Yellow House by Lisa House](https://londoncontemporaryart.co.uk/product/yellow-house-by-lisa-house/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [Yorkshire Fells by Lisa House](https://londoncontemporaryart.co.uk/product/yorkshire-fells-by-lisa-house/) - Lisa is a Northeast UK based artist creating atmospheric, textured landscape and still life paintings. Inspired by nature, travel and her local surroundings, her work exists in a delicate balance between instinct, emotion and refined technical skill. Each piece invites the viewer into a quietly immersive world that feels symbolic, soulful and dreamlike on both a conscious and subconscious level. Alongside her evocative landscapes, Lisa creates still life compositions where inanimate objects intertwine with birds and animals, forming collections rich in character and quiet narrative charm. Her exploratory mixed media approach, often incorporating fabric and layered materials, has become a distinctive signature within her practice, making her work instantly recognisable to collectors worldwide. Her most recent body of work introduces new symbolic elements inspired by dreams, meditation and sound baths, deepening the spiritual and intuitive dimensions of her visual language. - [Tower Bridge by David Walker](https://londoncontemporaryart.co.uk/product/tower-bridge-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Waterloo Road by David Walker](https://londoncontemporaryart.co.uk/product/waterloo-road-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Winter Harbour by Michael Hill](https://londoncontemporaryart.co.uk/product/winter-harbour-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Storm Coast by Michael Hill](https://londoncontemporaryart.co.uk/product/storm-coast-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Cornish Harbour by Michael Hill](https://londoncontemporaryart.co.uk/product/cornish-harbour-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Red Sails by Michael Hill](https://londoncontemporaryart.co.uk/product/red-sails-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Quiet Quayside by Michael Hill](https://londoncontemporaryart.co.uk/product/quiet-quayside-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Chuparrosa 2603 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/chuparrosa-2603-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Chuparrosa 2601 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/chuparrosa-2601-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Picaflor 101 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-101-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Picaflor 105 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/picaflor-105-by-keng-wai-lee/) - Medium: acrylic and gold leaf Frame: tray frame You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Customs House by Michael Hill](https://londoncontemporaryart.co.uk/product/customs-house-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [The Warmth of Passing Lights by David Hinchliffe](https://londoncontemporaryart.co.uk/product/the-warmth-of-passing-lights-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Evening Commuters by David Hinchliffe](https://londoncontemporaryart.co.uk/product/evening-commuters-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [City Reflections by David Hinchliffe](https://londoncontemporaryart.co.uk/product/city-reflections-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Where Light Breaks on Water by David Hinchliffe](https://londoncontemporaryart.co.uk/product/where-light-breaks-on-water-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [When Life Was Sweet by Brian Bartlett](https://londoncontemporaryart.co.uk/product/when-life-was-sweet-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [The Tempest by Brian Bartlett](https://londoncontemporaryart.co.uk/product/the-tempest-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Individuals by Julia Whitehead](https://londoncontemporaryart.co.uk/product/somewhere-nowhere-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [City Movements by Julia Whitehead](https://londoncontemporaryart.co.uk/product/city-movements-by-julia-whitehead/) - Julia was born in Berkhamsted, Hertfordshire in 1969. She studied Illustration & Printmaking at Cambridge. The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” ”We are familiar with the scenes of busy, crowded streets but don’t always see them from a different perspective or remove ourselves from the crowd to be able to stand and watch. The shapes, colours, shadows and dynamics of moving bodies whether seen individually or as a group, provide a never ending source of inspiration to me as an artist” Please contact us with regard to commissioning a work from Julia. - [You'll Find A Way by Moira Hazel](https://londoncontemporaryart.co.uk/product/youll-find-a-way-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Textures and Tendrils by Moira Hazel](https://londoncontemporaryart.co.uk/product/youll-find-a-way-by-moira-hazel-2/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Over The Hills by Moira Hazel](https://londoncontemporaryart.co.uk/product/over-the-hills-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Border Fancy by Moira Hazel](https://londoncontemporaryart.co.uk/product/border-fancy-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [The Last Leaf by Moira Hazel](https://londoncontemporaryart.co.uk/product/the-last-leaf-by-moira-haze/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Overture by Brian Bartlett](https://londoncontemporaryart.co.uk/product/overture/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Riverside Quay by Michael Hill](https://londoncontemporaryart.co.uk/product/riverside-quay-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Red Sail by Michael Hill](https://londoncontemporaryart.co.uk/product/red-sail-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Transformation by David Walker](https://londoncontemporaryart.co.uk/product/transformation-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [A Gentle Summer by Luis Morris](https://londoncontemporaryart.co.uk/product/a-gentle-summer-by-luis-morris/) - oil on canvas framed in white wooden frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” - [The Lemons Are Almost Ripe by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-lemons-are-almost-ripe-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Play of Colours and Shapes by Alex Bertaina](https://londoncontemporaryart.co.uk/product/play-of-colours-and-shapes-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Into the Light by Luis Morris](https://londoncontemporaryart.co.uk/product/into-the-light-by-luis-morris/) - oil on canvas framed in white wooden frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” - [Into the Harbour by Michael Hill](https://londoncontemporaryart.co.uk/product/into-the-harbour-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Aurum 6 by Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-6-by-keng-wai-lee-marco-araldi/) - framed in black wood floater frame The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Flying High, Tower Bridge by Ellie Hesse](https://londoncontemporaryart.co.uk/product/14716/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Metropolitan Magic by Ellie Hesse](https://londoncontemporaryart.co.uk/product/metropolitan-magic-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia and South America, as well as living and working in a number of different European countries (UK, France, Germany and more recently Italy). These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusing on the horse in particular. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference for building up layers of texture and depth of colour in her townscapes. Her equine work, conversely, demands a freer hand in seeking to capture the horse’s natural form and movement, and so charcoal and more fluid paints feel more appropriate. By working intermittently on two very different subjects, Ellie has found that the two approaches seem to cross-pollinate. The looser drawing style of the equine work, feeding into the more structural work of townscapes, bringing new vitality into the painting style as well as composition, with the introduction of figures and animals. The creative tension that arises from contrasting solid, architectural forms with the fluidity of a natural and dynamic subject, creates a certain energy, keeping the painting process always fresh and exciting. - [Piccadilly Circus Happy Hour by Ellie Hesse](https://londoncontemporaryart.co.uk/product/piccadilly-circus-happy-hour-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia and South America, as well as living and working in a number of different European countries (UK, France, Germany and more recently Italy). These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusing on the horse in particular. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference for building up layers of texture and depth of colour in her townscapes. Her equine work, conversely, demands a freer hand in seeking to capture the horse’s natural form and movement, and so charcoal and more fluid paints feel more appropriate. By working intermittently on two very different subjects, Ellie has found that the two approaches seem to cross-pollinate. The looser drawing style of the equine work, feeding into the more structural work of townscapes, bringing new vitality into the painting style as well as composition, with the introduction of figures and animals. The creative tension that arises from contrasting solid, architectural forms with the fluidity of a natural and dynamic subject, creates a certain energy, keeping the painting process always fresh and exciting. - [London City Dreams by Ellie Hesse](https://londoncontemporaryart.co.uk/product/london-city-dreams-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia and South America, as well as living and working in a number of different European countries (UK, France, Germany and more recently Italy). These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusing on the horse in particular. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference for building up layers of texture and depth of colour in her townscapes. Her equine work, conversely, demands a freer hand in seeking to capture the horse’s natural form and movement, and so charcoal and more fluid paints feel more appropriate. By working intermittently on two very different subjects, Ellie has found that the two approaches seem to cross-pollinate. The looser drawing style of the equine work, feeding into the more structural work of townscapes, bringing new vitality into the painting style as well as composition, with the introduction of figures and animals. The creative tension that arises from contrasting solid, architectural forms with the fluidity of a natural and dynamic subject, creates a certain energy, keeping the painting process always fresh and exciting. - [Playing Amongst the Yellows by Alex Bertaina](https://londoncontemporaryart.co.uk/product/playing-amongst-the-yellows-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Poetic Abandonment by Alex Bertaina](https://londoncontemporaryart.co.uk/product/poetic-abandonment-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Shades of Green by Alex Bertaina](https://londoncontemporaryart.co.uk/product/shades-of-green-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Positano My Way by Alex Bertaina](https://londoncontemporaryart.co.uk/product/positano-my-way-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Greens and Lemons by Alex Bertaina](https://londoncontemporaryart.co.uk/product/greens-and-lemons-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Along My Way by Alex Bertaina](https://londoncontemporaryart.co.uk/product/along-my-way-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Travelling Inside the Yellow by Alex Bertaina](https://londoncontemporaryart.co.uk/product/travelling-inside-the-yellow-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [The Lemon Tree That Isn't There (Otranto) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-lemon-tree-that-isnt-there-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [The Magic Is In Venice by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-magic-is-in-venice-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Orange on Orange Tree Trunks by Alex Bertaina](https://londoncontemporaryart.co.uk/product/orange-on-orange-tree-trunks-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Manarola's Nights by Alex Bertaina](https://londoncontemporaryart.co.uk/product/manarolas-nights-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [The Rays of Lipari by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-rays-of-lipari-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Orange on Camogli by Alex Bertaina](https://londoncontemporaryart.co.uk/product/orange-on-camogli-by-alex-bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [The Abbey by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-abbey/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Portsoy Harbour by Mike Hall](https://londoncontemporaryart.co.uk/product/portsoy-harbour/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Still Etta by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/still-etta/) - ed.1/20 Currently based in Somerset in South West England, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, her creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. Also available in solid bronze: 113 x 26 x 26cm, ed. 2/9, £7,900 Please contact the us via email or telephone if you would like to purchase this artwork in bronze. - [A Gentle Summer by Luis Morris ROI](https://londoncontemporaryart.co.uk/product/a-gentle-summer-by-luis-morris-2/) - Oil on canvas framed in a white wooden frame free shipping within the United Kingdom including expert safe packaging. Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” - [Autumnal Symphony by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/autumnal-symphony-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Walking in Hampstead Heath by David Hinchliffe](https://londoncontemporaryart.co.uk/product/walking-in-hampstead-heath-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Serenity by Ewa Adams](https://londoncontemporaryart.co.uk/product/serenity-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Gare du Nord by Beryl Cook](https://londoncontemporaryart.co.uk/product/gare-du-nord-by-beryl-cook/) - Limited Edition Screenprint Printer's Proof 2/5. Edition Size: 300Size: 71 x 43 cm Paper Size: 91 x 61 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Capri by Brian Bartlett](https://londoncontemporaryart.co.uk/product/capri-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Dusklight Garden by Katie Brent](https://londoncontemporaryart.co.uk/product/dusklight-garden-by-katie-brent/) - Dusklight Garden by Katie Brent Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Wonders of Science by Adele Moreau](https://londoncontemporaryart.co.uk/product/wonders-of-science/) - Framed with glass Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. Unframed size - 18.5 x 23cm - [Half Hours in the Far East by Adele Moreau](https://londoncontemporaryart.co.uk/product/half-hours-in-the-far-east/) - Framed with glass Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. Unframed size - 18.5 x 12.5 - [Mrs Beeton's Household Guide by Adele Moreau](https://londoncontemporaryart.co.uk/product/mrs-beetons-household-guide/) - Framed with glass Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. The original illustrations are carefully selected page by page and delicately hand-cut to reveal a hidden world within while still keeping the integrity of the original book intact. Adele has exhibited both nationally and Internationally in London, New York, Stockholm and Brussels. Unframed size - 18 x 12cm - [Homes Without Hands by Adele Moreau](https://londoncontemporaryart.co.uk/product/homes-without-hands/) - Framed with glass Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. Unframed size - 21.5 x 27cm - [Once There Was A Way by Brian Bartlett](https://londoncontemporaryart.co.uk/product/once-there-was-a-way-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Idyll by Brian Neish](https://londoncontemporaryart.co.uk/product/idyll-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Down the Path by Moira Hazel](https://londoncontemporaryart.co.uk/product/down-the-path-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Coast (By Moonlight) by Brian Bartlett](https://londoncontemporaryart.co.uk/product/coast-by-moonlight/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [First Light II - by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/first-light-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [No One's Flag by John Butterworth](https://londoncontemporaryart.co.uk/product/flag/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Return to the Sea by Lorna Kirin](https://londoncontemporaryart.co.uk/product/return-to-the-sea-by-lorna-kirin/) - Return to the Sea by Lorna Kirin 70 x 70 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” In stock Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Shingle by Lorna Kirin](https://londoncontemporaryart.co.uk/product/shingle-by-lorna-kirin/) - 40 x 50 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Urban Scape by Gohar Goddard](https://londoncontemporaryart.co.uk/product/twin-towers-by-gohar-goddard/) - Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [House on the Hill by Gohar Goddard](https://londoncontemporaryart.co.uk/product/house-on-the-hill-by-gohar-goddard/) - Unframed: 41 x 41 cm Framed: 44 x 44 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ - [Dream On by Gohar Goddard](https://londoncontemporaryart.co.uk/product/dream-on-by-gohar-goddard/) - Unframed: 41 x 41 cm Framed: 44 x 44 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ - [Memory I by Gohar Goddard](https://londoncontemporaryart.co.uk/product/memory-i-by-gohar-goddard/) - Framed Size- 65 x 65 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ - [Memory II by Gohar Goddard](https://londoncontemporaryart.co.uk/product/memory-ii-by-gohar-goddard/) - Framed Size- 65 x 65 cm Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ - [Three More Greys For SJM by Christopher Rainham](https://londoncontemporaryart.co.uk/product/three-more-greys-for-sjm-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Rowan and Peaches by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/rowan-and-peaches-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Cherries and Roses by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/cherries-and-roses-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Tea and Roses by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/tea-and-roses-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [Autumn Birches by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/autumn-birches-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Maciejewski amongst others, her work observes simple scenes of fruit, flowers, lazy morning breakfast tables, patterns, perspectives and a cat named George. Ania has previously worked with several galleries in an around London, and has exhibited continuously since 2010, as both a solo artist and in group exhibitions. Ania says “I always have been creative, as far as I remember. I could never stop drawing or doodling… [it] got me in trouble on many occasions. Creating art is a joy of my life. It is the most satisfying and fulfilling activity I can really imagine”. - [In the Mountains by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/in-the-mountains-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Summer in the Countryside by Ania Pieniazek](https://londoncontemporaryart.co.uk/product/summer-in-the-countryside-by-ania-pieniazek/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her father and has worked in the medium for over 30 years now. She studied at Silesia University in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. - [Florence II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/florence-ii-by-roy-fairchild/) - This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Florence I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/florence-i-by-roy-fairchild/) - This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [A Little Something by Roy Fairchild](https://londoncontemporaryart.co.uk/product/a-little-something-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [The Cello by Roy Fairchild](https://londoncontemporaryart.co.uk/product/cellest-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Never Leave Me by Roy Fairchild](https://londoncontemporaryart.co.uk/product/never-leave-me-by-roy-fairchild-2/) - This hand embellished print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [For You I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/for-you-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Mi Paloma (Original) by Roy Fairchild](https://londoncontemporaryart.co.uk/product/mi-paloma-by-roy-fairchild-2/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Fleurs Rogue I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/fleur-rogue-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Saskia by Roy Fairchild](https://londoncontemporaryart.co.uk/product/saskia-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Sketch for Joey's Gone to Heaven II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/sketch-for-joeys-gone-to-heaven-ii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [To Tell Such Stories by Roy Fairchild](https://londoncontemporaryart.co.uk/product/to-tell-such-stories-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Always Dreaming II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/always-dreaming-ii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Just Dreaming (Original) by Roy Fairchild](https://londoncontemporaryart.co.uk/product/just-dreaming-original-by-roy-fairchild/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [To Tell Such Stories by Roy Fairchild](https://londoncontemporaryart.co.uk/product/to-tell-such-stories-by-roy-fairchild-2/) - This enhanced serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Sleeping Saskia I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/sleeping-saskia-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Sleeping Saskia II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/sleeping-saskia-ii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Am I Pretty by Roy Fairchild](https://londoncontemporaryart.co.uk/product/am-i-pretty-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Am I Pretty III by Roy Fairchild](https://londoncontemporaryart.co.uk/product/am-i-pretty-iii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Everything I See by Roy Fairchild](https://londoncontemporaryart.co.uk/product/everything-i-see-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Somewhere to Dream II (Enhanced Canvas) by Roy Fairchild](https://londoncontemporaryart.co.uk/product/somewhere-to-dream-enhanced-canvas-by-roy-fairchild/) - This enhanced serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Laura by Roy Fairchild](https://londoncontemporaryart.co.uk/product/laura-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Is That You Joey? By Roy Fairchild](https://londoncontemporaryart.co.uk/product/is-that-you-joey-by-roy-fairchild/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Rippled Light by Lorna Kirin](https://londoncontemporaryart.co.uk/product/rippled-light-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Aurum 2 by Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-2-by-keng-wai-lee-marco-araldi/) - framed - black wood floater frame The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Isabella by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/isabella-by-keng-wai-lee/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Gondolier, Venice by Ellie Hesse](https://londoncontemporaryart.co.uk/product/gondolier-venice-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Never Leave Me by Roy Fairchild](https://londoncontemporaryart.co.uk/product/never-leave-me-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Rural Idyll by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/rural-idyll-by-andrew-kinmont/) - Mixed Media painting on canvas framed in white wooden floater frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Summer Fields and Meadows by Ewa Adams](https://londoncontemporaryart.co.uk/product/summer-fields-and-meadows-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Radiance by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/radiance-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Art of London by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/art-of-london-by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could... and don’t blame me if you end up wanting to decorate your home like my paintings! - [Fab Four by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/fab-four-by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could… and don’t blame me if you end up wanting to decorate your home like my paintings! - [The Kiss by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could… and don’t blame me if you end up wanting to decorate your home like my paintings! - [Crumbs of Shadow by Christopher Rainham](https://londoncontemporaryart.co.uk/product/crumbs-of-shadow-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Six Jackdaws by Christopher Rainham](https://londoncontemporaryart.co.uk/product/six-jackdaws-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Lavender Fields, Provence by Albert Gimenez](https://londoncontemporaryart.co.uk/product/lavender-fields-provence-by-albert-gimenez/) - [In the Lagoon, Venice by Albert Gimenez](https://londoncontemporaryart.co.uk/product/in-the-lagoon-venice/) - [Lap of the Wave by Lorna Kirin](https://londoncontemporaryart.co.uk/product/lap-of-the-wave-by-lorna-kirin/) - Acrylic on Canvas 40 x 50 cm “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” Pay in full or in instalments, full return and refund guarantee Free shipping within the United Kingdom, including expert safe packaging and authenticity certificate - [Chantilly by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/chantilly-by-sara-ingleby-mackenzie/) - Edition - 2/15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Wave After Wave by Simon Ledson](https://londoncontemporaryart.co.uk/product/wave-after-wane/) - My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I’m interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [Seaforms by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/seaforms-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [One More Step by Moira Hazel](https://londoncontemporaryart.co.uk/product/one-more-step-by-moira-haze/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Under Glistening Skies by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/under-glistening-skies-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Blue Palisade by David Walker](https://londoncontemporaryart.co.uk/product/blue-palisade-by-david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Flowers, Fruit and Nuts by Moira Hazel](https://londoncontemporaryart.co.uk/product/flowers-fruit-and-nuts-by-moira-haze/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Kept for Best by Moira Hazel](https://londoncontemporaryart.co.uk/product/kept-for-best-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Going Places by Moira Hazel](https://londoncontemporaryart.co.uk/product/going-places-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Maroon Daze by Moira Hazel](https://londoncontemporaryart.co.uk/product/maroon-daze-by-moira-haze/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Walking in the Forest by Anke Birnie](https://londoncontemporaryart.co.uk/product/walking-in-the-forest/) - The stunning bronze sculptures created by Anke Birnie are all unusually “one off” pieces rather than an edition and therefore each one is unique. Anke is fascinated in portraying an image of the natural earthly element “air” combined with the human element “motion”. The successful resistance of the body in the wind is tangible to the beholder. The sculpture stands as solid as a rock and at the same time one is touched by the sense of movement. The long limbs and the swirling clothing are both a feature of her work and also reflect the process of the sculpture’s production: Anke uses textiles within the wax mould to create the work. - [Journey on the Mediterranean by Alex Bertaina](https://londoncontemporaryart.co.uk/product/journey-on-the-mediterranean-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Seduction by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/seduction-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Summer Dining by Mike Hall](https://londoncontemporaryart.co.uk/product/summer-dining-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Glow by Brian Neish](https://londoncontemporaryart.co.uk/product/glow-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Resolution by Brian Neish](https://londoncontemporaryart.co.uk/product/resolution-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Friendship Quilt by Roy Fairchild](https://londoncontemporaryart.co.uk/product/friendship-quilt-by-roy-fairchild/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Amber Adrift by Simon Ledson](https://londoncontemporaryart.co.uk/product/amber-adrift-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Broken Burst by Simon Ledson](https://londoncontemporaryart.co.uk/product/broken-burst-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Calm Calling by Simon Ledson](https://londoncontemporaryart.co.uk/product/calm-calling-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Escaping Edge by Simon Ledson](https://londoncontemporaryart.co.uk/product/escaping-edge-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Pink Passing by Simon Ledson](https://londoncontemporaryart.co.uk/product/pink-passing-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [It's All About the Dignity by Roy Fairchild](https://londoncontemporaryart.co.uk/product/its-all-about-the-dignity-by-roy-fairchild/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Taormina, Sicily by Ellie Hesse](https://londoncontemporaryart.co.uk/product/toarmina-sicily-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Silence in Motion by Albert Gimenez](https://londoncontemporaryart.co.uk/product/silence-in-motion-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Morning Glow by Albert Gimenez](https://londoncontemporaryart.co.uk/product/morning-glow-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light VI by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-vi-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light V by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-v-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light IV by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-iv-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light III by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-iii-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light II by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-ii-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Springtime Light I by Albert Gimenez](https://londoncontemporaryart.co.uk/product/springtime-light-i-by-albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. - [Ending by Brian Neish](https://londoncontemporaryart.co.uk/product/ending-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Arrival by Brian Neish](https://londoncontemporaryart.co.uk/product/arrival-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Vanishing by Brian Neish](https://londoncontemporaryart.co.uk/product/vanishing/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Paragon by Brian Neish](https://londoncontemporaryart.co.uk/product/paragon/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Karma by Brian Neish](https://londoncontemporaryart.co.uk/product/karma/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Deep Sea](https://londoncontemporaryart.co.uk/product/fish-tin-large-rectangle-2/) - The tin comes with a fixing on the back so it can be hung on the wall - [Pacific](https://londoncontemporaryart.co.uk/product/fish-tin-medium-rectangle-2/) - The tin comes with a fixing on the back so it can be hung on the wall - [Making a Splash](https://londoncontemporaryart.co.uk/product/making-a-splash/) - Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. - [Cobalt Echoes by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/cobalt-echoes-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Atlanta](https://londoncontemporaryart.co.uk/product/our-common-ancestor/) - Genuine sardine tins (manufactured in Ortaire's local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. - [Anthony and Cleopatra by Brian Bartlett](https://londoncontemporaryart.co.uk/product/anthony-and-cleopatra-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Bent Wind by Simon Ledson](https://londoncontemporaryart.co.uk/product/bent-wind-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Still Cool by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/still-cool/) - ed.35 Currently based in Somerset in South West England, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, her creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Vitale by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/vitale-by-keng-wai-lee-and-marco-araldi/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [The Fin-tin Collection](https://londoncontemporaryart.co.uk/product/the-fin-tin-collection-by-ortaire-de-coupigny/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Ortaire was born in Normandy, France. After studying fine art at Cherbourg he settled in the Bretagne area, where he lives near the sea, with his wife and two children. He exhibited at the Royal Academy of London in 2008 and now has galleries showing his work in France, Holland, the UK and Switzerland. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. Genuine sardine tins (manufactured in his local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Using his unusual technique, Ortaire aims to surprise and delight us with this unexpected marriage of the commercial with the artisan. Genuine sardine tins (manufactured in Ortaire’s local area) are used to create an interesting dynamic between the industrial, mass-produced, everyday object and his hand painted, unique and often humorous representations of the fish. Ortaire uses intense pigments to create his unique painted fish before suspending them in paraffin and covering them with a transparent resin. The tin comes with a fixing on the back so it can be hung on the wall - [Wanderlust by Brian Neish](https://londoncontemporaryart.co.uk/product/wanderlust/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Traffic at Whitehall by David Hinchliffe](https://londoncontemporaryart.co.uk/product/traffic-at-whitehall-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Heliugabalus Flowers by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/heliugabalus-flowers-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Classic Car Rendezvous by Ellie Hesse](https://londoncontemporaryart.co.uk/product/classic-car-rendezvous-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Knights and Damsels by Ellie Hesse](https://londoncontemporaryart.co.uk/product/knights-and-damsels-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Flower by Chris Arran](https://londoncontemporaryart.co.uk/product/chris-arran-6/) - [Sketch for Joey's Gone to Heaven I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/sketch-for-joeys-gone-to-heaven-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Rainy Night In Knightsbridge by David Hinchliffe](https://londoncontemporaryart.co.uk/product/rainy-night-in-knightsbridge-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Emerald Lake by Lorna Kirin](https://londoncontemporaryart.co.uk/product/emerald-lake-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Cripplegate by David Walker](https://londoncontemporaryart.co.uk/product/cripplegate-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Aurum 1 by Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-1-by-keng-wai-lee-marco-araldi/) - framed in black wood floater frame The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Pang by Brian Neish](https://londoncontemporaryart.co.uk/product/pang/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Ordeal by Brian Neish](https://londoncontemporaryart.co.uk/product/ordeal/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Beckon](https://londoncontemporaryart.co.uk/product/beckon/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Defiance by Brian Neish](https://londoncontemporaryart.co.uk/product/defiance-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Closure by Brian Neish](https://londoncontemporaryart.co.uk/product/closure-by-brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Cordon Bleu by Ellie Hesse](https://londoncontemporaryart.co.uk/product/cordon-bleu/) - [Happening](https://londoncontemporaryart.co.uk/product/happening/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Jeopardy](https://londoncontemporaryart.co.uk/product/jeopardy/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. - [Skull, Sunrise by Pierre Williams](https://londoncontemporaryart.co.uk/product/skull-sunrise/) - Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Skull, Sunset by Pierre Williams](https://londoncontemporaryart.co.uk/product/skull-sunset-by-pierre-williams/) - Pierre Williams’ works with ceramic to create contemporary, sculptural art. His unique style and process brings the character of each piece to life in such a way that they interact with their surroundings. Complimented by layers of beautiful patterns, the organic form of each creation feels to be full of stories and wonder. - [Women Running by Beryl Cook](https://londoncontemporaryart.co.uk/product/dustbin-men-by-beryl-cook-2/) - Materials: Limited Edition Screen Print Printer's Proof 1 of only 2 Edition Size: 300 Size: 76 x 61 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Tango Busking by Beryl Cook](https://londoncontemporaryart.co.uk/product/tango-busking-by-beryl-cook/) - Limited Edition Screen Print Printer's Proof 1 / 5. Edition Size: 395 Image Size - 45 x 45 cm Paper Size: 61 x 63.5 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Staircase by Beryl Cook](https://londoncontemporaryart.co.uk/product/staircase-by-beryl-cook/) - Limited Edition Screen Print Printer's Proof 1 / 5 Edition Size: 395 Image Size - 58 x 39 cm Paper Size: 71 x 53 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Ladies Night by Beryl Cook](https://londoncontemporaryart.co.uk/product/ladies-night-by-beryl-cook/) - Materials: Limited Edition Screen Print Printer's Proof 3/5. Edition Size: 300 Image Size - 46 x 53 cm Paper Size: 67 x 71 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Girls in a Taxi by Beryl Cook](https://londoncontemporaryart.co.uk/product/girls-in-a-taxi-by-beryl-cook/) - Materials: Limited Edition Screenprint Printer's Proof 2/ 5. Edition Size: 300 Image Size: 40.5 x 61 cm Paper Size: 61 x 79 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Dustbin Men by Beryl Cook](https://londoncontemporaryart.co.uk/product/dustbin-men-by-beryl-cook/) - Limited Edition Screenprint Printer's Proof 1 of only 2 Edition Size: 300 Image Size - 61 x 67 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Dancing on the QE2 by Beryl Cook](https://londoncontemporaryart.co.uk/product/dancing-on-the-qe2-by-beryl-cook/) - Materials: Limited Edition Screen Print Printer's Proof 3/5. Edition Size: 300 Image Size - 76 x 69 cm Paper Size - 100 x 89 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Cruising by Beryl Cook](https://londoncontemporaryart.co.uk/product/cruising-by-beryl-cook/) - Limited Edition Screen Print Printer's Proof 1 / 5. Edition Size: 395 Image Size - 45 x 45 cm Paper Size: 61 x 63.5 cm Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Sign, Signal, Script (In memory of Hans Jensen author) by John Butterworth](https://londoncontemporaryart.co.uk/product/sign-signal-script-in-memory-of-hans-jensen-author-by-john-butterworth/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [City Shadows by David Walker](https://londoncontemporaryart.co.uk/product/cripplegate-by-david-walker-2/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Lloyds from Cornhill by David Walker](https://londoncontemporaryart.co.uk/product/lloyds-from-cornhill-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Southbank by David Walker](https://londoncontemporaryart.co.uk/product/southbank-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Sunset by David Walker](https://londoncontemporaryart.co.uk/product/sunset-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [The Avenue - Morning by David Walker](https://londoncontemporaryart.co.uk/product/the-avenue-morning-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Twilight by David Walker](https://londoncontemporaryart.co.uk/product/twilight-by-david-walker/) - Framed - 34 x 34 cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Remaining Light by Lorna Kirin](https://londoncontemporaryart.co.uk/product/remaining-light-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Flat Sands by Lorna Kirin](https://londoncontemporaryart.co.uk/product/flat-sands-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [The Golden Bough by Lorna Kirin](https://londoncontemporaryart.co.uk/product/the-golden-bough-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [The Colony by Lorna Kirin](https://londoncontemporaryart.co.uk/product/the-colony-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Irises by Mike Hall](https://londoncontemporaryart.co.uk/product/irises-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Afternoon Snack by Mike Hall](https://londoncontemporaryart.co.uk/product/afternoon-snack-by-mike-hall-2/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Picnic Table by Mike Hall](https://londoncontemporaryart.co.uk/product/picnic-table-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Seaview Hotel by Mike Hall](https://londoncontemporaryart.co.uk/product/seaview-hotel-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Summer Pinks by Katie Brent](https://londoncontemporaryart.co.uk/product/summer-pinks-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Summer Meadow by Katie Brent](https://londoncontemporaryart.co.uk/product/summer-meadow-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [June Glory by Katie Brent](https://londoncontemporaryart.co.uk/product/june-glory-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Golden Meadow by Katie Brent](https://londoncontemporaryart.co.uk/product/golden-meadow-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Autumn Dream by Katie Brent](https://londoncontemporaryart.co.uk/product/autumn-dream-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Resting up by Michael Hill](https://londoncontemporaryart.co.uk/product/resting-up-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Safe Haven by Michael Hill](https://londoncontemporaryart.co.uk/product/safe-haven-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [The Lighthouse by Michael Hill](https://londoncontemporaryart.co.uk/product/the-lighthouse-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Small Harbour by Michael Hill](https://londoncontemporaryart.co.uk/product/small-harbour-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Among the Mysteries of Venice by Alex Bertaina](https://londoncontemporaryart.co.uk/product/among-the-mysteries-of-venice-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Ancient Orange Grove by Alex Bertaina](https://londoncontemporaryart.co.uk/product/ancient-orange-grove-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Flying Over Corniglia (Cinque Terre) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/flying-over-corniglia-cinque-terre-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Garden with Lemons by Alex Bertaina](https://londoncontemporaryart.co.uk/product/garden-with-lemons-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Listen to the Perfumes by Alex Bertaina](https://londoncontemporaryart.co.uk/product/listen-to-the-perfumes-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Listen to the Scent by Alex Bertaina](https://londoncontemporaryart.co.uk/product/listen-to-the-scent-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Low Tide in Pozzuoli (Naples) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/low-tide-in-pozzuoli-naples-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Magna Villa in Rose by Alex Bertaina](https://londoncontemporaryart.co.uk/product/magna-villa-in-rose-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Red Soils in Tuscany by Alex Bertaina](https://londoncontemporaryart.co.uk/product/red-soils-in-tuscany-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Silent Venetian Canal by Alex Bertaina](https://londoncontemporaryart.co.uk/product/silent-venetian-canal-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [The Colours of Atrani (Amalfi Coast) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-colors-of-atrani-amalfi-coast-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Two Lemons by Alex Bertaina](https://londoncontemporaryart.co.uk/product/two-lemons-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Venetian Reds by Alex Bertaina](https://londoncontemporaryart.co.uk/product/venetian-reds-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Walking with the Sun by Alex Bertaina](https://londoncontemporaryart.co.uk/product/walking-with-the-sun-by-alex-bertaina/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Fusion by Bill Bate](https://londoncontemporaryart.co.uk/product/fusion-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Ocean Light by Bill Bate](https://londoncontemporaryart.co.uk/product/ocean-light-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Gull's Cry by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/gulls-cry-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Come With Me by Courty](https://londoncontemporaryart.co.uk/product/come-with-me-by-courty/) - Born Robert Keith Court on November 2nd 1970 in the market town of Romford, Essex, England to a working class family. Courty, is his childhood nickname adopted for signature reference to his collection of signed neon artworks. Since 1987 Courty has dedicated his life to the study of neon lights and immersed his mind in creating beautiful works of art with the use of vibrant colours, lighting technology, typography and the written word, predominantly with the use of the iconic light form known as 'Neon'. A respected and well known English craftsmen of the 100 year old art of glassblowing neon tube lights, Courty has reached master neon glass blower level and is forever exploring and pushing the boundaries of hand made neon light use in the world of art & sculpture from his East London based studio. Not a classically trained artist, Courty has chosen to work from industry ground level and has spent a lifetime working hands on with creative minds from around the world in the art & design arena, turning ideas and visions into 'illumination reality' on a spectacular level. This has earned him the reputation of being 'the man to go to' for high end neon fabrication. Being company owner of commercial illumination specialists 'Signs Of All Kinds' and art world specialists 'Creative Neon', Courty is in a unique position to produce high quality neon art that combines his own personal creativity with his knowledge and technical expertise that culminates in a beautifully crafted light art piece that aims to draw you in and explore its many properties. Courty describes his neon artworks as an exploration of light, colour and the written word. - [You don't have to be Rich to be my Girl by Courty](https://londoncontemporaryart.co.uk/product/you-dont-have-to-be-rich-to-be-my-girl-by-courty/) - Born Robert Keith Court on November 2nd 1970 in the market town of Romford, Essex, England to a working class family. Courty, is his childhood nickname adopted for signature reference to his collection of signed neon artworks. Since 1987 Courty has dedicated his life to the study of neon lights and immersed his mind in creating beautiful works of art with the use of vibrant colours, lighting technology, typography and the written word, predominantly with the use of the iconic light form known as 'Neon'. A respected and well known English craftsmen of the 100 year old art of glassblowing neon tube lights, Courty has reached master neon glass blower level and is forever exploring and pushing the boundaries of hand made neon light use in the world of art & sculpture from his East London based studio. Not a classically trained artist, Courty has chosen to work from industry ground level and has spent a lifetime working hands on with creative minds from around the world in the art & design arena, turning ideas and visions into 'illumination reality' on a spectacular level. This has earned him the reputation of being 'the man to go to' for high end neon fabrication. Being company owner of commercial illumination specialists 'Signs Of All Kinds' and art world specialists 'Creative Neon', Courty is in a unique position to produce high quality neon art that combines his own personal creativity with his knowledge and technical expertise that culminates in a beautifully crafted light art piece that aims to draw you in and explore its many properties. Courty describes his neon artworks as an exploration of light, colour and the written word. - [Wharf Reflections by Michael Hill](https://londoncontemporaryart.co.uk/product/wharf-reflections-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Carnival by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/carnival-by-sara-ingleby-mackenzie/) - ed. 5/35 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [I saw a Ship by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/i-saw-a-ship-by-sara-ingleby-mackenzie/) - ed.6/35 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Come Play with Me by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/come-play-with-me-by-sara-ingleby-mackenzie/) - bronze resin sculpture on Portland stone base Edition Number: 7/35 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Golden Night by David Hinchliffe](https://londoncontemporaryart.co.uk/product/golden-night-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Blacks and Reds, Paris by Mario Garcia Miro](https://londoncontemporaryart.co.uk/product/blacks-and-reds-paris-by-mario-garcia-miro/) - My painting style is like a visual journey between the retro and the iconic, with a pop-art twist that’s always aiming to steal a smile. I love filling my canvases with vibrant colors and crisp lines because, honestly, who needs subtleties when the world is already full of grays? My compositions feel like inviting your favorite idols into your living room or stepping into a retro café where time seems to have stopped. For instance, in one piece, I might place you in front of the majestic Big Ben while you lounge on a vintage sofa packed with cult-favorite details (yes, the kind you instantly recognize!). In another, I give you a window to the iconic Golden Gate Bridge, but with a cozy, homey warmth that makes you want to stay and read by the fire for a while. Then there are my more nostalgic pieces, like a classic American diner where the checkered floors and red stools practically take centerstage. There, you can imagine yourself listening to rock & roll while sipping a coffee—everyday moments have their own charm too! Each piece is my way of paying tribute to moments, places, and objects that, in one way or another, have been etched into our collective memory. Plus, I adore playing with open perspectives that invite you to step into the scene, as if you’re part of a movie blending modern vibes with nostalgia. In short, I paint worlds you’d probably want to move into if you could… and don’t blame me if you end up wanting to decorate your home like my paintings! - [Sunrise, Venice by Albert Gimenez](https://londoncontemporaryart.co.uk/product/sunrise-venice-by-albert-gimenez/) - [The Lights of Cadaques by Albert Gimenez](https://londoncontemporaryart.co.uk/product/the-lights-of-cadaques-by-albert-gimenez/) - Albert Giménez is a young artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a - [River Daydream by David Hinchliffe](https://londoncontemporaryart.co.uk/product/river-daydream-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [More than Fifty Crows by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/more-than-fifty-crows/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [First Light by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/first-light-by-claire-wiltsher-2/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Turning Tide by Lorna Kirin](https://londoncontemporaryart.co.uk/product/turning-tide-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Reflections in Azure (N51.2605 E0.0718) by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/autumn-alight-by-mark-munroe-preston/) - Edition of 25 22/25 Remaining Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Blue Oak by Emma Levine](https://londoncontemporaryart.co.uk/product/blue-oak/) - . - [Crystal Carbon II](https://londoncontemporaryart.co.uk/product/crystal-carbon-ii/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ - [Woman in Red by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/woman-in-red-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Framed Size: 69 x 89 cm Unframed Size: 60 x 80 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Commuters by David Hinchliffe](https://londoncontemporaryart.co.uk/product/commuters-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Lady in Red with Flowers by Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product/lady-in-red-with-flowers-by-nicolle-menegaldo/) - You may pay in full or in instalments, with full return and refund guarantee There is free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Framed Size: 70 x 88 cm Unframed Size: 60 x 77 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [The Blue Sky Above by Christopher Rainham](https://londoncontemporaryart.co.uk/product/the-blue-sky-above/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Polka Dot by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/polka-dot/) - ed. 7/35 Currently based in Somerset in South West England, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, her creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Harlequin by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/harlequin-by-sara-ingleby-mackenzie/) - bronze resin sculpture on portland stone base pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Hello, How are You?](https://londoncontemporaryart.co.uk/product/hello-how-are-you/) - Hello, How are You Bronze Resin Gall - Sculpture Edition Number 1/35 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Marina by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/marina/) - ed. 2/35 Currently based in Somerset in South West England, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, her creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Poison Ivy by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/poison-ivy/) - Limited Edition - of 20 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Celeste by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/celeste-by-sara-ingleby-mackenzie/) - edition 1/6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters.This artwork is also suitable for outdoor display and makes a wonderful addition to garden settings. - [Daiquiri (bronze resin) by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/daiquiri-ii/) - Limited Edition - of 20 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Maharani by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/maharani/) - ed 2/20 Currently based in Somerset in South West England, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, her creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. Also available in solid bronze: 200 x 30 x 30cm, ed of 6 - Price on Application Please contact us directly via email or telephone if you would like to purchase this artwork in solid bronze. - [Uptown Girl (bronze resin) by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/uptown-girl-bronze-resin-by-sara-ingleby-mackenzie/) - ed.1/20 Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewellery, handbags etc. add to the narrative of the pieces. - [Rocks Late Afternoon by Claire Smith](https://londoncontemporaryart.co.uk/product/rocks-late-afternoon/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Blue Camels by Ellie Hesse](https://londoncontemporaryart.co.uk/product/blue-camels-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Horizon Light by Bill Bate](https://londoncontemporaryart.co.uk/product/horizon-light-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Two by Manny Woodard](https://londoncontemporaryart.co.uk/product/two/) - ed. 18/100 Manny skilfully moulds and casts all her own sculptures in jesmonite or resin with graphite and bronze. The patina is then achieved by the laying on of earth pigments, overlaid with a protective varnish or wax. Her figures vary – some stand alone, contemplative off the passage of time, feet planted solidly on the ground, whilst others display couples, with their bodies lightly touching and their forms merging into each other, some a tantalizing balance between a caress and aggression. Through these powerful yet delicate sculptures and drawings Manny invites the viewer to take a moment, and to explore the dynamic world which surrounds each quiet pause. Manny’s works are an expression of herself, her “own hand writing”. Her sculptures and drawings are executed with a humanity that exudes an innate sense of beauty and integrity. - [Harbour Moorings by Michael Hill](https://londoncontemporaryart.co.uk/product/harbour-moorings-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Summer in Italy, Cinque Terre by Ellie Hesse](https://londoncontemporaryart.co.uk/product/summer-in-italy-cinque-terre-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Venezia di Fantasia by Ellie Hesse](https://londoncontemporaryart.co.uk/product/venezia-di-fantasia-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [The Flying Sailors of St Ives by Ellie Hesse](https://londoncontemporaryart.co.uk/product/the-flying-sailors-of-st-ives-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [High Flyers in London by Ellie Hesse](https://londoncontemporaryart.co.uk/product/high-flyers-in-london-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Reflected Autumn by Lorna Kirin](https://londoncontemporaryart.co.uk/product/reflected-autumn-by-lorna-kirin/) - Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [In Ancient Aswan by Brian Bartlett](https://londoncontemporaryart.co.uk/product/in-ancient-aswan/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ - [San Remo Sunset by Brian Bartlett](https://londoncontemporaryart.co.uk/product/san-remo-sunset/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Aztec by Brian Bartlett](https://londoncontemporaryart.co.uk/product/aztec/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Intertwined by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/intertwined-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Forgotten Eddies by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/forgotten-eddies-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Coalescence by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/coalescence-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Sunshine Harvest by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/sunshine-harvest-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Seabirds Flight by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/seabirds-flight-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Ruby Shore by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/ruby-shore-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [I Miss The Red Clay by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/i-miss-the-red-clay-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Come Fly With Me by Ellie Hesse](https://londoncontemporaryart.co.uk/product/come-fly-with-me-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Fading Light by Michael Hill](https://londoncontemporaryart.co.uk/product/fading-light-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Shingle Wash by Lorna Kirin](https://londoncontemporaryart.co.uk/product/shingle-wash-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [View of Staithes by Mike Hall](https://londoncontemporaryart.co.uk/product/view-of-staithe-by-mike-hall/) - Framed Size: 41cm x 36cm “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Golden Thicket by Lorna Kirin](https://londoncontemporaryart.co.uk/product/golden-thicket-by-lorna-kirin/) - Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Shallow Tide by Lorna Kirin](https://londoncontemporaryart.co.uk/product/shallow-tide-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I'm passionate about painting water in any form; capturing the unceasing power of the sea, it's rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Weathered Meadow by Lorna Kirin](https://londoncontemporaryart.co.uk/product/weathered-meadow-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Shingle Street by Lorna Kirin](https://londoncontemporaryart.co.uk/product/shingle-street-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Scabiosa, Hauser and Wirth by Katie Brent](https://londoncontemporaryart.co.uk/product/scabiosa-hauser-and-wirth-by-katie-brent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Stopped on a Spot by Christopher Rainham](https://londoncontemporaryart.co.uk/product/stopped-on-a-spot-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Japanese Anemone and Palm Tree at Dusk by Katie Brent](https://londoncontemporaryart.co.uk/product/japanese-anemone-and-palm-tree-at-dusk-by-katie-brent/) - Framed Size - 73 x 73 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Crocosmia and Palm, Summer Night by Katie Brent](https://londoncontemporaryart.co.uk/product/crocosmia-and-palm-summer-night-by-katie-brent/) - Framed Size - 73 x 73 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Serin by Christopher Rainham](https://londoncontemporaryart.co.uk/product/serin-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Mozart's Starling by Christopher Rainham](https://londoncontemporaryart.co.uk/product/mozarts-starling-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Crow Walking by Christopher Rainham](https://londoncontemporaryart.co.uk/product/crow-walking-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Jupiter by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/jupiter-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Saturn by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/saturn-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Neptune by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/neptune-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Mercury by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/mercury-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Venus by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/venus-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Mars by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/mars-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Pluto by Rupinder Khaira](https://londoncontemporaryart.co.uk/product/pluto-by-rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. 'I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently' - Rupinder Khaira - [Evening Garden Lily and Fennel by Katie Brent](https://londoncontemporaryart.co.uk/product/evening-garden-lily-and-fennel-by-katie-brent/) - Framed Size - 76 x 76 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Summertime by Katie Brent](https://londoncontemporaryart.co.uk/product/summertime-by-katie-brent/) - Framed Size - 84 x 84cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [East to Golden Cap by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/east-to-golden-cap/) - [Air by Hugh Turvey](https://londoncontemporaryart.co.uk/product/air/) - Edition of 10. Only available in chromaluxe. Price includes frame in black high gloss lacquer wood. Unframed size: 50 x 50 cm. “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. XOGRAMS Hugh works with traditional photographic techniques that produce images without a camera. By placing objects directly onto the surface of a photo-sensitive material and exposing it to light, a silhouette of the object is created on the material. It is a captured shadow of the object. These are called photograms and coincidentally were one of the first photographic imaging techniques used by William Fox Talbot, who called them photogenic drawings. Now, since the discovery of x-ray by Röntgen, it is possible to create x-ray photograms (e.g. skiagrams, Röntgenograms, shadowgraphs, radiographs). He has continued this classification naming heritage and created the term XOGRAM. (referencing ‘X’ for ‘unknown’, the Greek: out: έξω/éxo̱ and drawing: γραμμα/gramma). PUBLICATION Hugh is a prolific collaborator and consequently his work is published in many varied applications and exhibitions. Recent collaborations include LVMH and CHANEL. He also features in this month’s Italian Vogue. - [Hot Oak I by Emma Levine](https://londoncontemporaryart.co.uk/product/hot-oak-i/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ - [Light Tree by Emma Levine](https://londoncontemporaryart.co.uk/product/light-tree/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ - [A Rock in the Mud by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/a-rock-in-the-mud/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Sea Wall Medway by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/sea-wall-medway/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Sea Whip II by Emma Levine](https://londoncontemporaryart.co.uk/product/sea-whip-ii/) - framed and glazed - [Pale Crystal Oak by Emma Levine](https://londoncontemporaryart.co.uk/product/pale-crystal-oak/) - [Garden Birds by Christopher Rainham](https://londoncontemporaryart.co.uk/product/garden-birds/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Skulls by Hugh Turvey](https://londoncontemporaryart.co.uk/product/skulls/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Stargazer by Hugh Turvey](https://londoncontemporaryart.co.uk/product/stargazer/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [The Fastest Sagittal by Hugh Turvey](https://londoncontemporaryart.co.uk/product/the-fastest-sagittal/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Tied Basil by Hugh Turvey](https://londoncontemporaryart.co.uk/product/tied-basil/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [葵 Genus Alcea by Hugh Turvey](https://londoncontemporaryart.co.uk/product/hollyhocks/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [ゴウダソウ Genus Lunaria by Hugh Turvey](https://londoncontemporaryart.co.uk/product/honesty/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [チューリップ Genus Tulipa by Hugh Turvey](https://londoncontemporaryart.co.uk/product/tulips/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [萓 Genus Hermerocallis by Hugh Turvey](https://londoncontemporaryart.co.uk/product/lily/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Thornback Rays ♀♂ by Hugh Turvey](https://londoncontemporaryart.co.uk/product/male_and_female_thornback_rays/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Layne's Lily by Hugh Turvey](https://londoncontemporaryart.co.uk/product/laynes-lily/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Brough Superior SS100 (Blue on Black) Lawrence of Arabia by Hugh Turvey](https://londoncontemporaryart.co.uk/product/brough-superior-ss100-blue-on-black-lawrance-of-arabia/) - Edition of 6 created in 2018. “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [In the Gloaming by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/in-the-gloaming-by-andrew-kinmont/) - Mixed Media painting on canvas framed in white wooden floater frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Dawns Delight by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/dawns-delight/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Fields Of Gold by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/fields-of-gold/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine - [Louise by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/louise-by-keng-wai-lee/) - acrylic painting on boxed canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Darien by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/darien-by-keng-wai-lee/) - Darien is a painting by Keng Wai Lee. Colourful, exotic, charming, this acrylic painting is made on boxed canvas. It represents a playful bird, the perfect painting for interiors and the home. This animal painting has a tropical, playful feel. You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich animal impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and colored decor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world.Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Baker by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/baker-by-keng-wai-lee/) - Baker is a painting by Keng Wai Lee. Colourful, exotic, charming, this acrylic painting is made on boxed canvas. It represents a playful bird, the perfect painting for interiors and the home. This animal painting has a tropical, playful feel. You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich animal impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and colored decor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world.Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Adore by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/adore-by-keng-wai-lee/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Sinbad's Voyage by Brian Bartlett](https://londoncontemporaryart.co.uk/product/sindibads-voyage/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Bay by Brian Bartlett](https://londoncontemporaryart.co.uk/product/bay-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Moses by Marco Araldi](https://londoncontemporaryart.co.uk/product/moses-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [David by Marco Araldi](https://londoncontemporaryart.co.uk/product/david-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Temple of Ptolemy by Marco Araldi](https://londoncontemporaryart.co.uk/product/temple-of-ptolemy-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Blue Map by Marco Araldi](https://londoncontemporaryart.co.uk/product/blue-map-by-marco-araldi/) - mixed media painting on boxed canvas framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His maps are done in ink, acrylic, watercolour and gild on canvas. - [Aurum 23 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-22-by-keng-wai-lee-and-marco-araldi-2/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Early Morning in Trafalgar Square by David Hinchliffe](https://londoncontemporaryart.co.uk/product/early-morning-in-trafalgar-square-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Oceano](https://londoncontemporaryart.co.uk/product/oceano/) - Original 4/8 2015 Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [TIE Fighters by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-fighters-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Spring Tide by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/spring-tide-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Corporate Body by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/corporate-body/) - 10 figures in various colours, each sized: 14 x 5 x 5cm Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewelry, handbags etc. add to the narrative of the pieces. - [Festival Chic by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/festival-chic/) - Limited Edition - of 9 Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewelry, handbags etc. add to the narrative of the pieces. - [Long March by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/long-march/) - ed. 10/10 on a Portland stone base pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Iron Clad - Rhino by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/iron-clad-rhino/) - ed. 2/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Walk in the Park by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/walk-in-the-park/) - Limited Edition - of 15 Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasise the holiday feeling or to give them something to hide behind. Shoes, jewellery, handbags etc. add to the narrative of the pieces. - [Gin Fizz by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/gin-fizz/) - Limited Edition - of 9 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Daiquiri by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/daiquiri/) - Limited Edition - of 6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. Price on Application - [Great Expectations by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/great-expectations/) - ed. 2/9 - [Ad Astra by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/ad-astra/) - Ed/8 - [Greek Default by Sara Ingleby-Mackenzie\](https://londoncontemporaryart.co.uk/product/greek-default/) - Ed/10 - [Per Ardua by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/per-ardua/) - Ed/8 - [Saturday Night With Jimmy Who? by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/saturday-night-with-jimmy-who/) - ed. 3/8 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [High Maintenance by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/high-maintenance/) - ed. 5/9 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Jersey Lily by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/jersey-lily/) - ed. 2/9 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Mint Julep by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/mint-julep/) - Limited edition - of 9 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Pudding Figures by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/pudding-figures/) - Ed/10 The available colour options: Apple (green) Citrus (yellow) Rhubarb (plum) Strawberry (pink) Blackberry (dark purple) Passionfruit (orange) Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewelry, handbags etc. add to the narrative of the pieces. - [September by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/september/) - ed. 5/8 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Summertime by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/summertime/) - ed. 1/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Margarita Time by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/margarita-time/) - ed. 1/8 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Joie de Vivre by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/joie-de-vivre/) - ed. 1/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Drum Horse by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/drum-horse/) - ed. 1/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Tiger Tiger by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/tiger-tiger/) - ed. 2/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Uptown Girl (bronze) by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/uptown-girl/) - ed.2/6 Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewelry, handbags etc. add to the narrative of the pieces. - [Sun Worship by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/sun-worship-by-sara-ingleby-mackenzie/) - ed.3/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Shadows and Sunny Glimmerings by Christopher Rainham](https://londoncontemporaryart.co.uk/product/shadows-and-sunny-glimmerings-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Honfleur by Mike Hall](https://londoncontemporaryart.co.uk/product/honfleur-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Mi Paloma by Roy Fairchild](https://londoncontemporaryart.co.uk/product/mi-paloma-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [London Evening Traffic by David Hinchliffe](https://londoncontemporaryart.co.uk/product/london-evening-traffic-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Ben by David Hinchliffe](https://londoncontemporaryart.co.uk/product/ben-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Morning Glow, Knightsbridge by David Hinchliffe](https://londoncontemporaryart.co.uk/product/morning-glow-knightsbridge-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Dawn's Calling (N50.9732 W0.3453) by Mark Munroe-Preston](https://londoncontemporaryart.co.uk/product/dawns-calling-by-mark-munroe-preston/) - Edition of 25 23/25 Remaining Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. GPS coordinates & Map The names of the artworks often refer to the GPS coordinates where the original photograph was taken. - [Boat with Cloud by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/boat-with-cloud/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [On Chesil Beach by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/on-chesil-beach/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Verge by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/verge/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [In Winter Light Portland by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/in-winter-light-portland/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Gulls on Chesil Beach by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/gulls-on-chesil-beach/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Four Go Paddling in Camber Sands by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/four-go-paddling-in-camber-sands/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Sun Through Clearing Clouds by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/sun-through-clearing-clouds/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Improving Visibility by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/improving-visibility/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Grey Dawn with Boats by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/grey-dawn-with-boats/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Barn in Winter Dawn by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/barn-in-winter-dawn/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Beach in Low Visibility by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/beach-in-low-visibility/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Quiet Afternoon Whitstable by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/quiet-afternoon-whitstable/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Sand and Sky, Weymouth by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/sand-and-sky-weymouth/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Seasalter Mud by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/seasalter-mud/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Walk in Changing Weather by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/walk-in-changing-weather/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Light Surf, Chesil Beach by Terry Watts RBA](https://londoncontemporaryart.co.uk/product/light-surf-chesil-beach-by-terry-watts-rba/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ - [Stitches by Simon Ledson](https://londoncontemporaryart.co.uk/product/stitches/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Off the Point by Simon Ledson](https://londoncontemporaryart.co.uk/product/off-the-point/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Morning Heat by Simon Ledson](https://londoncontemporaryart.co.uk/product/morning-heat/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [The Sense by Simon Ledson](https://londoncontemporaryart.co.uk/product/the-sense/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Powerless Move by Simon Ledson](https://londoncontemporaryart.co.uk/product/powerless-move/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Kabalana-R by Simon Ledson](https://londoncontemporaryart.co.uk/product/kabalana-r/) - TIDESCAPES My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I'm interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [Turning Unease by Simon Ledson](https://londoncontemporaryart.co.uk/product/turning-unease/) - My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I’m interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [Haunting Shapes by Simon Ledson](https://londoncontemporaryart.co.uk/product/haunting-shapes/) - My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I’m interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [USS Enterprise by Marco Araldi](https://londoncontemporaryart.co.uk/product/uss-enterprise-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Apollo and Daphne by Marco Araldi](https://londoncontemporaryart.co.uk/product/apollo-and-daphne-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Big Ben by Marco Araldi](https://londoncontemporaryart.co.uk/product/big-ben-by-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Battersea Power Station by Marco Araldi](https://londoncontemporaryart.co.uk/product/battersea-power-station-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Aurum 13 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-13-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Aurum 12 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-12-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Aurum 11 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-11-by-keng-wai-lee-and-marco-araldi/) - framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Shadow Walk, Warsaw by John Butterworth](https://londoncontemporaryart.co.uk/product/shadow-walk-warsaw/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Traces by John Butterworth](https://londoncontemporaryart.co.uk/product/traces/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Word Play by John Butterworth](https://londoncontemporaryart.co.uk/product/word-play/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Sconia by John Butterworth](https://londoncontemporaryart.co.uk/product/sconia/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Talisman by John Butterworth](https://londoncontemporaryart.co.uk/product/talisman/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Tamara Negev by John Butterworth](https://londoncontemporaryart.co.uk/product/tamara-negev/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Aftermath (Icarus Fall) by John Butterworth](https://londoncontemporaryart.co.uk/product/aftermath-icarus-fall/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Megiddo by John Butterworth](https://londoncontemporaryart.co.uk/product/megiddo/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [It's a long story by Moira Hazel](https://londoncontemporaryart.co.uk/product/its-a-long-story-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Blue Daze by Moira Hazel](https://londoncontemporaryart.co.uk/product/blue-daze-by-moira-haze/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Golden Temple by John Butterworth](https://londoncontemporaryart.co.uk/product/golden-temple/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Amore vince Tutto by Ellie Hesse](https://londoncontemporaryart.co.uk/product/amore-vince-tutto/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Il Consiglio del Re by Ellie Hesse](https://londoncontemporaryart.co.uk/product/il-consiglio-del-re/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Blackfriars by David Walker](https://londoncontemporaryart.co.uk/product/blackfriars/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Landing by David Walker](https://londoncontemporaryart.co.uk/product/landing/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [The Powder Tower by David Walker](https://londoncontemporaryart.co.uk/product/the-powder-tower/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Split Shadow by David Walker](https://londoncontemporaryart.co.uk/product/split-shadow/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Amsterdam Crossing by David Walker](https://londoncontemporaryart.co.uk/product/amsterdam-crossing/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Disengaged by David Walker](https://londoncontemporaryart.co.uk/product/disengaged-by-david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [St Giles, Cripplegate by David Walker](https://londoncontemporaryart.co.uk/product/st-giles-cripplegate-by-david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Superman by David Walker](https://londoncontemporaryart.co.uk/product/superman-by-david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Networked by Lorna Kirin](https://londoncontemporaryart.co.uk/product/networked-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Snape, Suffolk by Lorna Kirin](https://londoncontemporaryart.co.uk/product/snape-suffolk-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Sheerness Beach by Christopher Rainham](https://londoncontemporaryart.co.uk/product/sheerness-beach-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [The Space Between IV by Claire Smith](https://londoncontemporaryart.co.uk/product/the-space-between-iv-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [The Space Between II by Claire Smith](https://londoncontemporaryart.co.uk/product/the-space-between-ii-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [The Space Between III by Claire Smith](https://londoncontemporaryart.co.uk/product/the-space-between-iii-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Light, Late Afternoon San Francisco by Claire Smith](https://londoncontemporaryart.co.uk/product/light-late-afternoon-san-francisco-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [December in the City by Claire Smith](https://londoncontemporaryart.co.uk/product/december-in-the-city-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [A Promise to Tread more Lightly by Christopher Rainham](https://londoncontemporaryart.co.uk/product/a-promise-to-tread-more-lightly/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Summer Breeze by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/summer-breeze-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Sea Scars by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/sea-scars-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Beach Cottage by Michael Hill](https://londoncontemporaryart.co.uk/product/beach-cottage-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [View of Portsoy by Mike Hall](https://londoncontemporaryart.co.uk/product/view-of-portsoy-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Morning Light by Mike Hall](https://londoncontemporaryart.co.uk/product/morning-light-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [A Bird out of Merlin's Ear by Christopher Rainham](https://londoncontemporaryart.co.uk/product/a-bird-out-of-merlins-ear-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [The Geometry of the Millennium by Marco Araldi](https://londoncontemporaryart.co.uk/product/the-geometry-of-the-millennium-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Aurum 21 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-21-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Aurum 22 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-22-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Sea Wrack by Lorna Kirin](https://londoncontemporaryart.co.uk/product/sea-wrack-by-lorna-kirin/) - “Hengrave, where I live and work, is nestled in the heart of the River Lark valley, in Suffolk. We help manage a couple of acres of ancient woodland that is surrounded by beautiful waterways and a network of vital ditches. I’m passionate about painting water in any form; capturing the unceasing power of the sea, it’s rhythmical movement, translucency and the quiet reflective spots on our rivers that distort the world around, giving me the opportunity to visually reinterpret the abstracted environment.” Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Lundy. Northwest 3 to 5 by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/lundy-northwest-3-to-5-by-sandy-steele-perkins/) - Lundy. Northwest 3 to 5 slight to moderate becoming smooth or slight later on awagami washi bamboo paper 170gsm Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Biscay by Sandy Steele](https://londoncontemporaryart.co.uk/product/biscay-by-sandy-steele/) - Biscay on awagami washi bamboo paper 170gsm Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Sea State Calm by Sandy Steele](https://londoncontemporaryart.co.uk/product/sea-state-calm-by-sandy-steele/) - Sea State Calm on awagami washi bamboo paper 170gsm Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Fitzroy by Sandy Steele](https://londoncontemporaryart.co.uk/product/fitzroy-by-sandy-steele/) - Fitzroy on awagami washi bamboo paper 170gsm Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Lost Horizons by Mike Ellis](https://londoncontemporaryart.co.uk/product/lost-horizons-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Volant by Mike Ellis](https://londoncontemporaryart.co.uk/product/volant-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [New Horizons by Mike Ellis](https://londoncontemporaryart.co.uk/product/new-horizons-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Voyager by Mike Ellis](https://londoncontemporaryart.co.uk/product/voyager-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Faded Rose by Lorna Kirin](https://londoncontemporaryart.co.uk/product/faded-rose-by-lorna-kirin/) - Framed Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” - [Rugged Mosaic by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/rugged-mosaic-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Dappled Stillness by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/dappled-stillness-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Angles sur L'Anglin by Mike Hall](https://londoncontemporaryart.co.uk/product/angles-sur-langlin-by-mike-hall/) - “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My current work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” - [Plastic Head: RARE Vintage Batman Doll - 1988 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-rare-vintage-batman-doll-1988-by-ryan-odonoghue/) - This figure was my big brothers when we were kids. Batman was a significant part of my childhood, from the epic Tim Burton movies to watching Batman: The Animated Series every Saturday morning. He was always going to be one of my childhood heroes. This figure is now a highly sought-after collector's item. I have a vivid memory of my brother buying him from the Warner Bros shop at Lakeside Shopping Centre in Essex back in the early '90s. After lots of time playing with him and growing older, the figure then sat on our shelf, collecting dust, until I recently found him in my Mum's loft. It's as if he had been waiting there for me to come and collect him again and create his stunning Plastic Head Portrait. - [Plastic Head: RARE Vintage Robin Doll - 1988 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-rare-vintage-robin-doll-1988-by-ryan-odonoghue/) - Alongside Batman was his sidekick Robin, who was my favourite because when it came down to playing Batman & Robin with my older brother, he was Batman and I was Robin. I bought this figure at the same time as my brother from the Warner Bros shop at Lakeside Shopping Centre in Essex back in the early '90s. - [Plastic Head: Vintage Captain Scarlet Doll - 1993 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-vintage-captain-scarlet-doll-1993-by-ryan-odonoghue/) - In 1993, Captain Scarlet and the Mysterons, a popular TV show, experienced a resurgence as it was rebroadcasted on BBC 2, captivating a new generation of fans, including me. This revival also brought about an exciting wave of merchandise and toys. A whole new collection of Captain Scarlet and the Mysterons toys was launched, delighting fans with the opportunity to own their favourite characters and vehicles from the show. Among these treasures was a figure, now a part of my personal collection, which I recently discovered in my mum's loft. It's astonishing to realize that this toy is now three decades old, a testament to the enduring charm and appeal of the franchise. This serves as a reminder to never discard your old toys, as you never know what value or nostalgic joy they may bring in the future. S.I.G. - [Plastic Head: 35th Anniversary Barbie Doll - 1993 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-35th-anniversary-barbie-doll-1993-by-ryan-odonoghue/) - My first female Plastic Head, I didn't want just any Barbie doll. After conducting some research, I stumbled upon the 35th anniversary Barbie, which is a reproduction of the original Barbie released in 1969. Her face is absolutely stunning, so I decided to hunt for her on eBay. Celebrating 35 years of iconic Barbie fashion, The reproduced 35th Anniversary Barbie doll takes us on a nostalgic journey, paying homage to the original 1959 doll With her classic blonde hair & stylish black and white swimsuit. It was a special edition reproduction that aimed to celebrate and pay homage to the iconic doll's history and impact on popular culture. - [Plastic Head: Vintage Greedo Action Figure - 1978 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-vintage-greedo-action-figure-1978-by-ryan-odonoghue/) - Greedo has to be one the most memorable characters from the Star Wars franchise. He is a bounty hunter and a member of the Rodian species. Greedo is known for his distinctive appearance, with green skin, large eyes, and a snout-like nose. He is most recognized for his encounter with Han Solo in the Mos Eisley Cantina, where Han obviously shoots first. Greedo's character has become a very iconic symbol of the diverse and colorful alien species that populate the Star Wars universe. It’s striking to see the detail on these 3.75 inch size figures. Thank you to Collector @totaltoys82 for supplying this figure for me to bring to the Plastic Head Gallery. - [Plastic Head: Vintage LION-O Action Figure - 1985 By Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product/plastic-head-vintage-lion-o-action-figure-1985-by-ryan-odonoghue/) - As a kid, I never watched this show myself, but I do remember my brother having the toy sword of Omens. I have a fond memory of that. I absolutely love the high-octane opening of the show, with its awesome theme song. The animation was truly unbelievable for its time. Thundercats debuted in 1985, produced by LJN to accompany the popular TV cartoon of the same name by Rankin-Bass. Although the toyline only lasted three years and had a relatively small distribution compared to other action figure toylines of that time, it remains popular among adult collectors. Thank you to Nerdbase UK for supplying this figure for me to bring to the Plastic Head Gallery. - [Brushed waves, Swim by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/brushed-waves-swim/) - Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Dog Three by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/dog-three-by-sandy-steele-perkins/) - Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Lundy Lines, Merge by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/lundy-lines-merge-by-sandy-steele-perkins/) - Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Painted Island by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/painted-island-by-sandy-steele-perkins/) - Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Fresh Water by Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product/fresh-water-by-sandy-steele-perkins/) - Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Inspired by Nature by Moira Hazel](https://londoncontemporaryart.co.uk/product/inspired-by-nature-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [By the Wild Air by Christopher Rainham](https://londoncontemporaryart.co.uk/product/by-the-wild-air-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [On Wind and Stone by Christopher Rainham](https://londoncontemporaryart.co.uk/product/on-wind-and-stone-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Peace Babies by Christopher Rainham](https://londoncontemporaryart.co.uk/product/peace-babies-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Nature's Wide and Common Sky by Christopher Rainham](https://londoncontemporaryart.co.uk/product/natures-wide-and-common-sky-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [The Tops of The Trees by Christopher Rainham](https://londoncontemporaryart.co.uk/product/the-tops-of-the-trees-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Come Winter by Simon Ledson](https://londoncontemporaryart.co.uk/product/come-winter-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Beyond by Simon Ledson](https://londoncontemporaryart.co.uk/product/beyond-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Beneath by Simon Ledson](https://londoncontemporaryart.co.uk/product/beneath-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Adrift by Simon Ledson](https://londoncontemporaryart.co.uk/product/adrift-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Above and Below by Simon Ledson](https://londoncontemporaryart.co.uk/product/above-and-below-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Winter Fades by Simon Ledson](https://londoncontemporaryart.co.uk/product/winter-fades-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Sudden Change by Simon Ledson](https://londoncontemporaryart.co.uk/product/sudden-change-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [Levelling by Simon Ledson](https://londoncontemporaryart.co.uk/product/levelling-by-simon-ledson/) - Exploration of Landscape Each work is borne out of abstraction, while retaining recognisable forms that capture the essence of landscape, through colour and texture. The result brings together many layers, elements and details that give freedom of interpretation to the beholder. Paint contests the division between the realms of memory, emotion and experience, making use of a series of colours that resemble the reaction to the tonal vibration that shapes how we see reality. Vision, and its subsequent interpretation, is so much the result of unconscious reference, a mere reflection of light on a surface. Asking fundamental questions about our place in nature, and nature’s place in us. - [The Starlings that weren't in the Chimney by Christopher Rainham](https://londoncontemporaryart.co.uk/product/the-starlings-that-werent-in-the-chimney-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Pantalone by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/pantalone-by-keng-wai-lee-and-marco-araldi/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Pleasantville by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/pleasantville-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [La Signora by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/scaramuche-by-keng-wai-lee-and-marco-araldi/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Blue Moorings by Michael Hill](https://londoncontemporaryart.co.uk/product/blue-moorings-by-michael-hill/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Trafalgar Square, London by Ellie Hesse](https://londoncontemporaryart.co.uk/product/trafalgar-square-london-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [Palermo, Sicily by Ellie Hesse](https://londoncontemporaryart.co.uk/product/palermo-sicily-by-ellie-hesse/) - Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [First Light by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/first-light-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Of Ice and Fire by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/of-ice-and-fire-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Crimson Hour by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/in-the-autumn-blue-by-mark-munroe-preston-copy/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Lilac Dusk by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/in-the-autumn-blue-by-mark-munroe-preston-2/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [In the Autumn Blue by Mark Munroe Preston](https://londoncontemporaryart.co.uk/product/in-the-autumn-blue-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. - [Le louvre, Paris by Ellie Hesse](https://londoncontemporaryart.co.uk/product/le-louvre-paris-by-ellie-hesse/) - FRAMED SIZE 98 X 118 CM Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire Dales. Travel has always been an important aspect in her life. She has explored Asia and South America, as well as living and working in a number of different European countries. These include the UK, France, Germany and, more recently, Italy. These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes. In recent years though, she has gone on to develop her art to include more figurative work, focusing on the horse in particular.. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference. and she uses it to build up layers of texture and depth of colour in her townscapes. - [On the Coast by Michael Hill](https://londoncontemporaryart.co.uk/product/on-the-coast-by-michael-hill-2/) - pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. - [Fortius by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/fortius-by-keng-wai-lee/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Zanni by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/zanni-by-keng-wai-lee/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Innamorati by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/innamorati-by-keng-wai-lee/) - You may pay in full or in instalments, with full return and refund guarantee. There is also free shipping within the United Kingdom including expert safe packaging and authenticity certificate. Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. Moreover, his wonderful paintings are made up of birds and Goldfishes in flamboyant colors, making them decorative and figurative. He was inspired by these patterns during his childhood, as Keng Wai Lee had seven goldfishes and his father had a lot of chickens in the family garden. Animals are a part of the fairy tale, vegetable and coloured décor. In addition, the acrylic on canvas allows him to transpose the image in a precise manner, combining imagination and childhood memories. Keng Wai Lee says “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world. Or, just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Isometric Cathedral by Marco Araldi](https://londoncontemporaryart.co.uk/product/isometric-cathedral-by-marco-araldi/) - mixed media painting on boxed canvas framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Yomeimon of Toshogu by Marco Araldi](https://londoncontemporaryart.co.uk/product/yomeimon-of-toshogu-by-marco-araldi/) - Shortlisted by the Royal Academy's Summer Exhibition 2023 mixed media painting on boxed canvas framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Ala Alhambra by Marco Araldi](https://londoncontemporaryart.co.uk/product/ala-alhambra-by-marco-araldi/) - mixed media painting on boxed canvas framing options available pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His work is done in ink, acrylic, watercolour and gild on canvas. - [Aurum 19 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-19-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Aurum 20 by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-20-by-keng-wai-lee-and-marco-araldi-copy/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Ares by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/ares-by-keng-wai-lee-and-marco-araldi/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Houses in Between by Moira Hazel](https://londoncontemporaryart.co.uk/product/houses-in-between-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Down to the Water by Moira Hazel](https://londoncontemporaryart.co.uk/product/down-to-the-water-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [High & Clear by Moira Hazel](https://londoncontemporaryart.co.uk/product/high-clear-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Ripples under the Surface by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/ripples-under-the-surface-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [A Million Leaves by David Hinchliffe](https://londoncontemporaryart.co.uk/product/walkin-the-dog/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Eros, Piccadilly by David Hinchliffe](https://londoncontemporaryart.co.uk/product/under-eros-picadilly/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [High Speed in Hyde Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/high-speed-in-hyde-park/) - David Hinchliffe is an Australian artist living in Brisbane. He is represented by galleries in London, New York, Tokyo, Hong Kong, Singapore and Melbourne, amongst other cities. His work embodies a “Contemporary Impressionist” style that is both representational and figurative. Though he paints primarily with oil paint on canvas, his career has also seen him explore and exhibit work in other mediums. - [The Rising Sun by David Hinchliffe](https://londoncontemporaryart.co.uk/product/the-rising-sun/) - David Hinchliffe is an Australian artist living in Brisbane. He is represented by galleries in London, New York, Tokyo, Hong Kong, Singapore and Melbourne, amongst other cities. His work embodies a “Contemporary Impressionist” style that is both representational and figurative. Though he paints primarily with oil paint on canvas, his career has also seen him explore and exhibit work in other mediums. - [Soft Light at St James Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/st-james-park-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Whitehall by Day, by David Hinchliffe](https://londoncontemporaryart.co.uk/product/whitehall-by-day/) - David Hinchliffe is an Australian artist living in Brisbane. He is represented by galleries in London, New York, Tokyo, Hong Kong, Singapore and Melbourne, amongst other cities. His work embodies a “Contemporary Impressionist” style that is both representational and figurative. Though he paints primarily with oil paint on canvas, his career has also seen him explore and exhibit work in other mediums. - [Tavola I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/tavola-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [A True Heart I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/a-true-heart-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [A True Heart II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/a-true-heart-ii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [A True Heart III by Roy Fairchild](https://londoncontemporaryart.co.uk/product/a-true-heart-iii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Always Dreaming I by Roy Fairchild](https://londoncontemporaryart.co.uk/product/always-dreaming-i-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Just Another Day (Enhanced Canvas) by Roy Fairchild](https://londoncontemporaryart.co.uk/product/just-another-day-enhanced-canvas-by-roy-fairchild/) - This enhanced serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Yellow Barn by Roy Fairchild](https://londoncontemporaryart.co.uk/product/yellow-barn-by-roy-fairchild/) - This original is for sale from Roy Fairchild's Personal Collection. This original will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Time for Lunch by Moira Hazel](https://londoncontemporaryart.co.uk/product/time-for-lunch-by-moira-hazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. - [Shoaling and Schooling by Hugh Turvey](https://londoncontemporaryart.co.uk/product/shoaling-and-schooling-by-hugh-turvey/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. Shoaling & Schooling, 2022 Matt Giclée on Dibond® 140 x 60 cm ID: 1738202 Signed, Verisart blockchain certificate of authenticity hidden subframe (ready to hang) - [White Tree by Claire Smith](https://londoncontemporaryart.co.uk/product/white-tree-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Spring Morning in Regents Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/spring-morning-in-regents-park-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Study for Green Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/study-for-green-park-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Walking Down the Strand by David Hinchliffe](https://londoncontemporaryart.co.uk/product/spring-day-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [London Turquoise and Teal by David Hinchliffe](https://londoncontemporaryart.co.uk/product/london-turquoise-and-teal-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Traffic at Charing Cross Road by David Hinchliffe](https://londoncontemporaryart.co.uk/product/traffic-at-charing-cross-road-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Green Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/green-park-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Afterglow by David Hinchliffe](https://londoncontemporaryart.co.uk/product/afterglow-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [On the Trail in Hampstead Heath by David Hinchliffe](https://londoncontemporaryart.co.uk/product/on-the-trail-in-hampstead-heath-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Study for Regents Park by David Hinchliffe](https://londoncontemporaryart.co.uk/product/study-for-regents-park-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Looking over the Lake at Hampstead by David Hinchliffe](https://londoncontemporaryart.co.uk/product/looking-over-the-lake-at-hampstead-by-david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” - [Cedar Oak](https://londoncontemporaryart.co.uk/product/cedar-oak/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ Framed and glazed Framed measurements: 40 x 40 cm - [Growing in the Wrong Place by Claire Smith](https://londoncontemporaryart.co.uk/product/growing-in-the-wrong-place-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Autumn Rows by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/autumn-rows/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Tangerine Summer II by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/tangerine-summer-ii/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [California Dreaming I](https://londoncontemporaryart.co.uk/product/california-dreaming-i/) - “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [California Dreaming II](https://londoncontemporaryart.co.uk/product/california-dreaming-ii/) - “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Of Silence and Plenitude by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/of-silence-and-plenitude-by-andrew-kinmont/) - Mixed Media painting on canvas framed in white wooden floater frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Anchorage by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/anchorage-by-andrew-kinmont/) - Mixed Media painting on canvas framed in white wooden floater frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Profusion by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/profusion-by-andrew-kinmont/) - Mixed Media painting on canvas framed in white wooden floater frame pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Sunrise, Westminster](https://londoncontemporaryart.co.uk/product/sunrise-westminster/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Skaldic Forms by John Butterworth](https://londoncontemporaryart.co.uk/product/skaldic-by-john-butterworth/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Chim Yellow and Red](https://londoncontemporaryart.co.uk/product/chim-yellow-and-red/) - Unique Original Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Dardos Green](https://londoncontemporaryart.co.uk/product/dardos-green/) - Original Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Dardo Green and Blue](https://londoncontemporaryart.co.uk/product/dardo-green-and-blue/) - Unique Original Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Guardian](https://londoncontemporaryart.co.uk/product/guardian/) - Original - Edition 2 of 8, made in 2015 Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Ablaze with Blue (N50.8346 W1.6360) by Mark Munroe - Preston](https://londoncontemporaryart.co.uk/product/ablaze-with-blue-by-mark-munroe-preston/) - Edition of 25 24/25 Remaining Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. GPS coordinates & Map The names of the artworks often refer to the GPS coordinates where the original photograph was taken. - [Autumn Alight (N50.9126 W0.0319) by Mark Munroe - Preston](https://londoncontemporaryart.co.uk/product/reflections-in-azure-n50-9126-w0-0319-by-mark-munroe-preston/) - Edition of 25 Inspiration I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me. Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. GPS coordinates & Map The names of the artworks often refer to the GPS coordinates where the original photograph was taken. - [Claudius Conqueror by Keng Wai Lee and Marco Araldi](https://londoncontemporaryart.co.uk/product/claudius-conqueror-by-keng-wai-lee-and-marco-araldi/) - The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Enoki Grouping by Hugh Turvey](https://londoncontemporaryart.co.uk/product/enoki-grouping/) - Edition of 50. Only available on chromaluxe. “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. XOGRAMS Hugh works with traditional photographic techniques that produce images without a camera. By placing objects directly onto the surface of a photo-sensitive material and exposing it to light, a silhouette of the object is created on the material. It is a captured shadow of the object. These are called photograms and coincidentally were one of the first photographic imaging techniques used by William Fox Talbot, who called them photogenic drawings. Now, since the discovery of x-ray by Röntgen, it is possible to create x-ray photograms (e.g. skiagrams, Röntgenograms, shadowgraphs, radiographs). He has continued this classification naming heritage and created the term XOGRAM. (referencing ‘X’ for ‘unknown’, the Greek: out: έξω/éxo̱ and drawing: γραμμα/gramma). PUBLICATION Hugh is a prolific collaborator and consequently his work is published in many varied applications and exhibitions. Recent collaborations include LVMH and CHANEL. He also features in this month’s Italian Vogue. - [Femme Fatale (Artemi) by Hugh Turvey](https://londoncontemporaryart.co.uk/product/femme-fatale/) - Edition of 10. Remastered print – only available in chromaluxe. It is signed in UV ink and supplied with UV light. Unframe print size: 76 x 50.5 cm. This piece is framed in black high gloss lacquer wood. - [Avalon Dusk by Brian Bartlett](https://londoncontemporaryart.co.uk/product/avalon-dusk-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Down there on a Visit by Brian Bartlett](https://londoncontemporaryart.co.uk/product/down-there-on-a-visit-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Joshua's Way by Brian Bartlett](https://londoncontemporaryart.co.uk/product/joshuas-way-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Quo Vadis by Brian Bartlett](https://londoncontemporaryart.co.uk/product/quo-vadis-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Towards Corton by Brian Bartlett](https://londoncontemporaryart.co.uk/product/towards-corton-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Tahiti by Brian Bartlett](https://londoncontemporaryart.co.uk/product/tahiti-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Terre by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/terre-by-keng-wai-lee/) - Keng Wai Lee’s gorgeously rich animal impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world or just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [New Dawn by Bill Bate](https://londoncontemporaryart.co.uk/product/new-dawn-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Hyacinth Sequence on Black by Hugh Turvey](https://londoncontemporaryart.co.uk/product/hyacinth-sequence-on-black/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Magic With by Hugh Turvey](https://londoncontemporaryart.co.uk/product/magic-within/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Red Rose by Hugh Turvey](https://londoncontemporaryart.co.uk/product/red-rose/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Sage Composition by Hugh Turvey](https://londoncontemporaryart.co.uk/product/sage-composition/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Polychromatic Fiori - Rose II by Hugh Turvey](https://londoncontemporaryart.co.uk/product/polychromatic-fiori-rose-ii/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Polychromatic Fiori - Rose I by Hugh Turvey](https://londoncontemporaryart.co.uk/product/polychromatic-fiori-rose-i/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Polychromatic Fiori - Rose III by Hugh Turvey](https://londoncontemporaryart.co.uk/product/polychromatic-fiori-rose-iii/) - Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Polychromatic Fiori - Rose IV by Hugh Turvey](https://londoncontemporaryart.co.uk/product/polychromatic-fiori-rose-iv/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Kale Cavalo Nero by Hugh Turvey](https://londoncontemporaryart.co.uk/product/kale-cavalo-nero/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Phototropic X-Ray Daffodil Flower by Hugh Turvey](https://londoncontemporaryart.co.uk/product/phototropic/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. - [Beauty in Numbers by Hugh Turvey](https://londoncontemporaryart.co.uk/product/beauty-in-numbers/) - Edition of 12 created in 2020. Family: Apidae Genus: Apis Xogram Series: Pollinators (Phyllotaxis Spiral), Hidden Garden Blockchain Certificate of Authenticity supplied via https://verisart.com. Provided upon request. Public exhibition size: 150Wx180Hcm – Dibond with rear subframe, wall hanging system. Artist Proofs, price on request. “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. XOGRAMS Hugh works with traditional photographic techniques that produce images without a camera. By placing objects directly onto the surface of a photo-sensitive material and exposing it to light, a silhouette of the object is created on the material. It is a captured shadow of the object. These are called photograms and coincidentally were one of the first photographic imaging techniques used by William Fox Talbot, who called them photogenic drawings. Now, since the discovery of x-ray by Röntgen, it is possible to create x-ray photograms (e.g. skiagrams, Röntgenograms, shadowgraphs, radiographs). He has continued this classification naming heritage and created the term XOGRAM. (referencing ‘X’ for ‘unknown’, the Greek: out: έξω/éxo̱ and drawing: γραμμα/gramma). PUBLICATION Hugh is a prolific collaborator and consequently his work is published in many varied applications and exhibitions. Recent collaborations include LVMH and CHANEL. He also features in this month’s Italian Vogue. - [Healer by Hugh Turvey](https://londoncontemporaryart.co.uk/product/healer/) - “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. Supplied with subframe ready to hang - [Revelation by Bill Bate](https://londoncontemporaryart.co.uk/product/revelation-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Ocean Swimmers by Bill Bate](https://londoncontemporaryart.co.uk/product/ocean-swimmers-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Energy by Bill Bate](https://londoncontemporaryart.co.uk/product/energy-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Inner Voice by Bill Bate](https://londoncontemporaryart.co.uk/product/inner-voice-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Horizon Perspective by Bill Bate](https://londoncontemporaryart.co.uk/product/horizon-perspective-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Sea View at Tresaith by Bill Bate](https://londoncontemporaryart.co.uk/product/sea-view-at-tresaith-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Referential by Bill Bate](https://londoncontemporaryart.co.uk/product/referential-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Ocean Figures by Bill Bate](https://londoncontemporaryart.co.uk/product/ocean-figures-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [For You II by Roy Fairchild](https://londoncontemporaryart.co.uk/product/for-you-ii-by-roy-fairchild/) - This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Sea Breeze by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/sea-breeze-by-sara-ingleby-mackenzie/) - ed.4/35 bronze resin sculpture on Portland stone base pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [The Parking Lot by Claire Smith](https://londoncontemporaryart.co.uk/product/the-parking-lot-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Shapes in the Street by Claire Smith](https://londoncontemporaryart.co.uk/product/shapes-in-the-street-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [As Swift as Swallows Fly by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/as-swift-as-swallows-fly/) - Original print from feathers and stencil on five layers of Japanese paper. Variable Edition of 5 framed size: 75 x 74 cm - [Wings Dipped in Light by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/wings-dipped-in-light-ruth-thomas-rca/) - Original print from feathers and stencil on five layers of Japanese paper Variable Edition of 5 framed size: 75 x 74 cm - [Penumbra by David Walker](https://londoncontemporaryart.co.uk/product/penumbra-by-david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. - [Block Copper Beech](https://londoncontemporaryart.co.uk/product/block-copper-beech/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ - [Clamestro by Brian Bartlett](https://londoncontemporaryart.co.uk/product/clamestro-by-brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Thrushes Coal Tits Wagtail (Brief View) by Christopher Rainham](https://londoncontemporaryart.co.uk/product/thrushes-coal-tits-wagtail-brief-view-by-christopher-rainham/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Lakeside by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/lakeside-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Tangerine Days by Andrew Kinmont](https://londoncontemporaryart.co.uk/product/tangerine-days-by-andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquillity and a level of contentment that comes from being alone with your own thoughts, memories and dreams. - [Air 3 by Hugh Turvey](https://londoncontemporaryart.co.uk/product/air-3/) - [Tidelands VIII - by Claire Wiltsher](https://londoncontemporaryart.co.uk/product/tidelands-viii-by-claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [Aurum 17 by Keng Wai Lee](https://londoncontemporaryart.co.uk/product/aurum-17-by-keng-wai-lee/) - mixed media painting on boxed canvas framing options available – framed price £900 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate - [Seeker by Mike Ellis](https://londoncontemporaryart.co.uk/product/seeker-by-mike-ellis/) - oil painting on canvas pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [A Good Read](https://londoncontemporaryart.co.uk/product/a-good-read/) - A Good Read Bronze Resin and Stone Gall - Sculpture Edition Number 1/35 pay in full or in instalments, full return and refund guarantee free shipping within the United Kingdom including expert safe packaging and authenticity certificate Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [Chim Blue and Green](https://londoncontemporaryart.co.uk/product/chim-blue-and-green/) - Unique Original Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [1902 Americacentric Map of the World by Marco Araldi](https://londoncontemporaryart.co.uk/product/1902-americacentric-map-of-the-world/) - 1902 Americacentric Map of the World Medium: Gilding, ink and acrylic on canvas 61 x 82 cm £2,600 - [Breezy by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/breezy-by-sara-ingleby-mackenzie/) - Portland stone base / ed. n. 3 of 35 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hughes, a pupil of Henry Moore, she was awarded the Henry Moore Foundation Scholarship in 1982. As the daughter of a fashion designer who grew up in Milan, Sara’s creations are rich in detail and texture. Light hearted and playful, each piece is full of unique charm and whimsy. Her recognisable style is anatomically familiar yet elegant and modern, and the joy of the creative process is plainly evident in each of her finished characters. - [You can See by Simon Ledson](https://londoncontemporaryart.co.uk/product/you-can-see-by-simon-ledson/) - framed in white wooden floater frame Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Summer Pond by Ewa Adams](https://londoncontemporaryart.co.uk/product/summer-pond-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Dull Day Illuminated by Spring by Ewa Adams](https://londoncontemporaryart.co.uk/product/dull-day-illuminated-by-spring-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Calm Blue by Bill Bate](https://londoncontemporaryart.co.uk/product/calm-blue-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Aurum 5 by Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-5-by-keng-wai-lee-marco-araldi/) - framed in black wood floater frame The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [The Point TanTan - R by Simon Ledson](https://londoncontemporaryart.co.uk/product/the-point-tantan-r-by-simon-ledson/) - Simon's landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. - [Sunset San Francisco I by Claire Smith ](https://londoncontemporaryart.co.uk/product/sunset-san-francisco-i/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Aurum 3 by Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product/aurum-3-by-keng-wai-lee-marco-araldi/) - framed - black wood floater frame The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Summers Kiss (Nicosia) by Brian Bartlett](https://londoncontemporaryart.co.uk/product/summers-kiss-nicosia/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Double Date by Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product/double-date/) - ed. 2/9 Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation Scholarship in 1982. Her figures are all clothed and are light hearted in nature. Most wear sunglasses either to emphasize the holiday feeling or to give them something to hide behind. Shoes, jewelry, handbags etc. add to the narrative of the pieces. - [Looking at the Stars by Anke Birnie](https://londoncontemporaryart.co.uk/product/looking-at-the-stars/) - The stunning bronze sculptures created by Anke Birnie are all unusually “one off” pieces rather than an edition and therefore each one is unique. Anke is fascinated in portraying an image of the natural earthly element “air” combined with the human element “motion”. The successful resistance of the body in the wind is tangible to the beholder. The sculpture stands as solid as a rock and at the same time one is touched by the sense of movement. The long limbs and the swirling clothing are both a feature of her work and also reflect the process of the sculpture’s production: Anke uses textiles within the wax mould to create the work. - [Opening Time by David Walker](https://londoncontemporaryart.co.uk/product/opening-time/) - framed size: 62cm x 89cm beige wood frame with glass Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Cockspur Street by David Walker](https://londoncontemporaryart.co.uk/product/cockspur-street/) - framed size: 39 x 39 cm beige wood frame with glass Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Hazy Sunshine by Ewa Adams](https://londoncontemporaryart.co.uk/product/hazy-sunshine-by-ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” - [Night Bridge II by Claire Smith](https://londoncontemporaryart.co.uk/product/night-bridge-ii/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Dynamic Shapes by Claire Smith](https://londoncontemporaryart.co.uk/product/dynamic-shapes-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Movik I by Claire Smith](https://londoncontemporaryart.co.uk/product/movik-i-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Night Tree I by Claire Smith](https://londoncontemporaryart.co.uk/product/night-tree-i/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Golden Glow by Bill Bate](https://londoncontemporaryart.co.uk/product/golden-glow/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Of his working process, Bill says - "I want the paint to have a life of its own and so leave its application quite loose at times. I endeavour to escape the confines that realism can impose, leaving more expression and less constraint." - [Helios II by Mike Ellis](https://londoncontemporaryart.co.uk/product/helios-ii/) - Mike Ellis: “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” Murmurations is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. - [Red Shoes by Manny Woodard](https://londoncontemporaryart.co.uk/product/red-shoes/) - ed. 22/100 Manny skilfully moulds and casts all her own sculptures in jesmonite or resin with graphite and bronze. The patina is then achieved by the laying on of earth pigments, overlaid with a protective varnish or wax. Her figures vary – some stand alone, contemplative off the passage of time, feet planted solidly on the ground, whilst others display couples, with their bodies lightly touching and their forms merging into each other, some a tantalizing balance between a caress and aggression. Through these powerful yet delicate sculptures and drawings Manny invites the viewer to take a moment, and to explore the dynamic world which surrounds each quiet pause. Manny’s works are an expression of herself, her “own hand writing”. Her sculptures and drawings are executed with a humanity that exudes an innate sense of beauty and integrity. - [Movik II by Claire Smith](https://londoncontemporaryart.co.uk/product/movik-ii-by-claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Tribute I by Claire Smith](https://londoncontemporaryart.co.uk/product/tribute-i/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Elements by Claire Smith](https://londoncontemporaryart.co.uk/product/elements/) - Claires’ work is inspired by light and colour on the landscape, and the abstract qualities they create. Her work places the viewer in a dreamlike landscape of pure light, texture and shapes. A space to breath. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Red Right](https://londoncontemporaryart.co.uk/product/red-right/) - TIDE SCAPES My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I'm interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [Eclipse II by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/eclipse-ii/) - framed dimensions: 75 x 74cm ed.1/1 - [Transition by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/transition/) - framed dimensions: 75 x 74cm ed 1/10 - [Carveline-L by Simon Ledson](https://londoncontemporaryart.co.uk/product/caveline-l/) - TIDE SCAPES My practice envelops multiple fields of visual expression. The main themes that I focus on deal with ideas surrounding perception and distortion of vision regarding constants, such as data, time and space. I use materials to question our understanding of what we are looking at. Time/Tide Scapes: This body of work is experimenting with visualising data, information within surf culture. By focusing on the connections that make information playful, facts and ideas that interconnect visually. An observational study on the understanding of form, light, space, these are the elements that influence my Time/Tide Scapes. This work is a series of experiments working with data exploring the information of waves and tides: their timing, changes and direction and finding a way of logging their actions. I find these are some of my inspirations. I'm interested in our understanding of what we are looking at and question both the thing itself and the image of the thing. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions based on previous experiences. These works are an ongoing enquiry into the relationship of what I see, a mere reflection of light on a surface. It’s not so much the location it’s more the time and data capturing the correct atmosphere. The time in-between night and day we call it nautical dawn when the sun is 12 degrees below the horizon, the day starts. - [Ascend and Glide by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/ascend-and-glide/) - Original print from feathers and stencil on five layers of Japanese paper. Variable Edition of 5 framed size: 75 x 50 cm - [A Loosely Woven Flock of Rooks by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/a-loosely-woven-flock-of-rooks-ruth-thomas-rca/) - Original print from feathers and stencil on five layers of Japanese paper Variable Edition of 5 framed size: 75 x 50 cm - [Yellow and Blue by Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product/yellow-and-blue-ruth-thomas-rca/) - Original print from feathers and stencil on five layers of Japanese paper Variable Edition of 5 framed size: 50 x 50 cm - [Upside Down by Anke Birnie](https://londoncontemporaryart.co.uk/product/upside_down/) - n.4087 unique piece - [Bye Bye Kim by Chris Arran](https://londoncontemporaryart.co.uk/product/bye-bye-kim/) - [Cute by Chris Arran](https://londoncontemporaryart.co.uk/product/cute/) - [NYC by Chris Arran](https://londoncontemporaryart.co.uk/product/nyc/) - ed.25 - [Help People Win by Chris Arran](https://londoncontemporaryart.co.uk/product/help-people-win/) - [Road to Redemption by Chris Arran](https://londoncontemporaryart.co.uk/product/chris-arran/) - [Runway by Chris Arran](https://londoncontemporaryart.co.uk/product/chris-arran-2/) - [Revolution by Chris Arran](https://londoncontemporaryart.co.uk/product/revolution/) - ed.25 - [Pop by Chris Arran](https://londoncontemporaryart.co.uk/product/chris-arran-3/) - [Flamingo Road by Chris Arran](https://londoncontemporaryart.co.uk/product/chris-arran-4/) - ed.20 - [Fro by Chris Arran](https://londoncontemporaryart.co.uk/product/fro/) - ed.20 - [Dardo I, Green by Javier de la Rosa](https://londoncontemporaryart.co.uk/product/dardo-i-green/) - [Parallel Worlds by Jeff Cunningham](https://londoncontemporaryart.co.uk/product/parallel-worlds/) - 30 x 10 x 7 cms each price for the set of 3 - [Night Rain by Jeff Cunningham](https://londoncontemporaryart.co.uk/product/night-rain/) - [Windows in the East by Jeff Cunningham](https://londoncontemporaryart.co.uk/product/windows-in-the-east/) - [Attack Attack Attack by Chris Arran](https://londoncontemporaryart.co.uk/product/attack-attack-attack/) - [Uncle Bob Terminator - X-Ray by JJ Adams](https://londoncontemporaryart.co.uk/product/uncle-bob-terminator-x-ray/) - mounted Ed 11/45 - [Exterminate - Dalek X-Ray by JJ Adams](https://londoncontemporaryart.co.uk/product/exterminate-dalek-x-ray/) - framed and glazed price included frame Ed. 11/45 - [Murphy - X-Ray by JJ Adams](https://londoncontemporaryart.co.uk/product/murphy-x-ray/) - framed and glazed price including frame Ed 13/45 - [Dardos yellow by Javier de la Rosa](https://londoncontemporaryart.co.uk/product/dardos-yellow/) - [Sing Slowly (ed.25) by Manny Woodard](https://londoncontemporaryart.co.uk/product/sing-slowly/) - edition 25 - [Go Gently (ed.25) by Manny Woodard](https://londoncontemporaryart.co.uk/product/go-gently/) - edition 25 - [Felt Hawthorn by Emma Levine](https://londoncontemporaryart.co.uk/product/felt-hawthorn/) - [Facing the Sun by Manny Woodard](https://londoncontemporaryart.co.uk/product/facing-the-sun/) - Edition of 25 - [Me and Mine by Manny Woodard](https://londoncontemporaryart.co.uk/product/me-and-mine/) - Edition of 25 - [I Like It (ed.25) by Manny Woodard](https://londoncontemporaryart.co.uk/product/i-like-it/) - edition 25 - [Lovely Sally by Manny Woodard](https://londoncontemporaryart.co.uk/product/lovely-sally/) - [Learning to Fly (ed.25) by Manny Woodard](https://londoncontemporaryart.co.uk/product/learning-to-fly/) - edition 25 - [The Two Starlings by Christopher Rainham](https://londoncontemporaryart.co.uk/product/the-two-starlings/) - Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. - [Elements and Senses by Bill Bate](https://londoncontemporaryart.co.uk/product/elements-and-senses-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Clear Blue by Bill Bate](https://londoncontemporaryart.co.uk/product/clear-blue-by-bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” - [Castellamare del golfo, Sicily by Alex Bertaina](https://londoncontemporaryart.co.uk/product/castellamare-del-golfo-sicily/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Red Bricks by Alex Bertaina](https://londoncontemporaryart.co.uk/product/red-bricks/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Riomaggiore, Between Rocks & Sea by Alex Bertaina](https://londoncontemporaryart.co.uk/product/riomaggiore-between-rocks-and-sea/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Pink Flower, Peach Flower by Alex Bertaina](https://londoncontemporaryart.co.uk/product/pink-flower-peach-flower/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Rose du Soir by Alex Bertaina](https://londoncontemporaryart.co.uk/product/rose-du-soir/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Light Illuminating Monopoli by Alex Bertaina](https://londoncontemporaryart.co.uk/product/lights-exciting-in-monopoli/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Red Venice by Alex Bertaina](https://londoncontemporaryart.co.uk/product/red-venice/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [The Reefs of Cetara in my Dreams (Amalfi Coast) by Alex Bertaina](https://londoncontemporaryart.co.uk/product/the-reefs-of-cetara-in-my-dreams-amalfi-coast/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Je me Souviens by Alex Bertaina](https://londoncontemporaryart.co.uk/product/je-me-souviens/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Kites or Seagulls by Alex Bertaina](https://londoncontemporaryart.co.uk/product/kites-or-seagulls/) - Working with oil paint on canvas, Alex Bertaina's characteristic style seems to capture a landscape viewed throughout time. Criss-crossing shards of colour, light and shadow hint at the dynamic nature of each scene, throughout the changing seasons. Despite his unusual position as a self taught artist, Bertaina has received global, critical acclaim and homage. With a lifelong passion for creative expression, Alex reflects that "The child who tried to create a clean and tidy world from the jumble of scribbles made by his classmates has ended up increasing his passion as a painter. Today, thanks to a constant and continuous commitment, I am known at world level for my Mediterranean landscapes, my Venetian paintings and for my snowy mountain views. Maybe my dream within the deep of my soul is coming true". - [Turmoil by Bill Bate](https://londoncontemporaryart.co.uk/product/turmoil/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Of his working process, Bill says – “I want the paint to have a life of its own and so leave its application quite loose at times. I endeavour to escape the confines that realism can impose, leaving more expression and less constraint.” ## Artists - [Barry Wilson](https://londoncontemporaryart.co.uk/artist/barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, - [Colin Lawson](https://londoncontemporaryart.co.uk/artist/colin-lawson/) - Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of my paintings. A small brush is used to apply thick oil paint in tiny, interlocking arrangements. Variations in the placement of these brush strokes allow a sense of changing accent in the constructed surface. The use of colour in these paintings is largely intuitive and has no foundation in colour theory. It is the one element informed, to some degree, by chance." - [Ryan O'Donoghue](https://londoncontemporaryart.co.uk/artist/ryan-odonoghue/) - Born in Essex in 1989, I have had an interest in photography all my life. Spun from my uncles career and him teaching me little by little since a young age. I decided on my own career in photography whilst studying Digital Film and Screen Arts at the University for the Creative Arts. Plastic Heads, is a unique - [Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/artist/sandy-steele-perkins/) - Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our ## Artworks - [City Limits](https://londoncontemporaryart.co.uk/artwork/city-limits/) ## Exhibitions - [Alex Bertaina Solo Exhibition](https://londoncontemporaryart.co.uk/exhibition/alex-bertaina/) - You are invited to Alex Bertaina’s solo exhibition, running from 21 February to 4 March at London Contemporary Art. Known for his vibrant oil-on-canvas landscapes shaped by shifting light, colour, and time, Alex’s work spans Mediterranean coastlines, Venetian scenes, and mountain views. Join us for a complimentary glass of sparkling and a conversation, and enjoy this new collection of works in - [Heart's Ripple](https://londoncontemporaryart.co.uk/exhibition/hearts-ripple/) - “The Heart's Ripple” An Exploration of Beauty, Flow, and Belonging Water is the origin of life — ancient, boundless, ever-moving. It flows through our bodies and our stories, shaping landscapes, memories, and meaning. In every droplet, a reflection of ourselves: fragile yet powerful, calm yet turbulent, always in motion."The Heart's Ripple" invites you to step - [AFFORDABLE ART FAIR 2025](https://londoncontemporaryart.co.uk/exhibition/affordable-art-fair-2025/) - Our recent participation in the Affordable Art Fair in Battersea was nothing short of inspiring. It was an absolute pleasure to connect with so many art enthusiasts, collectors, and newcomers, all of whom brought a wonderful energy to our stand, G7. With the arrival of beautiful spring days, our collection – featuring fresh, vibrant works - [HOME GROWN- EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/home-grown-exhibition-opening/) - LCA PRESENTS ‘HOME GROWN’ 5th February – 5th April Step into Home Grown, an LCA exhibition that celebrates the beauty and strength of our personal connections to nature. Featuring —Mark Preston, Katie Brent, Moira Hazel, Ania Pieniazek, Riga Forbes, Claire Wiltsher, Mike Hall, Lorna Kirin and Nicolle Menegaldo—this collection explores themes of growth, and rootedness - [NOVA - EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/nova-exhibition-opening/) - LCA PRESENTS 'NOVA' 12th November - 12th January As we embrace the beauty of December, this exhibition invites you to explore the theme of luminosity—a celebration of light and warmth. Through vibrant colours, radiant textures, and luminous forms, the artwork captures the season's spirit of reflection and renewal. The featuring artists include; Mark Preston, Claire Wiltsher, Julia - [OFF THE WALL SALE - COMING SOON](https://londoncontemporaryart.co.uk/exhibition/off-the-wall-sale-coming-soon/) - OFF THE WALL SALE YOUR FAVOURITE ARTISTS AT REDUCED PRICES As the summer season comes to a close, we celebrate the change into autumn by launching our first edition of the OFF THE WALL SALE. This sale will be online only and on the 14th of September we will release a link which will take - [FACE TO FACE: NEWSLETTER](https://londoncontemporaryart.co.uk/exhibition/face-to-face-newsletter/) - Exhibition at London Contemporary Art Exhibition Dates: August 15th – October 10th Opening Night: August 15th from 17:30 Location: Pimlico Gallery, London Contemporary Art London Contemporary Art is proud to present "Face to Face," an exhibition that delves into the depths of portraiture, showcasing the work of eight distinctive artists: Nicole Menegaldo, Ryan O’Donoghue, Oliver - [FACE TO FACE - EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/face-to-face-exhibition-opening/) - LCA PRESENTS 'FACE TO FACE' August 15th - October 10th Join us for our opening night with artist talks from 17.30pm on the 15th of August 'Face to Face' - A captivating exhibition that brings together the talents of Nicole Menegaldo, Ryan O'Donoghue, Oliver Tanay, Sara Ingleby-Mackenzie, Julia Whitehead and Bill Bate. This collection showcases - [DAPPLED CITY - EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/dappled-city-exhibition-opening/) - LCA GALLERY PRESENTS DAPPLED CITY A SOLO EXHIBITION BY DAVID HINCHLIFFE POSTPONED May 25th - June 25th 2024 On Saturday 25th David will be hosting a live painting demonstration at 1pm. This show will feature the very best of David's work. David say’s “My recent work deals with the urban environment… around the world as - [LONDON CONTEMPORARY ART PRIZE 2018](https://londoncontemporaryart.co.uk/exhibition/3280/) - ABOUT THE LCA PRIZE The London Contemporary Art Prize aims to reveal and promote artists who have yet to establish a profile on the contemporary London art scene. The Prize is aimed at artists working in one or more of the following media: drawing, printing, painting, photography, digital art, sculpture and video. This year, the - [PEACH FUZZ - COLOUR OF THE YEAR 2024](https://londoncontemporaryart.co.uk/exhibition/peach-fuzz-colour-of-the-year-2024/) - EMBRACE THE WARMTH THIS WINTER... LCA PRESENTS PEACH FUZZ - COLOUR OF THE YEAR 2024 Exhibition Dates 20th January - 16th March 2024 PANTONE 13-1023 Peach Fuzz captures our desire to nurture ourselves and others. It's a velvety gentle peach tone whose all-embracing spirit enriches mind, body, and soul. Leatrice Eiseman, Executive Director of the - [SEE IT LOVE IT OWN IT](https://londoncontemporaryart.co.uk/exhibition/see-it-love-it-own-it/) - LCA GALLERY PRESENTS SEE IT LOVE IT OWN IT December 12th 2023 - January 12th 2024 Come on down to London Contemporary Art every Saturday for our open days and the chance to view the very best of our collection. As the festive approaches, explore an array of new works that promise to inspire. Including - [OCEAN MUSES - EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/ocean-muses-exhibition-opening/) - OCEAN MUSES - EXHIBITION OPENING 1ST JULY - 1ST AUGUST 2023 Immerse yourself in all the Muses of the Ocean. For one month, we present a variety of artist's interpretation of Seascape. Featuring the work of Bill Bate, Simon Ledson, Megan Yelets, Julia Whitehead, Claire Wiltsher, Terry Watts, Javier de la Rosa, April Young, Ama - [LONDON O'CLOCK - EXHIBITION OPENING](https://londoncontemporaryart.co.uk/exhibition/london-oclock-exhibition-opening/) - 9th SEPTEMBER - 11TH NOVEMBER 2023 Join us for a tour of London around the clock! No matter the hour, one thing that remains constant is London's timeless creativity. Showcasing the work of David Hinchliffe, Gemma Harwood, David Walker, Brian Bartlett, Sara Ingleby-Mackenzie, Anke Birnie, Cat Santos and Pierre Williams. The show will run in - [JULIA WHITEHEAD - Intimate Crowds - solo exhibition](https://londoncontemporaryart.co.uk/exhibition/julia-whitehead-intimate-crowds/) - 30th September - 15th October The opening exhibition of our new premises Join us in Pimlico for what promises to be a spectacular night of art, culture and friends, as we launch our first event at our new site. Since our move, we have been preparing - [New Store Front!](https://londoncontemporaryart.co.uk/exhibition/new-store-front/) - Your local Pimlico Gallery has had a fresh makeover! Here at London Contemporary Art, our team of in-house experts are on hand to help you find the perfect artwork for your home or business. With on-site consultations, full return and refund guarantee and the option of paying in instalments, LCA Gallery will strive to - [Affordable Art Fair Battersea, London - Spring 2022](https://londoncontemporaryart.co.uk/exhibition/affordable-art-fair-battersea-london-spring-2022/) - It's nearly that time of year again 🥳 and as usual, we've got a limited number of tickets for the Private View available! Email info@londoncontemporaryart.co.uk to get your free entry code. FAIR OVERVIEW Affordable Art Fair is excited to return to its leafy home in Battersea Park, London in Spring 2022. Bringing together a - [AFFORDABLE ART FAIR BATTERSEA, LONDON – AUTUMN 2021](https://londoncontemporaryart.co.uk/exhibition/affordable-art-fair-battersea-london-autumn-2021/) - FAIR OVERVIEW Affordable Art Fair is back this autumn, packed with inspiring art to suit all tastes. With 1000s of artworks from over 90 UK and international galleries, you’ll be spoiled for choice, whether you’re looking for the perfect accent piece for your home, a bold new talking point, or daily inspiration for your workspace. ## Exhibition Images - [exhibition-image 4311](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-image-4311/) - [exhibition-image 4312](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-image-4312/) - ['Exhibition Name' - image 1](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-name-image-1/) - ['Exhibition Name' - image 2](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-name-image-2/) - ['Exhibition Name' - image 3](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-name-image-3/) - ['Exhibition Name' - image 4](https://londoncontemporaryart.co.uk/exhibition-image/exhibition-name-image-4/) ## Home sliders - [7](https://londoncontemporaryart.co.uk/home-slider/7/) - [6](https://londoncontemporaryart.co.uk/home-slider/6/) - [5](https://londoncontemporaryart.co.uk/home-slider/5/) - [4](https://londoncontemporaryart.co.uk/home-slider/4/) - [3](https://londoncontemporaryart.co.uk/home-slider/3/) - [2](https://londoncontemporaryart.co.uk/home-slider/2/) - [1](https://londoncontemporaryart.co.uk/home-slider/1937/) ## Tags - [Figurative](https://londoncontemporaryart.co.uk/tag/figurative/) ## Product categories - [Brian Neish](https://londoncontemporaryart.co.uk/product-category/paint/brian-neish/) - Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating effects ‘Noble Decay’ to suggest a sense of them displaying increasingly unique visual qualities over extended periods of time. He never scrapes paint off, it’s all about the considered application of paint, one layer at a time Each series of treatments, conducted over many months, reveals surprising and unexpected moments. In the White Series, the focus is on the overlaying of white paint. This connects and links other colours into a more holistic framework. The luminous white paint harmonises any colour contradictions. Every colour has its place yet the use of white illuminates the presence of each. The White Series seems to be a conversation between time and space. Brian’s love of decay and the transience of buildings, especially the painterly surfaces of doors and walls, is clearly apparent. His layering of paint creates its own organic life, where past surfaces are seen though present surfaces. There is space and an open quality where the viewer can develop a relationship with the paintings. · Senior Lecturer in Art Education at LSU and University of Chichester · Solo Exhibition at Renaissance Amsterdam Hotel, Amsterdam, NL, 2019 · Solo Exhibition at Ivy Brown Gallery, NYC, USA, 2017 · Solo Exhibition at Malraux Gallery, Sarlat-la-Caneda, France, 2011 - [Anke Birnie](https://londoncontemporaryart.co.uk/product-category/sculpture/anke-birnie/) - The stunning bronze sculptures created by Anke Birnie are all unusually “one off” pieces rather than an edition and therefore each one is unique. Anke is fascinated in portraying an image of the natural earthly element “air” combined with the human element “motion”. The successful resistance of the body in the wind is tangible to the beholder. The sculpture stands as solid as a rock and at the same time one is touched by the sense of movement. The long limbs and the swirling clothing are both a feature of her work and also reflect the process of the sculpture’s production: Anke uses textiles with wax to create the work. - [David Hinchliffe](https://londoncontemporaryart.co.uk/product-category/paint/david-hinchliffe/) - Since the age of 12, David Hinchliffe has been painting, exhibiting and selling his work. His style has been described as “Contemporary Impressionism” which has seen him win numerous competitions including the “Sunday Mail Art Prize”, “ABC Argonauts Award”, “Atlantic City Sculpture Award” and the “Toowoomba Gemini Prize”. Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galleries. Though his primary medium is oil paint on canvas or linen, he has also produced many gouache works and sculptures as well as holding two photography exhibitions – “Two to the Valley” in 1992 and “Detours” in 2010. David say’s “My recent work deals with the urban environment… around the world as well as an abiding affinity with the Australian landscape. [My work] is a response to light – I like the movement of light across a surface, whether it’s a valley, a river, a street or the human form. I particularly enjoy the shapes, the noise and the shadows of city landscapes whether it’s the drama of lower East Side in New York, the reflections in the canals of Venice, the romance of Paris… or the treed streets near my home… and studio in Fortitude Valley Australia.” · OBE for Services to Education, after a career teaching art and design in secondary education, and an adviser on art and design education in local and national authorities - [Sculptures](https://londoncontemporaryart.co.uk/product-category/sculpture/) - [Adele Moreau](https://londoncontemporaryart.co.uk/product-category/mixed-media/adele-moreau/) - Adele Moreau is a London based artist. She constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. Adele Moreau is a London based artist. She constructs altered books from a variety of found media such as vintage encyclopedias, natural history books and illustrated science manuals. By re appropriating discarded items and preserving and enhancing what is often overlooked, she transforms them into objects of fascination. Her current series of altered books are inspired by the work of American artists such as Brian Dettmer. The original illustrations are carefully selected page by page and delicately hand-cut out to reveal a hidden narrative while still keeping the integrity of the original book intact. - [Prints](https://londoncontemporaryart.co.uk/product-category/prints/) - [Bill Bate](https://londoncontemporaryart.co.uk/product-category/paint/bill-bate/) - The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation of this work is complemented perfectly by the gentle figures, whose forms become one with their surroundings. Born in Liverpool in 1962, Bill went on to study Fine Art at the Central School of Art & Design – now known as Central Saint Martins. He says – “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint. I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the “structure” as I love to leave that ‘energy’ visible.” · Figures at Victoria and Albert Museum · Royal Institute of Oil Painters, Mall Gallery, London · Centro Congressi, Aosta, Italy · Royal Society of British Artists - [Brian Bartlett](https://londoncontemporaryart.co.uk/product-category/paint/brian-bartlett/) - Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image to capture and convey the mood or atmosphere it created.’ The vigorous compositions of colour and light that result create a very real sense of space. Brian’s paintings can be seen as celebrations of colour which are both decorative and sensual. Colours glow and sing with a vibrancy and sensuality that become expressions of the joy of life. - [Claire Wiltsher](https://londoncontemporaryart.co.uk/product-category/paint/claire-wiltsher/) - The multi award winning artist Claire Wiltsher was born in Wales and studied at both Lancashire and Northumbria Universities. Claire’s work has attracted critical acclaim. In 2010 the Society of Women Artists awarded Claire the ‘Rosemary and Co’ annual award. Also that year the Royal Society of Marine Artists selected Claire’s work for exhibition at the Mall Galleries. More recently, the House of Lords Works of Art Committee selected Claire’s paintings for the House’s permanent collection, in 2014, she was shortlisted for the Art Gemini awards, in 2017 was Hampshire Life Artist of the Year and in 2018 won Artist and Illustrators Magazine Artist of the Year, 2019 Winner of the Russell and Chapple Canvas Prize For Outstanding Work In Oil.. Her oil and mixed media canvases combine layers of paint with fragments of collage. She scratches through sections of the painting to allow colours from underneath to emerge. “I want to create evocative paintings of land and sea that show a sense of place; different weather conditions are key elements”. Claire uses brushes and different size palette knives to build up layers and create depth. Paint is also flicked or carefully thrown on selected areas, evidence of this can be found all over her studio floor. - [David Walker](https://londoncontemporaryart.co.uk/product-category/paint/david-walker/) - Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. As a painter, therefore, David’s work is primarily concerned with the built environment. The play of light and atmosphere on the manmade forms of our cities. David is a three times winner of the Frank Herring award at both the Royal Institute of Painters in Watercolours and the Royal Institute of Oil Painters, as well as a recipient of the Rowland Hilder award and ‘The Artist’ magazine award. ‘’The works in this exhibition are concerned with my ongoing fascination with the built environment and in particular, London, it’s atmospheres, moods and forms. The paintings aim to express a kind of curious beauty of the everyday, and record glimpses as almost abstract compositions of colour, light and form.” - [Ewa Adams](https://londoncontemporaryart.co.uk/product-category/paint/ewa-adams/) - Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slow, repetitive and meditation-like process. The result is a distinctive work of incredible freshness, vibrancy and luminosity. The humble landscapes are elevated, they glow with uplifting energy, they buzz with life. Her pallet is bright and bold, her understanding of the tone and colour interrelations is second to none. With paint she creates form, movement, sense of distance and light. She captures the beauty of the familiar world. Unremarkable becomes remarkable. Ewa Adams lives and works in Hampshire. “I paint to understand; by painting I explain the world to myself. Light, the main subject of my art, is such a fickle matter. It often takes me weeks to capture a brief moment. The landscapes I picture are not imagined. I encountered them, I walked through them. I hope I can communicate the intensity and beauty of a moment once experienced and let others see the world through my eyes.” · Portsmouth Guildhall. 2012 · Farnham Museum, 2012 - [Mixed Media](https://londoncontemporaryart.co.uk/product-category/mixed-media/) - [Julia Whitehead](https://londoncontemporaryart.co.uk/product-category/paint/paintings-by-julia-whitehead-lca-gallery/) - The study of human crowds and moving figures is the main focus of Julia’s paintings. Using a variety of photographic reference material and her own imagination, Julia captures the spirit of society on the move. Paintings, of whatever scale, start with a brightly coloured acrylic background onto the white canvas. The abstract nature of this background painting often dictates which direction the final painting will go and elements of the paint layers are left to show through the overpainting to varying degrees. Oil paint is built up over several layers, sometimes wet on wet, other times the oil is allowed to dry sufficiently to paint over, often resulting in a highly textured surface which creates shadows of its own. The focus on these figure paintings originated with a fascination of the shadows cast by figures when viewed aerially. The beautiful shapes cast on pavements are generally hard to appreciate when life is moving all around but are mesmerising when freeze framed in a photograph. Equally, the patterns made by bodies moving in a crowd or seen from unusual angles, have an artistic quality of their own. “I enter into a slightly meditative state when painting, especially with the more impressionistic figurative crowd scenes. As in life, each small figure takes on a characteristic of its own and has its own individual relationship to the figures that surround it. People seem to enjoy the paintings as they see something new in them each time they look at them.” - [Keng Wai Lee](https://londoncontemporaryart.co.uk/product-category/paint/keng-wai-lee/) - Keng Wai Lee’s gorgeously rich animal impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memories and imagination. “Using acrylic as a medium, I tend to reminisce through my past getting inspiration to create my artwork. This may come from remembering all my scribbles in my textbooks/school books full of monsters and machines in a apocalyptic world or just indulging in my hobbies of looking at swimming goldfish and local bird watching through my window for hours on end, giving them names and characters.” Keng Wai Lee - [Lorna Kirin](https://londoncontemporaryart.co.uk/product-category/paint/lorna-holdcroft-kirin/) - Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on to gain her BA Hons in Fine Art from North East Polytechnic (now University of East London). From the heart of London’s East End, Lorna drew inspiration from the industrial landscape and disused dockland areas. It was here that she began exploring her love of colour and texture, which have informed her painting ever since. Lorna’s current collection of landscapes and seascapes are a world away from from her artistic playground of industrial, East-end London. However, the process by which she achieves such rich tones and depths is lent equally well to the soothing vistas of the Great British Countryside that are characteristic of her current work. Lorna says “I love playing with contrasts and like to push pigments to evoke a real sense of emotion and to make the subject resonate. The thrill of applying paint to a surface is just so exciting. With bold washes and thick textured brush marks I love to explore the possibilities that can be achieved with each media. I cover the surface with paint quickly to get a sense of colour and tone, and work the whole painting at once. I also use a lot of water, deliberately. This is to wash out areas of semi-dry watercolour or to cause the break-up of pastel pigment. This gives often surprising and always intriguing results. I love the journey each painting takes me on – it’s definitely a two way process!” · September 2023 – The Royal Society of Marine Artists Annual Exhibition at the Mall Galleries, London · November 2019 – Charity auction for Article 25, a charity building hospitals, schools and homes in the Global South, 10×10 Drawing the City London - [Manny Woodard](https://londoncontemporaryart.co.uk/product-category/sculpture/manny-woodard/) - Manny Woodard Biography Creating art has always been an integral part of Manny’s life. From working as a graphic designer and retouching artwork and stencil making for a Fine Art publisher, to creating her own body of work. Manny is fascinated with the subtle interplay between people, their thoughts and their environments and uses her art to convey the emotion of these moments. Initially embracing black and white drawings, using charcoal, conté or pencil, Manny has also developed beautiful, soulful sculptures of seemly ordinary people caught in a moment of time. Conceptualized in maquette, then sculpted in clay, plaster or wax Manny creates textural surfaces using her hands, metal tools and found natural objects. She embraces the random marks that are created in the process and finds beauty in the imperfections. Manny skilfully moulds and casts all her own sculptures in jesmonite or resin with graphite and bronze. The patina is then achieved by the laying on of earth pigments, overlaid with a protective varnish or wax. Her figures vary – some stand alone, contemplative off the passage of time, feet planted solidly on the ground, whilst others display couples, with their bodies lightly touching and their forms merging into each other, some a tantalizing balance between a caress and aggression. Through these powerful yet delicate sculptures and drawings Manny invites the viewer to take a moment, and to explore the dynamic world which surrounds each quiet pause. Manny’s works are an expression of herself, her “own hand writing”. Her sculptures and drawings are executed with a humanity that exudes an innate sense of beauty and integrity. - [Mike Ellis](https://londoncontemporaryart.co.uk/product-category/paint/mike-ellis/) - Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his love of wabi-sabi prompted his prize-winning dissertation about the Japanese Samurai . Mike currently works as a secondary school and adult education art teacher, and regularly engages in community outreach programs throughout Kent; South-East England. His work has been shown in exhibitions and competitions including ‘The National Open Art Competition’, ‘Images: the Best of Contemporary British Illustration’ and at the world renowned ‘Affordable Art Fair’. Ellis says “My childhood in Norfolk, watching and rescuing birds and animals, collecting bones and digging up skulls, led to a continued fascination with the fragile and fleeting nature of birds; something that I strive to capture a reflection of in these paintings. Imagery is combined with an assortment of inspiration and ideas to lend a quiet narrative or concept to each painting.” His work can be identified as belonging to one of two categories- ‘MURMURATIONS’ is an ongoing collection of work based around birds that takes its title from the name given to a large flock of Starlings where the individuals fly together with something resembling a single, collective consciousness. ‘FLAWED BEAUTY’ is an exploration of the Japanese concept; Wabi-Sabi. Featuring old doors and windows, peeling paint and rotting wood, this collection is built upon this traditional Japanese aesthetic. Centred on the acceptance of transience and of imperfection, wabi-sabi recognises the beauty of the natural cycle of growth, decay and death – it is a celebration cracks, crevices and all the other marks that time, weather and loving utility leave behind. · Macmillan Prize for Children’s Picture Book Illustration · The National Open Art Exhibition, Minerva Theatre, Chichester · Invited judge at the 2016 Ko-ax (Kent Open Art Exhibition) · Solo Exhibition at Trinity Arts Centre, Tunbridge Wells, 2015 - [Mike Hall](https://londoncontemporaryart.co.uk/product-category/paint/mike-hall/) - Mike Hall graduated from Manchester College of Art and completed his postgraduate studies at the Royal College of Art in London. He established his reputation in film and television design in the 1970’s and 1980’s, during which period he also undertook various painting commissions. He has had a one-man show in London and his work is currently on show in Galleries in Surrey and Hampshire. Artist Statement “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During these projects I was able to draw and paint many of the locations. These works became studies of the light and atmosphere of the architecture and landscape in different parts of the world. Many of the original sketches and drawings have been converted into full paintings in my studio. This has given me the opportunity to use more complex painting methods to explore the visual and emotional memories through the use of colour, light and atmosphere. My present work explores the emotional response to interiors that are not occupied and yet have the mark of human presence.” Mike’s work can be found in Private collections in Scotland, France, Los Angeles, New York, Germany and the Home Counties - [Pierre Williams](https://londoncontemporaryart.co.uk/product-category/sculpture/pierre-williams/) - Born in 1962, Pierre Willams’ love of art was founded at a very a young age. Despite this, a career in the arts did not become apparent for some time. Following an apprenticeship as a tool maker and a career in engineering, Pierre finally found to courage to follow his passion for ceramics and sculpture. Having spent his working life enjoying to paint and sculpt as self taught hobbies, he then had the fortune to meet someone who was studying at Art College. This inspired him to follow suit, leading to his enrolment on a foundation program in Hereford, specialising in ceramics. From there, Pierre went on to study for his undergraduate degree at The University of Wales, after which he returned to Hereford to set up a studio. Pierre eventually returned to the Hereford College of Arts where he strengthened and refined his understanding of ceramics, as leader of the department. Another period of personal and professional growth ensued, following three years teaching Ceramics Foundation, Art & Design at The Royal National College for the Blind, something he describes as “an incredibly rewarding job”. Having refined his unique style and process, Pierre’s awarding winning work has been exhibited and represented throughout multiple countries including the United States of America, Australia and Holland. Of his whimsical, characterful work, Pierre says “The figures have been developed by looking back in time to classical sculpture[s]. I like to play with how the human body… [interacts] with different forms in every day poses or performing contemporary functions. The complex surface decoration, which may require up to five firings, has been developing over the last five years by looking at contemporary painters, ceramic, and textile surface patterns”. - [Sara Ingleby-Mackenzie](https://londoncontemporaryart.co.uk/product-category/sculpture/sara-ingleby-mackenzie/) - SARA INGLEBY-MACKENZIE Sara is an internationally recognized sculptor, recently awarded The President’s Commendation Medal for Sculpture at the XIVth Florence Biennale in October 2023. Sara is also the winner of a Henry Moore Foundation Scholarship and has been creating unique sculptures since graduating from the Bath Academy of Art with a first class honours degree in Sculpture and Printmaking. Her witty and glamorous ladies are at home in most settings. They take a lighthearted view of society, exploring how in our image conscious world we wear sunglasses, go bare footed, teeter on impossible heels, and carry expensive handbags all for others to take note of. Sara has undertaken numerous private and corporate commissions; examples include the Mayflower’s Edward Winslow stepping ashore on arrival in America for Droitwich Council, the OAG Airline of the Year Award and Diving with Dolphins for the Nordic Swimming Federation. Sara’s leggy ladies are to be found in galleries and garden exhibitions in the United Kingdom and in private collections around the world. Sara is currently working on a public sculpture based on the works of Sir Edward Elgar to be situated at Worcester. - [Simon Ledson](https://londoncontemporaryart.co.uk/product-category/paint/simon-ledson/) - Simon Ledson is a surfer, artist and graphic designer whose work is an experiment that investigates the way the rhythm of the ocean connects with the artist’s body and charts the impact of that connection. For Simon, the ocean operates as the metaphorical enactment of the way in which the physical body impacts upon, and is impacted by the physical world. His work deals with ideas surrounding perception and distortion of vision regarding the constants such as space and time. He is fascinated by the flow of time and the way that time is calibrated and counted both personally and historically. Simon lives and works in Somerset. Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observations capturing the atmospheric mood, a form of time and awakening, a source of light and shadow delivering a calming and mysterious echo. His feelings towards the paintings create an unease of something that appears to have happened but may not have happened at all. These paintings are a personal journey and still searching, affected by sleep deprivation which has the power to distort the idea of day and night. Vision can be the result of some form of unconscious reference, a matter of making assumptions and drawing conclusions from incomplete data, based on previous experiences. These landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, these paintings are a study of low light observation capturing the atmospheric mood and still moments of the early morning, with light just about burning through to show a trace of the landscape. Landscapes are sketched with detailed studies and worked straight on to primed canvases on location either in oil or charcoal, and are finished in the studio in oil. · Discerning Eye, London, 2018 · Art language, Wua Art Gallery, Phuket Town, Thailand, 2013 · Museum of British Surfing, 2012 - [Terry Watts RBA](https://londoncontemporaryart.co.uk/product-category/paint/terry-watts-rba/) - Terry completed his early art training at Camberwell School of Arts and Crafts, and Hammersmith College of Art London. Since the 1990’s he has exhibited widely in London with one-man shows and in London and the provinces both in one-man shows and group exhibitions. His commissioned work, including photographic commissions, is to be found in public, private and corporate collections. He has had art commissioned for reproductions by various private, public and commercial bodies in books, brochures and postcards e.g. British Gas plc, Silver Street Studios, Greenwich Landscape Artists. Terry has been involved in producing numerous Art Installations in and around London and has worked on several large-scale design projects for public venues. He has taken part in various competitions and in 2002 was a finalist and won the guest prize at the Laing Seascape and Landscape Art Competition. He also won first prize at the London City Airport Art Competition both in 2002 and 2003. ‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the many forces operating in the environment and our responses to them. The paintings are unusually wide perspective, precisely rendered, yet also contain freely created elements. I attempt to use composition and light to generate a twenty-first century perception within the continuing tradition of landscape painting.’ · Represented in collections in Paris, Netherlands and Washington State · Exhibited regularly in London shows with the RBA, RI, RSMA, the Sunday Times Watercolour Competition and the Discerning Eye. - [Emma Levine](https://londoncontemporaryart.co.uk/product-category/mixed-media/emma_levine/) - Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’ – I studied Fashion and Textiles at St. Martin’s College in London and went on to work in London, Paris and India. I have exhibited in London with Serena Morton, London Contemporary Art, throughout the United Kingdom and in the United States with Art Bastian. – I am a multidisciplinary artist and my practice starts with watching and observing the natural world in all its cycles. The trees dressing themselves in Spring green to then dropping their leaves to reveal the intricacy of branches silhouetted against the Winter skyline. Capturing the singular beauty of oaks, cedars, alders, hawthorns, copper beech, I then translate those images through laser cutting. Then I place them hovering over paper, silk and linen. – Documenting many ancient trees across England, is an enduring subject. More recently I have refocused my love of flowers and found a contemporary digital medium to bring thousands of photographs alive playing with exuberant colours and layers. It is a wellspring of superabundance. - [Ellie Hesse](https://londoncontemporaryart.co.uk/product-category/paint/ellie-hesse/) - Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia and South America, as well as living and working in a number of different European countries (UK, France, Germany and more recently Italy). These experiences continue to inspire and nourish her creative process. Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone on to develop her art to include more figurative work, focusing on the horse in particular. Ellie uses a variety of different media and techniques, depending on the subject matter. The palette knife is her tool of preference for building up layers of texture and depth of colour in her townscapes. Her equine work, conversely, demands a freer hand in seeking to capture the horse’s natural form and movement, and so charcoal and more fluid paints feel more appropriate. By working intermittently on two very different subjects, Ellie has found that the two approaches seem to cross-pollinate. The looser drawing style of the equine work, feeding into the more structural work of townscapes, bringing new vitality into the painting style as well as composition, with the introduction of figures and animals. The creative tension that arises from contrasting solid, architectural forms with the fluidity of a natural and dynamic subject, creates a certain energy, keeping the painting process always fresh and exciting. - [John Butterworth](https://londoncontemporaryart.co.uk/product-category/paint/john_butterworth/) - John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use of a variety of materials and processes. His images evolve through a dialogue between the internal idea or source of inspiration and the medium/media used to produce it. The work therefore becomes an autonomous entity with its own logical coherence with sometimes only a glancing relation to what exists outside its frame. John has exhibited widely, both in this country and abroad, participating in two Biennales in Monaco and one in Cleveland, UK. He recently showed in a fund raising exhibition at the Saatchi gallery in London. His work is in many public and private collections, including those of Bristol education authority, Kent authority and Hampshire County Council. - [Hugh Turvey](https://londoncontemporaryart.co.uk/product-category/prints/hugh_turvey/) - ARTISTX.STUDIO HUGH TURVEY – 間 LIMINAL/SPACES “Hugh Turvey, contemporary pioneer of the x-ray art genre over 25 years, has witnessed first-hand the advances of imaging and is uniquely positioned between the aesthetic photographic and radiographic worlds. His work has cultural, art historical and photographic reference points which bridge the divide between science and art. His work appears in an extensive plethora of artistic collaborations and publications.” Michael Pritchard FRPS, Director General of the Royal Photographic Society, UK. 2018 In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in 1958. In 2014, Hugh was awarded a Royal Photographic Society Honorary Fellowship, in recognition of his innovative imaging work and its role to promote public scientific engagement. XOGRAMS Hugh works with traditional photographic techniques that produce images without a camera. By placing objects directly onto the surface of a photo-sensitive material and exposing it to light, a silhouette of the object is created on the material. It is a captured shadow of the object. These are called photograms and coincidentally were one of the first photographic imaging techniques used by William Fox Talbot, who called them photogenic drawings. Now, since the discovery of x-ray by Röntgen, it is possible to create x-ray photograms (e.g. skiagrams, Röntgenograms, shadowgraphs, radiographs). He has continued this classification naming heritage and created the term XOGRAM. (referencing ‘X’ for ‘unknown’, the Greek: out: έξω/éxo̱ and drawing: γραμμα/gramma). PUBLICATION Hugh is a prolific collaborator and consequently his work is published in many varied applications and exhibitions. Recent collaborations include LVMH and CHANEL. He also features in this month’s Italian Vogue. - [JJ Adams](https://londoncontemporaryart.co.uk/product-category/prints/jj_adams/) - The son of a baptist preacher, JJ emigrated as a child from Plymouth in the UK to Cape Town in South Africa in the early eighties. Adams spent much of his youth around the studio of South African contemporary landscape artist Derric van Rensburg, where he discovered his love of bright colour and ‘graphic’ art. JJ studied graphic design at Cape College whilst working as an apprentice in `Wildfire Tattoos` a busy tattoo studio in central Cape Town while also working part-time as backstage crew for international bands visiting South Africa after the end of the Apartheid era. JJ finally returned to the UK in 1998 with the aim of becoming a tattoo artist. Adams uses a range of mixed media in his work from spray paint to hand painting acrylics, screen printing, collage and digital matte painting as well as photography. He admits being influenced at art school by artists like Norman Rockwell, Roy Lichtenstein, Andy Warhol and Sir Peter Blake and more obscure artists such as Guy Peelleart, Hipgnosis and Storm Thorgerson and lowbrow artists like Coop, Jim Phillips and Graham Coton who was a World War II comic book artist. JJ Adams works from his studio overlooking the Thames Barrier in Woolwich, South East London - [Javier de la Rosa](https://londoncontemporaryart.co.uk/product-category/sculpture/javier_de_la_rosa/) - Javier was born in 1984 and graduated in Fine Arts in the Universidad Complutense de Madrid in 2007. The essence of his work is the union with the feeling of life. In his work he explores the character of nature, both human and animal and how it progresses over time. He investigates ideas that link tradition and technology, the concept of globalisation appears subtly. The evolution and adaptation to the environment are terms that he represents, he likes to imagine how they were, they are and will be at that time we have not lived yet. From his beginnings in the world of art he have always wanted to express his idea of the world around us, its wonders and riches of our ancestors. Learn to imagine myths and legends… He is passionate about having a piece in mind, create it and have it suddenly in his hands… That feeling is incredible, the sculpture, watch it in the dark with a dim light and stay stunned by everything that can teach you with its millions profiles. - [Alex Bertaina](https://londoncontemporaryart.co.uk/product-category/paint/alex_bertaina/) - Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be his primary tool for communicating with the world, it wasn’t until an injury in his mid 20’s left him homebound, that he began to focus on his dream of becoming an artist. As a self taught painter, Alex never attended art school. However, in 1988 he was mentored under the guidance of Master, Marco Lattes. From here he began to refine his technical skills and knowledge. Bertaina has since gone on to exhibit across Europe and beyond. In 2014 his work saw him awarded the prestigious title of Taipei’s ‘Master of the Year’ and in 2016, Ukrainian composer Nik Savinich dedicated a session of his piano recordings to Alex, simply titled ‘Bertaina’ Currently living and working in Cuneo, North West Italy, Alex says “Painting is for me this dreamed landscape [consisting of] vertical or horizontal cuts… superimposing interplays, dismantled and dense images that look like rainbow geometries full of light and colour, [reflecting] its vibrancy and brilliance”. – Art Revolution, Taipei, Taiwan, 2015-2024 – X-Power Gallery, Shanghai, China 2019 – ArtClub Gallery, Lyon, France, Sept 2025 - [Jeff Cunningham](https://londoncontemporaryart.co.uk/product-category/sculpture/jeff_cunningham/) - ‘I studied HND Art & Design at the Glasgow College of Building & Printing before working as a set artist for “the Complex” theatre, Los Angeles. I then went on to study BSc “Special Effects” at Southbank University, London, which led to employment in the Art/Special Effects departments on major movie productions including the Oscar-winning “Last Samurai” and Steven Spielbergs’ Oscar-nominated “Munich”. After several years working as a fine artist in the industry, I realised a lifelong ambition, setting up my own glass studio to research and work with the diverse materials and challenging techniques involved in the creation of multi-layered glass sculpture.’ Jeff Cunningham - [Chris Arran](https://londoncontemporaryart.co.uk/product-category/prints/chris_arran/) - Lewes based artist Chris Arran has for many years created artworks for a wide variety of clients such as Vogue, Elle, The Guardian and The Washington Post. He has recently exhibited his work in Shanghai, Paris, Montreal and Vilnius. Chris works with acrylic paint and digital painting techniques. His work aims to look beyond the obvious, by using a collage compositional technique to capture the connectivity we all feel with objects, our environment and each other. Chris is a lecturer on the Fashion Communication degree at Brighton University and Associate lecturer at the London Collage of Fashion. - [Marco Araldi](https://londoncontemporaryart.co.uk/product-category/paint/marco_araldi/) - Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts for positioning at sea using star systems as well as revolution of the sun charts in his Mappa Mundi. His maps are done in ink, acrylic, watercolour and gild on canvas. - [Keng Wai Lee & Marco Araldi](https://londoncontemporaryart.co.uk/product-category/paint/keng-wai-lee-marco-araldi/) - The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic illustrations. Lee uses acrylic, focusing on subjects taken from nature; flowers, picturesque scenery, ocean habitats, and birds. The merging of these two different styles create a unique amalgamation of hard lines and soft painterly brushstrokes and the gilded canvases give the artwork an extra dimension based on light refraction. - [Ruth Thomas RCA](https://londoncontemporaryart.co.uk/product-category/prints/ruth-thomas-rca/) - Ruth Thomas RCA is a contemporary printmaker based in North Wales. She makes original prints inspired by nature. ‘My studio looks out over an open landscape of fields, woods and the Clwydian hills. A large flock of rooks is present all year round and I watch them feeding amongst the sheep or riding the wind on blustery days. In the garden, blue tits fight for food at the bird feeders. My favourite sound is the call of the buzzards that circle and wheel overhead. In summer, swallows fly over the field outside the studio window and not far away, at Gronant dunes on the coast, there is a breeding colony of Little Terns, the only one in Wales. Some of my latest work is inspired by these birds and the feathers I find while out walking. I start by cutting a paper stencil of the birds, then combine the stencil with individually inked feathers and print onto Maruishi, a delicate, translucent, Japanese paper. Each piece is made up of five or six layers so the resulting prints need to be carefully registered in order to make the final image. I like the interplay between the drawn image of the birds and the direct impression of the feathers. To me, the paper, birds and feathers all convey a sense of weightlessness and freedom. I have been producing hand-made original prints for many years, incorporating direct impressions from natural objects such as feathers, grass and seeds. Printmaking processes I use include relief printmaking, monoprint and collagraph (a print from a collage). My circular prints refer to planets, moons and natural phenomena; they are all collagraphs – hand-made prints from collaged printing plates – and in some plates I have used marram grass from the coast as the collage material. The printing plates are sealed with varnish, and when dry, ink is rubbed into the surface, or applied with a roller – the two ways of inking give a different result. The image is built up by over-printing layer upon layer.’ Ruth has a degree in Fine Art and a Master’s degree in Art & Design. Her work has been shown in venues all over the UK as well as overseas, including USA, France and Spain, and is represented in many public and private collections. She is a member of the Royal Cambrian Academy. - [Christopher Rainham](https://londoncontemporaryart.co.uk/product-category/paint/christopher-rainham/) - Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into language, the explanations of things, stories and beliefs. Animals and flowers and birds have their own symbolism. They are the characters in myths, some of the players in religious writings, metaphors for things that we can’t explain.The birds in his paintings are the motif of his design, the objects of his composition and an element of his pattern. Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely on it to survive. His responses may represent an image conjured by a text or a feeling found between the lines of the story or even disparate pieces of the story, his own knowledge and other beliefs all rolled into one. Christopher loves to work with paint, what it does, how it feels, smells, how in painting and drawing materials change and adapt, try and become something else in becoming a painting. All his work starts out with drawing, usually directly onto a primed canvas or board. He makes stencils of elements to be repeated or uses a digital projector to play with scale. Then he covers the whole surface with a range of earth colours, brown, ochre, blue or grey. At this point, Christopher starts to develop each element trying to create the colours that he wants. Often he needs to ‘knock back’ a painting by applying a wash of colour over the existing image. He then begins to develop his picture again. This gives him the freedom to play with the depth in an image. It also brings flexibility to the edges of objects in the picture plane, light, shade and modelling. Christopher finds starting a painting or drawing to be exhilarating, full of promise and possibilities. He is never daunted by the fear of the white sheet of paper or blank canvas. He has sometimes thought about offering his services to other artists as ‘Picture Starter’. Christopher enjoyed his work in education because it gave him the opportunity to generate new ideas in the minds of others. Many more ideas for paintings come and go. They are left somewhere between the supermarket car park and the studio door. The exchange of thought through his painting is what inspires Christopher to communicate. Defining the point when this should end and a picture becomes ‘finished’, that is the bit that he finds more difficult. I wonder if anyone offers that as a service to creatives? ‘Picture Finisher’! Awards: · bOlder support programme Castlefield Gallery and GMCA 2019 · The King of the Cats Arts Council funding 2014 · Short listed for the National open Art exhibition 2014 · Short listed for John Moores painting prize 2014 · Short listed for the John Moores painting prize 2010 · Publication fees Images 27 2003 · Artreach E.P.R. Warrington 1998 · North West Arts Board Photography and Print Scheme 1994 - [Claire Smith](https://londoncontemporaryart.co.uk/product-category/paint/claire-smith/) - Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved to southern Norway where she lived for 10 years before moving to San Francisco in 2015. Both of these locations can be clearly seen in her work. From the sparse, open vistas of the Norwegian sea to the angular, liminal sprawl of San Francisco bay area, Claire’s work is a direct reflection of the world around her. These distinctly different subjects are united by her ability to breath life into what is an otherwise a desolate view. The juxtaposition between the sky and the foreground is a regular feature, prompting a sense of calm contemplation. Presenting the viewer with familiar scenes from distinct perspectives, Claire’s work explores the familiar with a sense of novelty. Claire says: “Employing layers of colour I want to recreate the interplay between the landscape, light and seasons, bringing the illusion of depth to the two-dimensional surface.” - [Andrew Kinmont](https://londoncontemporaryart.co.uk/product-category/paint/andrew-kinmont/) - Andrew studied Fine Art at University of Wales, graduating with a first class Honours degree in 2007. He then obtained further training through St Martins College London and Westdene College, Chichester. Since then his work has met with critical acclaim and sells locally and internationally. His work has appeared on the cover of RISK magazine and published in ‘101 Abstract and Non-Figurative Artworks’ (Published January 2015). He was selected as an associate member of the Royal Birmingham Society of Artists and his work is regularly selected for the prestigious Royal Institute of Oil Painters annual exhibition at the Mall Galleries, London. In recognition of his growing status his name was recently added to the notable “Who’s Who in Art’ (Movern Press). In 2016 Andrew was one of only a few artists selected for membership of the prestigious Manchester Academy Of Fine Art. · RBSA Summer Exhibition June 2024, Member’s Exhibition Nov 2024 Jan 2025 · Membership of Manchester Academy of Fine Art · Selected for Royal Institute of Oil Painters Exhibition, London · “Top New Artist” Award from RiseArt I have an overwhelming urge to create. This drive comes from deep within me, a need to explore and find something to say, to have my own individual voice. As humans we have evolved from nature and therefore have a deeply ingrained physical and spiritual connection with it. I create paintings as a response to my own experience of landscape. In these places of solitude I find tranquility and a level of contentment that comes from being alone with your own thoughts, memories and dreams. I constantly experiment with a range of techniques to evoke the raw experience of nature. I like to go for a walks with my sketchbooks and camera and return to the studio to work from the images, memories and feelings. I alter things constantly in my paintings – I guess it’s like nature itself, in a continual state of change. I enjoy working on several paintings at the same time, constantly refining them or letting them rest as I decide what further work is needed. The resultant paintings are as much about my feelings and the atmosphere of a place as they are about how it looks. As a result they are not always ‘realistic’ and can be quite abstract. This is important as it allows viewers to bring their own interpretation and experience to the work. - [Gohar Goddard](https://londoncontemporaryart.co.uk/product-category/paint/gohar_goddard/) - Born in Persia, Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Rie, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat. ‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’ - [Ortaire de Coupigny](https://londoncontemporaryart.co.uk/product-category/mixed-media/ortaire_de_coupigny/) - Ortaire was born in Normandy, France. After studying Fine Art at Cherbourg he settled in the Bretagne area where he lives near the sea with his family. Ortaire works with various materials and pigments to create his unique painted fish before suspending them in paraffin wax and covering them with transparent resin. Genuine sardine tins (manufactured in his local area) are used where possible to create an interesting dynamic between an industrial, mass-produced everyday object and art. Using his unusual mix of materials, Ortaire aims to amuse and delight us with this unexpected marriage of the commercial and the artisan. Ortaire has exhibited work at The Royal Academy and throughout France, The Netherlands, United Kingdom and Switzerland. Ortaire de Coupigny – I am registered at the French national institution for professional painters and sculptors: “La Maison des artistes” – Ateliers d’art of the City of Paris, 1999-2002 – Stained Glass Art School, Paris, 2002-2003 – 2022 art fairs of Brussels, Hong Kong, London, Miami, Stockholm and New York - [Mark Munroe - Preston](https://londoncontemporaryart.co.uk/product-category/mixed-media/mark-munroe-preston/) - Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustration and computer design. Since then he has worked in many sections of the design and publishing industry. Mark lives and works in Sussex with his family and two Scottish Terriers (Fergus and Rufus). He is still inspired by the incredible landscapes around him and discovering amazing new places to photograph in Sussex, and beyond. Mark says “I have always enjoyed landscape photography and when I moved to Sussex in 2001 I began to explore the local countryside, and particularly the Ashdown Forest and the South Downs, with my dogs and my camera. It is from this ever-expanding collection of images that I draw the inspiration for my artworks. “These photographs are digitally merged with other photographs, paintings, drawings, textures, and found objects to create the final pieces. Some of the pictures are more literal interpretations of the places I have photographed, while others are more conceptual or graphic in their approach, but all seek to evoke the beauty, drama, and atmosphere of the landscapes around me.” Trees One question I am often asked is “why trees?”. For me landscapes without trees feel like they are missing something, trees are such an integral part of our perception of the world about us. I feel drawn to these incredible organisms, which can be diminutive, delicate, monumental or sculptural and being in the forest at dawn their serene beauty is so atmospheric. They provide so much for us, food, shade, air, materials and have played a huge part in human evolution and history. Recent scientific discoveries about how they communicate and help one another or their symbiotic relationship with Mycorrhizal fungi reveal another level of complexity and harmony in their ecosystems. Living such long lives it seems as though they become extensions of the land itself and that is why they have become the focus of my art. GPS coordinates & Map The names of the artworks often refer to the GPS coordinates where the original photograph was taken. – I studied for a degree in Visual Communications (specialising in Photography) at Wolverhampton Polytechnic. It was during my studies here that I developed an interest in landscape photography (creating a book of landscapes for my degree show) and using photography as illustrations (creating graphic novel version of Alice in Through the Looking Glass for my degree show) , both of which have influenced my career – I was greatly helped in the setting up of my business by a loan from the Princes Trust and met Prince Charles at an exhibition of PT business, where I was showing my work – I was doing a lot of product photography for a company that made prototype technology, which was fascinating, though now the products seem very dated. I very much enjoyed the challenges of lighting objects and worked for Cosmopolitan, and Mark Wilkinson. I also sold my pictures through The Image Bank for many years. – 1998-2018 – Some of my major clients through this period were newspapers such as The FT, The Sunday Times Magazine, Newsweek and The Telegraph. – Byard Art Exhibition, Cambridge, June 2025 – “Estivo” at Gallery Uno, June 2025 – Southern Nature Artists August 2025, largest independent nature art exhibition in the UK – Craft in Focus, Hever Castle, Sept 2025 – Chroma 2, America Square Conference Centre, London, 2023-2024 - [Moira Hazel](https://londoncontemporaryart.co.uk/product-category/paint/moirahazel/) - Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of a place or subject, not restricted to realism. Moira loves to travel both at home and abroad for inspiration, including annual visits to Australia. She especially enjoys the vibrant colours, light and brightness of the Mediterranean regions and is fascinated by the fishing villages of the West Country. I was born in South Wales and now live in Dorset having lived in East Anglia for nearly 30 years. Visual stimulation from different surroundings, colour combinations from nature or photographic images, or even a piece of fabric can create ideas for inclusion in a painting. · Addenbrookes Hospital, Cambridge – purchased 5 works as part of their collection - [Nicolle Menegaldo](https://londoncontemporaryart.co.uk/product-category/paint/nicollemenegaldo/) - Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my younger life in Africa and being surrounded by intense colours and textures but wanted to take it further than the art that was typically ‘African’. I did a degree in Art when I settled in the Uk and obtained a First Class Honours Degree in Art and Ceramics at Buckinghamshire University in 1999. I never managed to set up a Potters Studio for various reasons so decided to take my love of texture and colour and put it into painting. My subject matter is influenced by the many cultures I have been fortunate enough to experience. I am presently putting my focus on the way Women are seen in the various cultural traditions, for example Europe, Eastern Europe , Russian and various Caucasian countries. I also have a strong spiritual belief which may influence the way I portray women. I also like to paint still life for the simple colour and shape exercise that it presents.” - [Michael Hill](https://londoncontemporaryart.co.uk/product-category/paint/michael-hill/) - Michael Hill an artist from Plymouth has always had a love of drawing and a fascination for the painted image as far back as he can remember. After leaving school he studied art and graphic design, but quickly became aware that illustration and fine arts were the subjects he wanted to pursue. Shortly after leaving college he worked for some years as a freelance illustrator before taking up painting full time. My paintings have become more abstract of late but it is important to me to convey a strong sense of place together with an air of mystery. Coming from fragments of memory, the painting surface is built up through layers of colour, sometimes leaving previous areas of paint exposed, maybe to indicate the history of the work. · Regular exhibitor at the Royal Institute and the Royal Academy Summer Exhibitions · President of the Plymouth Watercolour Society · Member of the Plymouth Society of Artists - [Camille Dupont](https://londoncontemporaryart.co.uk/product-category/mixed-media/camille-dupont/) - Camille Lévesque, born on March 15, 1985, in the picturesque town of Aix-en-Provence, is a visionary French artist whose creativity knows no bounds. Her artistic journey is a testament to the seamless fusion of her traditional education in visual arts and digital mediums, resulting in a mesmerising symphony of colours that captivates the senses. It was in the early 2010s that Camille’s artistic trajectory took an exciting turn with the advent of digital art. Intrigued by the endless possibilities offered by technology, she seamlessly integrated digital techniques into her repertoire. Drawing from her training in traditional inks and acrylics, Camille harnessed the boundless potential of digital tools to craft a unique visual language, resonating with both traditional art enthusiasts and tech-savvy audiences. Camille’s digital art often explores themes of identity, nostalgia, and the exploration of virtual realms. Her works evoke a sense of ethereal beauty, with intricate details that invite viewers to delve deeper into the narrative woven within each piece. - [Sandy Steele-Perkins](https://londoncontemporaryart.co.uk/product-category/prints/sandy-steele-perkins/) - Sandy now focuses on distilling time, light and earth into his landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead. - [Roy Fairchild](https://londoncontemporaryart.co.uk/product-category/prints/roy-fairchild-prints/) - Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial artwork, as well as decorative art in the form of serigraphs and lithographs. He was eventually able to give up his commercial illustrations and return full time to his own painting and printmaking, which he produces under his family name, Fairchild. - [Ryan O'Donoghue](https://londoncontemporaryart.co.uk/product-category/prints/ryan-odonoghue/) - [Beryl Cook](https://londoncontemporaryart.co.uk/product-category/prints/berylcook/) - Beryl Cook’s appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings encapsulate joy; her style totally original, warm and so instantly recognisable that her work became part of our artistic vernacular. She possessed that rare gift – the power to uplift. Beryl travelled considerably, gleaning new material for her work, often discreetly sketching on small cards inside her handbag to be hidden from view. Based in her beloved Plymouth, she recorded local life with as much relish as that in Buenos Aries, New York, Cuba, Paris and Barcelona. Though a late starter, Beryl completed over 500 paintings in her relatively short painting career. - [Courty](https://londoncontemporaryart.co.uk/product-category/mixed-media/courty/) - Courty was born in the market town of Romford, Essex to a working-class family. Since 1987 Courty has dedicated his life to the art of tubular glass-blowing and the study of neon lights. A respected and well know English craftsmen of the 100-year-old art of glass-blowing neon tube lights, Courty is consistently exploring and pushing the boundaries of handmade neon light use in thr world of art and sculpture from his East London based studio. Not a classically trained artist, Courty has chosen to work from industry ground level and spent a lifetime working hands on with creative minds from around the world in the art and design arena, turning ideas and visions into ‘illumincation reality’ on spectacular level. With his experience, knowledge and technical expertise combined with his own personal creativity Courty produces unique, exclusive, limited edition neon artworks that culminate inti a beautifully crafted light art piece that aims to draw you in and explore its many properties. With almost three decades spent illuminating his beloved city of London and to have worked on international film sets and backdrops for TV and theatre it is likely that your eyes may have met and unknowingly been enlightened with his work before. Courty has also been privileged to have worked with some of the most famous names in the world. He has glass blown and fabricated neon art pieces that now form part of collections of world leaders, stars, the rich and famous as well as having made neon artworks that have been exhibited in some of the most prestigious galleries and art institutions in the UK. Courty is also extremely proud of the fact that only himself and a few other artist in the UK can truly claim to be the creator of his medium ‘Neon Art’. Courty describes his neon artworks as an exploration of light, colour and the written word. - [Katie Brent](https://londoncontemporaryart.co.uk/product-category/paint/katiebrent/) - Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, acrylic, mixed media and aquatint printing. First taking photographs or sketching directly ‘en situ’ to depict a particular moment in time and atmosphere. More recently Katie has been inspired by botanical scenes; in her garden in summertime, RHS Wisley and the splendour of the Hauser and Wirth Garden in Bruton, designed by Piet Oudolf. “I am drawn to the wonder of nature that surrounds me, I never tire of it, and seek to capture the atmosphere and splendor of it. It is a constant source of inspiration.” Upon completing a degree in graphic design and illustration at Central St. Martins School of Art and Design, then a Postgraduate Certificate in Education; Katie worked as an artist and muralist in London, then as a freelance artist for an art consultancy, her commissions featuring around the globe. - [Rupinder Khaira](https://londoncontemporaryart.co.uk/product-category/prints/rupinder-khaira/) - Rupinder Khaira is a graduate in MA Fine Art at the University of Creative Arts Canterbury (September 2021), specializing in exploring phenomenology, Buddhist philosophy and scientific perspectives. ‘I am interested in the components that affect our experience and interaction with the environment. My recent work explores questions related to whether objects exist independently or dependently’ – Rupinder Khaira - [Maureen Langley](https://londoncontemporaryart.co.uk/product-category/sculpture/maureenlangley/) - Maureen Langley is a renowned South African sculptor who has worked in South Africa, England and Wales. Maureen works with wood, bronze, marble and other materials grace buildings, churches, boardrooms and private homes and have been bought by collectors in South Africa the UK Europe, Germany, Switzerland and the USA. Maureen’s prevailing love is African Hardwood, on which she can create a magnificent sculpture with anything from a small chisel to a chainsaw. She has been able to pass on her love of sculpture and its techniques by teaching at various schools and colleges over four decades. Maureen sculpts for the sheer love of it because the hardwood she has selected demands to be carved into a certain form. - [Albert Gimenez](https://londoncontemporaryart.co.uk/product-category/paint/albert-gimenez/) - Albert Giménez is a young Spanish artist with a developing talent. In his works he gives much prominence to the subject of the painting and the light and atmosphere that surround it. With careful use of glazes and transparencies, and a very particular palette, Albert transforms well-known landscapes into almost magical subjects. His work has a peaceful and charming atmosphere suddenly altered by the presence of splashes, textures and bright colors. Education & Studio Practice 2017–2025 – Albert currently lives and work in Caldes de Malavella and Amsterdam 2009–2017 – Bachelor’s Degree – School of Arts and Design, Olot 2012–2014 – Specialization in Mural Painting, Italy Selected Awards • 2025 • XXXV Painting and Sculpture Prize for Emerging Artists – Benidorm (Alicante) • 2024 • Rei Jaume Prize – Mallorca • XV Sarmiento Painting Prize – Valladolid • Sant Jordi Prize – Es Castell (Menorca) • XXIV Young Creators Art Prize – Salamanca • XLI Jesús Madero Painting Prize – Ciudad Real • 2023 • XV Climent Muncunill Roca Prize – Manresa (Barcelona) • 2022 • XV Cotxeres-Casinet Painting Prize – Barcelona • I Vila de Sant Joan Young Painting Prize – Alicante • 2021 • XXIX Bello Piñeiro Prize – Galicia • I Bécquer Painting Prize – Noviercas (Soria) • XXXII Emerging Artists Prize – Benidorm (Alicante) • 2020 • XV Young Painting Competition – Castellón • XIV Visual Arts Prize – Las Rozas (Madrid) • XXXV Visual Arts Prize – Begur (Girona) • I Art & Cooperation Prize – CooperAR.Te, Zaragoza • 2019 • XVI National Young Creators Prize – Socuéllamos (Ciudad Real) • XL Sant Bartomeu Painting Prize – Menorca • XIII Climent Muncunill Roca Prize – Manresa (Barcelona) • Finalist – Álora Painting Prize (Málaga) • 2018 • II Young Painting Prize – Almassora (Castellón) • Finalist – Díaz Caneja Foundation Prize (Palencia) • XXXVI Painting Prize – Salvador Soria, Benissa (Alicante) • XIII Young Painting Competition – Castellón Group Exhibitions (2018–2025) • 2024 – El Claustre Gallery (Figueres), X-Power Gallery (Shanghai) • 2023 – X-Power Gallery (Shanghai), Get Art Museum (Taiwan), X-Power Gallery (Taiwan), Art Revolution Taipei (Taiwan) • 2022 – Du Pharos Gallery (France), El Claustre Gallery (Girona), Port 25 Gallery (L’Escala) • 2021 – El Claustre Gallery (Figueres), Ourense Museum of Art • 2020 – Jorge Alió Foundation (Alicante) • 2019 – Díaz Caneja Foundation Museum of Contemporary Art (Palencia) • 2018 – Salvador Soria Contemporary Art Museum (Alicante), La Cancula Exhibition Hall (Málaga), Casa de Cultura de Mora (Toledo) Solo Exhibitions (Recent) • 2024 – El Claustre Gallery (Figueres) • 2023 – El Claustre Gallery (Girona), Lluïsa Franch Gallery (Barcelona) • 2022 – Exhibition Hall (Begur) • 2021 – Cercle Artístic de Manresa Public & Private Collections • Salvador Soria Contemporary Art Museum (Alicante) • Manresa Museum • Castellón City Council • Ferreries City Council (Menorca) - [Artigas Planas](https://londoncontemporaryart.co.uk/product-category/sculpture/joan-artigas-planas/) - Joan Artigas Planas was born in 1960 in Vilassar de Dalt, Barcelona. In 1985 he graduated in Fine Arts at the University of Barcelona. In 1987 he produced his first public monument and his first solo show. In 1988 he won a position as teacher in the oppositions for the Art Schools of the Generalitat de Catalunya. Joan is currently still active as a teacher at the High School Pau Gargallo in Badalona, Barcelona As a sculptor he exhibits in a dozen countries and participates in about fifteen art fairs each year. He has always needed to express himself through art, when he was a child through drawing and painting, encouraged by his father who was an amateur painter and later, through sculpture, when he was already studying at the Faculty of Fine Arts in Barcelona. The sculptor Artigas Planas (Joan Artigas Planas) is one of the Catalan artists that has exhibited more in galleries and art fairs of all over Europe. Nowadays, he works regularly in art galleries of France, Belgium, Denmark, Netherland and Sweden. The main character of his works, is, without doubt, the woman, a timeless, and mythological woman, which rests on the top of unapproachable constructions. A woman that does huge efforts for surpassing the day to day walls. The woman made of bronze is warm and sensual and dances in a structure of rusted iron. The base rises impressively, creating a contradiction between both pieces. However, in Artigas Planas’ work , the geometrical base and the figure find a surprising harmony. In his sculptures the small goddess gets along with their everyday life. Joan is also able to show the efforts, joys and dreams of the quotidian life in their expressions. Despite that firstly it may seem that the work of Artigas Planas is easy to understand, it is actually complex and, specially, personal and deep. - [Mario Garcia Miro](https://londoncontemporaryart.co.uk/product-category/paint/mario-garcia-miro/) - Mario García Miró: A Life Dedicated to the Arts Mario García Miró was born in Barcelona, the city where he currently resides and has his studio. Academic Background Painting: Mario’s passion for art drove him to seek a solid education to perfect his natural talent. He enrolled in the prestigious University of Barcelona, earning a Bachelor’s degree in Fine Arts. There, he studied drawing, painting, sculpture, engraving, and graphic design, specializing in painting, with a particular focus on realistic landscapes. After completing his studies, Mario and several classmates traveled to France, the United Kingdom, the Netherlands, Italy, and Russia to observe and study masterpieces displayed in major museums. Eager to deepen his studies in landscape painting, he joined the renowned Olot Art School. At this institution, Mario had the privilege of meeting the brilliant painter Elías Garralda Alzugaray, the foremost exponent of Olot landscape painting. Mario was his disciple for two years. Photography: Composition and Light as Tools of Creation Photography is a vital part of Mario’s artistic career. For years, he has combined his passion for painting with his love for this medium, establishing two studios to explore different aspects of imagery: one for color photography and another for black-and-white photography. In his color studio, Mario experiments with vibrant tones and bold compositions, while in his black-and-white studio, he delves into the interplay of light and shadow, creating images rich in depth and meaning. This dual approach allows him to develop a unique understanding of composition and atmosphere, elements he masterfully incorporates into his paintings. “For me, photography is an exercise in mindfulness, a way of seeing the world with new eyes. Like painting, every detail matters, every shadow counts,” Mario García Miró biography. Painting: The Landscape Mario’s constant practice, combined with plein air painting sessions, allowed him to develop a deeper connection with the landscape. Capturing a scene full of light and serenity on canvas was always a challenge. Some days he returned to his studio disappointed by the results; other times, he was elated by his success. During these plein air sessions, he often took photographs to capture lighting changes in his chosen frame. Many of his paintings are created in his studio—a peaceful space where he can fully immerse himself in the creative process. Here, he studies his photographic references calmly and works on details without the pressures of changing outdoor conditions. His relationship with landscape painting has been a mix of love and frustration, an emotional tug-of-war that has shaped his artistic journey. On one hand, he deeply cherishes nature and the tranquility it provides. Painting landscapes allows him to capture the fleeting beauty of dawn skies or the stillness of a forest. The process gives him the chance to immortalize moments and feelings, forming an emotional connection that drives him to keep painting. On the other hand, there are moments of frustration—the struggle to achieve the perfect atmosphere, texture, or color blend. Yet, his love for the process and the satisfaction of seeing the final result keeps him persistent. Exploration and Evolution: Fusion of Landscapes with Pop Art After a long period of research and reflection on his art, Mario decided it was time to pursue deeper evolution and a distinctive personal style. While his love for landscape painting had grown over the years, he felt constrained by traditional techniques that didn’t fully capture his contemporary vision. He sought to express his connection to nature while also creating something relevant to the modern era—art that spoke not just of the natural world but also of his interpretation of it. This led him to experiment with merging landscapes and Pop Art. Pop Art’s vibrant aesthetics, flat colors, and bold depictions of the everyday offered a fresh perspective. He was drawn to its ability to transform the mundane into something meaningful and saw its energy as a way to breathe new life into landscape painting, which sometimes felt overly solemn or static. Initially, balancing these two worlds was challenging. He incorporated defined lines and repetitive patterns reminiscent of Pop Art while maintaining the essence of nature. Over time, he discovered that this fusion didn’t just alter his style; it created a unique way of seeing and expressing the landscape. His work became a blend of nature’s serenity and the visual energy of Pop Art, allowing him to connect more personally and contemporarily with his surroundings. Inclusion of Elements in Paintings: In his stylistic evolution, Mario found a unique way to enrich his realistic landscapes by blending them with Pop Art elements. This approach allowed him to incorporate vibrant living elements and everyday objects, adding freshness, dynamism, and unexpected symbolism to his compositions. Notable among these elements are animals in serene or playful poses, plants that invite a connection to nature, and fruits that, with their vibrant colors, evoke the fleeting beauty of organic life. Static objects: far from being mere adornments become silent protagonists in each painting’s narrative. Tin toys, musical instruments, and everyday artifacts act as symbolic anchors, connecting viewers with moments of nostalgia, playfulness, or creativity. Each element is carefully chosen to interact with the landscape, adding layers of meaning beyond the visual. This fusion of the natural and cultural, the living and the inert, reflects his desire to explore the connections between the ordinary and the extraordinary, creating scenes where realism intertwines with imagination and symbolism. Mario’s work also pays homage to great masters of painting, such as René Magritte, Dalí, and Picasso. Their influences are evident in the symbolic details and dreamlike compositions of his pieces. Urban Landscapes: In his constant artistic exploration, Mario expanded the visual richness of his outdoor landscapes by incorporating the complexity and dynamism of urban scenes, focusing on iconic cities like New York, San Francisco, and others. Each piece becomes a window into the city’s heart, where countless details come to life: the intricate perspectives of skyscrapers, the bustling streets, and countless windows revealing fragments of human stories. These details capture not only the cities’ physical appearances but also their essence, rhythm, and unique personality. New York’s iconic skyline and relentless energy challenge him to play with light, shadows, and reflections. San Francisco, with its rolling hills, majestic bridges, and distinctive architecture, offers a different creative palette. The Golden Gate Bridge, featured in many of his works, serves as a boundless source of inspiration. Its elegant, geometric silhouette contrasts with the natural landscapes of San Francisco Bay, creating a fascinating interplay of lines, light, and shadow. Exhibiting at: – X-Power Gallery, Shanghai, China – Get Art Museum, Taipei, Taiwan – Christopher Hill Gallery, California, USA – Hamdorff Art Fair, Laren, Holland – Silvia Snnacheribbo Gallery, Barcelona, Spain - [Megan Yelets](https://londoncontemporaryart.co.uk/product-category/paint/megan-yelets/) - Living in rural Kent, I am inspired by seasonal changes and the alterations in light, colour and texture of the local landscape. The scenery and atmosphere of Dungeness and the surrounding area also influence my work. As well as changing environments and weather, I also reference smaller shapes and forms within the landscape. Wet beach pebbles, winter leafless branches, animal tracks, hedgerows and long evening shadows. Sea and landscapes are the main narrative, although the paintings often describe atmosphere rather than being literal representations. I roughly plan the work but generally paint intuitively, making spontaneous decisions and problem solving as a painting develops. Many layers, some translucent, create depth of colour. Graduate of Kent Institute of Art and Design, Canterbury, 2003 Exhibitions Highpoint Market USA (Art in print. Represented by LDN Collections) April 2025 Art & Space Gallery Tenterden March 2025 Tenterden Artists Annual Exhibition 26th-27th October 2024 Biddenden Flair Festival 10 – 13th October 2024 Gallery 35 Cranbrook June- December 2024 South East Open Studios 1st-23rd June 2024 Stark Gallery Canterbury February – May 2024 Cranbrook Art Show 8th-11th November 2023 West End House Gallery Smarden ‘Home Grown’ 27th October- 17th November 2023 Tenterden Artists Annual Exhibition 28th-29th October 2023 London Contemporary Art OCEAN MUSES 1st July-1st August 2023 South East Open Studios 2nd-18th June 2023 Stark Gallery, Canterbury February – December 2022 - [Svetlana Kalachnik](https://londoncontemporaryart.co.uk/product-category/paint/svetlana-kalachnik/) - Svetlana Kalachnik’s unmistakable work expresses a mastery of the craft of painting, her art depicts situations of complicity between her characters; she takes the viewer into a world of fantasy mixed with reality. In Svetlana’s world, there is room for different situations, dreamlike landscapes, characters in constant movement, days of peace, a world of colour… In a her same calm space these different stories can coexist. Individual exhibitions: 2024 Municipal Exhibition Hall (Nerja) 2023 Benedito Gallery (Málaga) 2020 Benedito Gallery (Málaga) 2017 Municipal Exhibition Hall (Nerja) 2016 Benedito Gallery (Málaga); María Soto Gallery (Torre del Mar) 2015 Galerie de Kei (Holland) 2014 Milenium Gallery (Granada), Benedito Gallery (Malaga) 2013 Galerie de Kei (Holland) 2011 Benedito Gallery (Malaga) 2010 María Soto Gallery (Torre del Mar), Benedito Gallery (Malaga). 2009 Galería Mar (Barcelona),Galería Cartel (Granada),Galería María Soto (Torre del Mar) 2008 Galería Terra Ferma (Lleida) 2007 Galería Henarte (Málaga),Galería Mar (Barcelona),Galería E. Arímany (Tarragona) 2006 Galería Castelló 120 (Madrid) 2005 Galería Díaz-Oliva (Málaga) 2004 Ámbito Cultural de El Corte Inglés (Málaga) 2003 Galería Garduño (Seville) 2002 Unicaja Gallery (Málaga), Blas Infante Exhibition Hall (Casares) 2001 Cajamar Exhibition Hall (Málaga). 2000 Severnaya Stolitza Gallery (St. Petersburg, Russia) 1998 House of Culture of Russia (Reykjavik, Iceland) 1994-1996 French Embassy Voronez, Voronez Regional Library - [Barry Wilson](https://londoncontemporaryart.co.uk/product-category/paint/barry-wilson/) - Barry Wilson is a UK-based contemporary artist renowned for his innovative gold-leaf works. He trained at the Camberwell School of Art and was mentored by acclaimed artists including Bruce McLean, Cornelia Parker, Jock McFadyen and Ian McKeever. Wilson has developed a distinctive style that combines acrylics, gold leaf and industrial techniques, such as spray guns, scouring pads and water jets, to build layered surfaces that evoke a sense of vintage photography and memory. He has gained the opportunity to exhibit internationally in major galleries and museums. He was the recipient of the Saatchi Gallery Award in 2012 and was selected to exhibit at the Royal Academy Summer Exhibition in 2024–2025. - [Caroline Chinakwe](https://londoncontemporaryart.co.uk/product-category/mixed-media/caroline-chinakwe/) - Caroline Chinakwe is a British-Nigerian mixed media artist and creative director whose work has garnered significant attention for its bold visual language, layered storytelling, and powerful celebration of Black identity and culture. Caroline’s work sits at the intersection of fine art, fashion, and interior design, and has been commissioned and showcased by institutions such as the London Museum Docklands, Diageo, and The Langham Hotel. Most recently, she exhibited at South by Southwest London and was invited to feature at the Tennis Black List Awards during the HSBC Championships. - [Painting](https://londoncontemporaryart.co.uk/product-category/paint/) - [Ania Pieniazek](https://londoncontemporaryart.co.uk/product-category/paint/test-artist/) - Born in Katowice, in Poland, Ania displayed a talent for art in early childhood. From the age of 10, she began to attend additional art classes and received tutoring from a number of well-established Polish artists. At 13, she received her first oil paints from her ather and has worked in the medium for over 30 years now. She studied at Silesia Ufniversity in Cieszyn, Poland, and obtained her art diploma in 2003 in the studio of Tadeusz Rus. Ania works mainly on canvas in oil and likes to experiment with colours and shapes often creating the pictures from her imagination. Since moving to London in 2005, Ania’s paintings have been exhibited in numerous solo and joint exhibitions. Her work is on display with multiple galleries throughout the UK and can be found in the homes of collectors across the country. She had a great pleasure to exhibit with the Society of Women Artists at the Mall Galleries in London and with Chelsea Art Society at Chelsea Old Town Hall and she is frequently represented at the Affordable Art Fair and Fresh Art Fair. Statement: Painting gives me incredible freedom to interpret the world I see and feel. I take an object or a memory that inspires me and shape it onto a canvas with my emotions. Everything is organic, imperfect, no straight lines or right angles, even the edge of the table is wavy and bumpy. I love this natural order with no rules inspired by tree branches, meandering of rivers or oddly shaped fruits and flowers. Mixing oil paints on a pallet is therapeutic and exciting, because you can’t really tell what you might discover next. It could be a colour or a shade you have never seen before. I believe that colours have healing powers as I am instinctively drawn to a specific one or a combination, depending on my state of being. I like to experiment with the diverse possibilities of paint and other mediums. Working impasto with a pallet knife and scumbling – spreading the paint in such a way that the paint layer underneath shows through in rough, irregular patches or applying several layers and scratching or scraping the surface. Occasionally, I add collage or scribble with pencils or Posca pens. Most of the time I paint from memory to capture the essence of subject rather than a visual snapshot representation. Through stylised elements, textures and patterns I try to show the most delicate and elusive characteristics of a specific way of experiencing and expressing the world. By portraying blissful but fleeting moments I want to express the importance of finding time to be still in our hectic lives and to appreciate what is real and tangible. The smell of the flowers, the sweet taste of the fruit or the beauty of the sun rays reflecting in the glass jar, reminds us of what life is all about. Chasing your dreams may be fun, but only in the present moment is when miracles happen. - [Luis Morris ROI](https://londoncontemporaryart.co.uk/product-category/paint/luis-morris-roi/) - Luis Morris was born on the 24th October, 1963 in Wrexham. He left an Architecture degree course at Nottingham University to join De La Rue as an apprentice banknote designer in 1984. Over the next 13 years, Luis designed currencies for several countries around the world. Luis says, “Painting offers me the chance to celebrate light and the sensual joy derived from seeing. Good paintings are like diary pages- free from the self-editing that goes on when the painter worries what others may think. I like paintings that straddle the boundary between Abstract and Representational.” On his method of work, “I usually work in oil on shop bought canvas or MDF sealed and primed with Gesso. I work relatively small- average canvas size is 16 x 12 inches. I like to do preparatory tonal sketches in charcoal, as these help to work out composition and decide what canvas size to use. I use flat acrylic brushes because of the range of marks you can get with them, from flat patches of colour to sharp lines and dots. As the brush gets older the painting get less crisp, but this isn’t always a bad thing. If I could I would always work from life. I do work from photos I have taken, trying to remember what it was like when I was there, but am annoyed by the inevitable comparison with this other 2 -dimensional image.” · Member of the prestigious Royal Institute of Oil Painters. · Winner of the London heat of Sky Arts Portrait Artist of the Year, 2013. · Awarded the Leclerc Fowle Medal in 2019 for outstanding collection of paintings at ROI Exhibition · Appointed official Wimbledon Championships Artist – June 2019 · On board of Federation of British Artists (FBA) 2024 · Awarded Dartington Crystal Chalice for outstanding service to the ROI over the years. Dec 2023 - [Lisa House](https://londoncontemporaryart.co.uk/product-category/paint/lisa-house-paint/) - [Maxim](https://londoncontemporaryart.co.uk/product-category/mixed-media/maxim/) - Experience the captivating art of Maxim, where creativity becomes a portal to explore the intricate nature of humanity. Influenced by a deep love for the surreal, Maxim draws inspiration from various sources, including movies, books, and renowned artists such as Dali and Bosch. Through his mastery of mixed media, Maxim infuses each artwork with a distinctive and expressive edge. By juxtaposing objects in unexpected contexts, he creates thought-provoking and emotionally challenging pieces of art. The meaning behind each creation remains open to interpretation, inviting viewers to embark on their own personal journey of discovery. Discover the captivating world of Maxim’s art, where imagination knows no bounds. Immerse yourself in his evocative creations and experience the power of artistic expression. Explore our collection of Maxim’s art and unlock new perspectives today. ## Product tags - [Acrylic](https://londoncontemporaryart.co.uk/product-tag/acrylic/) - [Watercolour](https://londoncontemporaryart.co.uk/product-tag/watercolour/) - [Oil](https://londoncontemporaryart.co.uk/product-tag/oil/) - [Mixed Media](https://londoncontemporaryart.co.uk/product-tag/mixed-media/) - [Sculpture](https://londoncontemporaryart.co.uk/product-tag/sculpture/) - [Painting](https://londoncontemporaryart.co.uk/product-tag/painting/) - [Oil on Canvas](https://londoncontemporaryart.co.uk/product-tag/oil-on-canvas/) - [Hand-Cut Book](https://londoncontemporaryart.co.uk/product-tag/hand-cut-book/) - [Digital Print](https://londoncontemporaryart.co.uk/product-tag/digital-print/) - [Bronze](https://londoncontemporaryart.co.uk/product-tag/bronze/) - [Abstract](https://londoncontemporaryart.co.uk/product-tag/abstract/) - [Gold Leaf](https://londoncontemporaryart.co.uk/product-tag/gold-leaf/) - [Oil on Board](https://londoncontemporaryart.co.uk/product-tag/oil-on-board/) - 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[Original Print from Feathers](https://londoncontemporaryart.co.uk/product-tag/original-print-from-feathers/) - [with Stencil on Five Layers of Japanese Paper](https://londoncontemporaryart.co.uk/product-tag/with-stencil-on-five-layers-of-japanese-paper/) - [portland stone](https://londoncontemporaryart.co.uk/product-tag/portland-stone/) - [acrylic on panel](https://londoncontemporaryart.co.uk/product-tag/acrylic-on-panel/) - [Marco Araldi](https://londoncontemporaryart.co.uk/product-tag/marco-araldi/) - [Acrylic Painting](https://londoncontemporaryart.co.uk/product-tag/acrylic-painting/) - [Coastline](https://londoncontemporaryart.co.uk/product-tag/coastline/) - [Ellie Hesse](https://londoncontemporaryart.co.uk/product-tag/ellie-hesse/) - [Nature](https://londoncontemporaryart.co.uk/product-tag/nature/) - [Mark Munroe-Preston](https://londoncontemporaryart.co.uk/product-tag/mark-munroe-preston/) - [Digital Art](https://londoncontemporaryart.co.uk/product-tag/digital-art/) - [Animal Painting](https://londoncontemporaryart.co.uk/product-tag/animal-painting/) - [Painting on Canvas](https://londoncontemporaryart.co.uk/product-tag/painting-on-canvas/) - [Oil Painting](https://londoncontemporaryart.co.uk/product-tag/oil-painting/) - [Ceramics](https://londoncontemporaryart.co.uk/product-tag/ceramics/) - [Chalk Paint](https://londoncontemporaryart.co.uk/product-tag/chalk-paint/) - [Silkscreen Print](https://londoncontemporaryart.co.uk/product-tag/silkscreen-print/) - [Embellished Print](https://londoncontemporaryart.co.uk/product-tag/embellished-print/) - [Original](https://londoncontemporaryart.co.uk/product-tag/original/) - [Dibond](https://londoncontemporaryart.co.uk/product-tag/dibond/) - [giclee](https://londoncontemporaryart.co.uk/product-tag/giclee/) - [Limited Edition](https://londoncontemporaryart.co.uk/product-tag/limited-edition/) - [acrylic and metallic leaf](https://londoncontemporaryart.co.uk/product-tag/acrylic-and-metallic-leaf/) - [Acrylic and Mixed Media on canvas](https://londoncontemporaryart.co.uk/product-tag/acrylic-and-mixed-media-on-canvas/) - [Acrylic and gold leaf on panel](https://londoncontemporaryart.co.uk/product-tag/acrylic-and-gold-leaf-on-panel/) - [Acrylic and Ink and Gilding on Canvas](https://londoncontemporaryart.co.uk/product-tag/acrylic-and-ink-and-gilding-on-canvas/) - [New works](https://londoncontemporaryart.co.uk/product-tag/new-works/) ## Subjects - [Animal](https://londoncontemporaryart.co.uk/subject/animal/) - [Figurative](https://londoncontemporaryart.co.uk/subject/figurative/) - [painting](https://londoncontemporaryart.co.uk/subject/painting/) - [canvas](https://londoncontemporaryart.co.uk/subject/canvas/) - [London](https://londoncontemporaryart.co.uk/subject/london/) - [abstract](https://londoncontemporaryart.co.uk/subject/abstract/) - [urban](https://londoncontemporaryart.co.uk/subject/urban/)