Ryan O’Donoghue

 

Born in Essex in 1989, I have had an interest in photography all my life. Spun from my uncles career and him teaching me little by little since a young age. I decided on my own career in photography whilst studying Digital Film and Screen Arts at the University for the Creative Arts.

Plastic Heads, is a unique collection of images that explore the nostalgia and beauty of these beloved figures. Whether it’s a classic action figure from the 80s or a modern collectible, each shot captures the individual character of the toy and its place in our pop culture history. Using creative lighting, unexpected angles, and a keen eye for detail, I strive to create unique images that will capture the imagination of viewers and evoke a sense of nostalgia. Through my work, I hope to bring a fresh perspective to the timeless art of toy photography and inspire others to explore the beauty of these timeless objects. Whether you’re a fan of vintage toys or a collector of today’s figures, I invite you to explore my series and discover the beauty of each one of my Plastic Heads.

Born in Essex in 1989, I have had an interest in photography all my life. Spun from my uncles career and him teaching me little by little since a young age. I decided on my own career in photography whilst studying Digital Film and Screen Arts at the University for the Creative Arts. Plastic Heads, is a unique collection of images that explore the nostalgia and beauty of these beloved figures. Whether it’s a classic action figure from the 80s or a modern collectible, each shot captures the individual character of the toy and its place in our pop culture history. Using creative lighting,Learn more about this artist

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Sandy Steele-Perkins

 

Sandy now focuses on distilling time, light and earth into her landscape images.

Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead.

Sandy now focuses on distilling time, light and earth into her landscape images. Rocks, islands. Distant land. Is an exploration of a haiku approach to landscape photography. Look at the physical world and see something deeper, like the nature of existence itself. Wishing to leave the viewer with a deeper feeling or impression of our relationship with the earth and the journey ahead.

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